Founded | 1932 |
---|---|
Founder | Denis Glover |
Country of origin | New Zealand |
Publication types | Commercial printing, previously literary fiction and poetry |
Official website | Official website |
Caxton Press is a printing company founded in 1935 in a partnership between Denis Glover and John Drew. The press printed the work of many New Zealand writers who have since become familiar names in New Zealand literature, and from 1947 to 1992 was the printer of Landfall, New Zealand's longest-running literary journal. As of 2023 [update] the press is focussed on commercial printing.
In 1932 Denis Glover and a group of fellow University of Canterbury students created the Caxton Club. It was partly inspired by a desire at the height of the depression to help create an identity for the political left. [1] The club acquired a hand-run printing press and produced the short-lived magazines Oriflamme (banned by the university for its radical content) and Sirocco. [2] [3] The club also published an anthology of poems titled New Poems in July 1934, which included works by Glover, Charles Brasch, Allen Curnow, A. R. D. Fairburn and R. A. K. Mason. [3]
After graduating from university, in 1935 Glover and partner John Drew established the Caxton Club Press as a commercial printer and publisher. They acquired a larger machine-run printing press and established themselves in unused stables in Christchurch's central city. They published poems and pamphlets by Curnow, Glover and Fairburn, and also took on commercial printing jobs. In 1936 the name was shortened to the Caxton Press, and they published works by Mason, Glover, Curnow, Ursula Bethell and D'Arcy Cresswell, as well as a collection of poems from Tomorrow magazine. [3]
In 1937 they acquired more professional premises and a better printer, and Leo Bensemann joined as a partner in the business. His work Fantastica: Thirteen Drawings was published in 1937 and was their most expensive and complex publication so far. They also began to print longer prose works such as works by Frank Sargeson and M. H. Holcroft. [3]
During the World War II, Glover served in the navy but publications continued, including Beyond the Palisade, the first book by James K. Baxter (1944) who was then eighteen. [3] After Glover's return, Caxton's publications continued including notably two anthologies in 1945: A Book of New Zealand Verse 1923–45 (edited by Curnow) and Speaking for Ourselves (a collection of short stories edited by Sargeson). [3]
From 1947 to 1992 the press printed Landfall , New Zealand's longest-running literary magazine, which was subsequently taken over by Otago University Press. [4]
In 1951 the press moved again to a new building in Victoria Street, Christchurch, and Glover was dismissed from the press due to problems caused by his alcoholism. [3] [2] Thereafter the press published more commercial and less literary work, although did continue publishing works by Brasch, Sargeson, Ruth Dallas and others. [3] In 1962 the anthology Landfall Country: Work from Landfall 1947–1961 was published, which was the longest work ever published by Caxton. [3]
In 1978 the press was sold to Bascands, another Christchurch-based printing company. During the 1980s it published the Caxton Press New Poets series, edited by Michael Harlow. A anthology of New Zealand poetry, edited by Mark Williams, was published in 1987 to mark fifty years since the founding of the press. [3]
In March 2015, the press moved out of the central city of Christchurch and into the suburb of Wigram, following damage to their central city premises in the 2011 Christchurch earthquake. [5] [6]
Notable poets and authors published by Caxton press have included: [3]
New Zealand literature is literature, both oral and written, produced by the people of New Zealand. It often deals with New Zealand themes, people or places, is written predominantly in New Zealand English, and features Māori culture and the use of the Māori language. Before the arrival and settlement of Europeans in New Zealand in the 19th century, Māori culture had a strong oral tradition. Early European settlers wrote about their experiences travelling and exploring New Zealand. The concept of a "New Zealand literature", as distinct from English literature, did not originate until the 20th century, when authors began exploring themes of landscape, isolation, and the emerging New Zealand national identity. Māori writers became more prominent in the latter half of the 20th century, and Māori language and culture have become an increasingly important part of New Zealand literature.
James Keir Baxter was a New Zealand poet and playwright. He was also known as an activist for the preservation of Māori culture. He is one of New Zealand's most well-known and controversial literary figures. He was a prolific writer who produced numerous poems, plays and articles in his short life, and was regarded as the preeminent writer of his generation. He suffered from alcoholism until the late 1950s. He converted to Catholicism and established a controversial commune at Jerusalem, New Zealand, in 1969. He was married to writer Jacquie Sturm.
Frank Sargeson was a New Zealand short story writer and novelist. Born in Hamilton, Sargeson had a middle-class and puritanical upbringing, and initially worked as a lawyer. After travelling to the United Kingdom for two years and working as a clerk on his return, he was convicted of indecent assault for a homosexual encounter and moved to live on his uncle's farm for a period. Having already written and published some short stories in the late 1920s, he began to focus on his writing and moved into his parents' holiday cottage where he would live for the rest of his life.
Alistair Te Ariki Campbell ONZM was a poet, playwright, and novelist. Born in the Cook Islands, he was the son of a Cook Island Māori mother and a Pākehā father, who both died when he was young, leading to him growing up in a New Zealand orphanage. He became a prolific poet and writer, with a lyrical and romantic style tempered by a darkness borne out of his difficult childhood and struggles with mental health as a young adult. Although he wrote about Māori culture from his earliest works, after a revelatory return to the Cook Islands in 1976, his later works increasingly featured Pasifika culture and themes. He received a number of notable awards during his lifetime including the New Zealand Book Award for Poetry and Prime Minister's Award for Literary Achievement, and is considered one of New Zealand's foremost poets as well as a pioneer of Pasifika literature written in English.
Thomas Allen Monro Curnow was a New Zealand poet and journalist.
Denis James Matthews Glover was a New Zealand poet and publisher. Born in Dunedin, he attended the University of Canterbury where he obtained a Bachelor of Arts, and subsequently lectured. He worked as a reporter and editor for a time, and in 1937 founded the Caxton Press, which published the works of many well-known New Zealand writers of the day. After a period of service in World War II, he and his friend Charles Brasch founded the literary magazine Landfall, which Caxton began publishing in 1947.
Landfall in Unknown Seas is a work for narrator and string orchestra written by New Zealand composer Douglas Lilburn and poet Allen Curnow in 1942. It was the second in Lilburn's early trilogy of works dealing with the theme of New Zealand identity, following the overture Aotearoa and preceding A Song of Islands.
Charles Orwell Brasch was a New Zealand poet, literary editor and arts patron. He was the founding editor of the literary journal Landfall, and through his 20 years of editing the journal, had a significant impact on the development of a literary and artistic culture in New Zealand. His poetry continues to be published in anthologies today, and he provided substantial philanthropic support to the arts in New Zealand, including by establishing the Robert Burns Fellowship, the Frances Hodgkins Fellowship and the Mozart Fellowship at the University of Otago, by providing financial support to New Zealand writers and artists during his lifetime, and by bequeathing his extensive collection of books and artwork in his will to the Hocken Library and the University of Otago.
Landfall is New Zealand's oldest extant literary magazine. The magazine is published biannually by Otago University Press. As of 2020, it consists of a paperback publication of about 200 pages. The website Landfall Review Online also publishes new literary reviews monthly. The magazine features new fiction and poetry, biographical and critical essays, cultural commentary, and reviews of books, art, film, drama, and dance.
Riemke Ensing is a Dutch-born New Zealand poet. She has published and edited numerous books and is notable for synthesising European and New Zealand influences in her work.
Elizabeth Edwina Smither is a New Zealand poet and writer.
Mary Ursula Bethell, was a New Zealand social worker and poet. She settled at the age of 50 at Rise Cottage on the Cashmere Hills near Christchurch, with her companion Effie Pollen, where she created a sheltered garden with views over the city and towards the Southern Alps, and began writing poems about the landscape. Although she considered herself "by birth and choice English", and spent her life travelling between England and New Zealand, she was one of the first distinctively New Zealand poets, seen today as a pioneer of its modern poetry.
Robin Nelson Dudding was a New Zealand literary editor and journalist who founded the influential literary journal Islands (1972–1988).
Heather Avis McPherson was a feminist poet, publisher and editor who played a key role in supporting women artists and writers in New Zealand. In 1976, she founded the Spiral Collective group and Spiral, a women's arts and literary journal that later published monographs. Her poetry book A Figurehead: A Face (1982) was the first book of poetry published in New Zealand by an openly lesbian woman. She published three further collections during her lifetime, and an additional collection was published posthumously by fellow Spiral members.
Owen Leeming is a New Zealand poet, playwright, radio presenter and television producer. While working in broadcasting in London and New Zealand in the 1950s and 1960s, he had short stories and poems published in various magazines and journals, and wrote stage and radio plays. In 1970 he was the first recipient of one of New Zealand's foremost literary awards, the Katherine Mansfield Menton Fellowship, after which he published his first collection of poetry. Later in life he settled in France and became a translator. His second collection of poetry was published in 2018, over four decades after his first collection, followed by a collection of selected works in 2021.
Iain Malcolm Lonie was a British-born New Zealand poet and a historian of ancient Greek medicine. His academic career was spent between New Zealand, Australia and England. He read classics at the University of Cambridge, lectured at universities in both Australia and New Zealand, worked as a research fellow for the Wellcome Trust, and wrote a definitive textbook on the Hippocratic texts On Generation, On the Nature of the Child and Diseases IV.
Judith Muriel Lonie was an Australian poet. She published one volume of poetry during her lifetime, with a second published posthumously; her poetry was often about personal or intimate subjects but treated in an impersonal way. Her poems have been included in several anthologies. Her husband, the New Zealand poet Iain Lonie, wrote three volumes of poetry about the intense grief he felt after her death.
The Plumb trilogy is a series of three novels written by New Zealand author Maurice Gee: Plumb (1978), Meg (1981), and Sole Survivor (1983). The trilogy follows the lives of a New Zealand family across three generations, exploring the impacts of history, politics and religion on the family, and has been described by New Zealand writers and literary critics as one of the greatest achievements in New Zealand literature.
Tomorrow was a left-wing magazine in New Zealand from 1934 to 1940, edited by Kennaway Henderson.
Cathie Koa Dunsford is a New Zealand novelist, poet, anthologist, lecturer and publishing consultant. She has edited several anthologies of feminist, lesbian and Māori/Pasifika writing, including in 1986 the first anthology of new women's writing in New Zealand. She is also known for her novel Cowrie (1994) and later novels in the same series. Her work is influenced by her identity as a lesbian woman with Māori and Hawaiian heritage.