Cecilia Barriga

Last updated
Cecilia Barriga
Cecilia Barriga.jpg
Barriga in 2015 filming the 7N Spanish national march
Born1957 (age 6566) [1]
Concepción, Chile
Alma mater Complutense University of Madrid
Columbia University
Occupation(s)Filmmaker, director

Cecilia Barriga (born 1957) is a Chilean-Spanish film director. Her 1991 film Meeting Two Queens was shown at Montreal Women's Film and Video Festival and New York International Festival of Gay and Lesbian Film. She directed her first feature film Time's Up! in New York City. It premiered at the Donostia-San Sebastián Film Festival in 2000 as part of Zabaltegi.

Contents

Education

She left home at 19 to study sound and image at the Complutense University of Madrid. [1] In 1983 she began her career in cinema, and in 1984 completed her university degree. [1] In 1994, she moved to New York to further her studies in screenwriting and video art at Columbia University. [1]

Meeting Two Queens (1991)

Meeting Two Queens or Encuentro entre dos Reinas is Barriga's attempt at re-editing and cutting various scenes from films featuring Hollywood stars Greta Garbo and Marlene Dietrich in order to create a space for lesbian identity politics and identity formation. [2] It offers an alternative viewing of these famous Hollywood stars which effectively re-envisions them as icons of the burgeoning gay and lesbian movement of the early 1990s. [3] Meeting Two Queens engages feminist politics due to it being a fan-made film for fans of Garbo and Dietrich - stars who are significant in film history, lesbian subculture, and feminist criticism. [2] Barriga's film also assists in validating one's sexual identity with Hollywood role models, which is both empowering and liberating for the formation of gay identity and solidarity. [2]

Mary Desjardins writes in Film Quarterly that, "Film scholars have placed these works within the avant-garde because their construction through appropriation and juxtaposition of fragments from a variety of films supposedly offers a commentary on the meaning process of all films." [2] The critic B. Ruby Rich in New Queer Cinema: The Director’s Cut comments that Barriga's Meeting Two Queens, "re-edits Dietrich and Garbo movies to construct a dream narrative: get the girls together, help them meet, let them get it on".(Encuentro entre dos Reinas, 1991) [4] In The Girls in the Back Room: Looking at the Lesbian Bar, Kelly Hankin notes that Meeting Two Queens, "skillfully juxtaposes spare parts from a range of classical Hollywood films to depict a romance between Greta Garbo and Marlene Dietrich". [5]

Filmography (director)

See also

Related Research Articles

<span class="mw-page-title-main">Greta Garbo</span> Swedish-American actress (1905–1990)

Greta Garbo was a Swedish-American actress. Regarded as one of the greatest screen actresses of all time, she was known for her melancholic, somber persona, her film portrayals of tragic characters, and her subtle and understated performances. In 1999, the American Film Institute ranked Garbo fifth on its list of the greatest female stars of classic Hollywood cinema.

<span class="mw-page-title-main">Marlene Dietrich</span> German actress and singer (1901–1992)

Marie Magdalene "Marlene" Dietrich was a German and American actress and singer whose career spanned from the 1910s to the 1980s.

<span class="mw-page-title-main">Mercedes de Acosta</span> 20th-century American poet, playwright, and novelist (1892–1968)

Mercedes de Acosta was an American poet, playwright, and novelist. Although she failed to achieve artistic and professional distinction, de Acosta is known for her many lesbian affairs with celebrated Broadway and Hollywood personalities including Alla Nazimova, Isadora Duncan, Eva Le Gallienne, and Marlene Dietrich. Her best-known involvement was with Greta Garbo with whom, in 1931, she began a sporadic and volatile romance. Her 1960 memoir, Here Lies the Heart, is considered part of gay history insofar that it hints at the lesbian element in some of her relationships.

"New Queer Cinema" is a term first coined by the academic B. Ruby Rich in Sight & Sound magazine in 1992 to define and describe a movement in queer-themed independent filmmaking in the early 1990s.

<span class="mw-page-title-main">Laura Mulvey</span> British feminist film theorist

Laura Mulvey is a British feminist film theorist. She was educated at St Hilda's College, Oxford. She is currently professor of film and media studies at Birkbeck, University of London. She previously taught at Bulmershe College, the London College of Printing, the University of East Anglia, and the British Film Institute.

<span class="mw-page-title-main">David Bret</span> British biographer

David Bret is a British author of show business biographies. He chiefly writes on the private life of film stars and singers.

<span class="mw-page-title-main">Jean O'Leary</span> American lesbian and gay rights activist

Jean O'Leary was an American lesbian and gay rights activist. She was the founder of Lesbian Feminist Liberation, one of the first lesbian activist groups in the women's movement, and an early member and co-director of the National Gay and Lesbian Task Force. She co-founded National Coming Out Day.

<span class="mw-page-title-main">B. Ruby Rich</span> American scholar and film critic

B. Ruby Rich is an American scholar; critic of independent, Latin American, documentary, feminist, and queer films; and a professor emerita of Film & Digital Media and Social Documentation at UC Santa Cruz. Among her many contributions, she is known for coining the term "New Queer Cinema". She is currently the editor of Film Quarterly, a scholarly film journal published by University of California Press.

Rose Troche is an American film and television director, television producer, and screenwriter.

<span class="mw-page-title-main">Richard Dyer</span> British academic, queer theorist and film critic

Richard Dyer is an English academic who held a professorship in the Department of Film Studies at King's College London. Specialising in cinema, queer theory, and the relationship between entertainment and representations of race, sexuality, and gender, he was previously a faculty member of the Film Studies Department at the University of Warwick for many years and has held a number of visiting professorships in the United Kingdom, the United States, Italy, Sweden, Denmark, and Germany.

Mary Wings is an active American cartoonist, writer, and artist. She is known for highlighting lesbian themes in her work. In 1973, she made history by releasing Come Out Comix, the first lesbian comic book. She is also known for her series of detective novels featuring lesbian heroine Emma Victor. Divine Victim, Wings' only Gothic novel, won the Lambda Literary Award for Lesbian Mystery in 1994.

<span class="mw-page-title-main">Marlene Dietrich filmography</span>

Marlene Dietrich was a German and American actress and singer.

Queer pornography depicts performers with various gender identities and sexual orientations interacting and exploring genres of desire and pleasure in unique ways. These conveyed interactions distinctively seek to challenge the conventional modes of portraying and experiencing sexually explicit content. Scholar Ingrid Ryberg additionally includes two main objectives of queer pornography in her definition as "interrogating and troubling gender and sexual categories and aiming at sexual arousal."

Since the transition into the modern-day gay rights movement, homosexuality has appeared more frequently in American film and cinema.

<i>The Girls: Sappho Goes to Hollywood</i>

The Girls: Sappho Goes To Hollywood is a 2000 book by Diana McLellan that speculates on a romance between Greta Garbo and Marlene Dietrich. The Observer found it "purely speculative" and "uncorroborated". Kirkus found it "lively". Publishers Weekly was more approving, saying McLellan was able to "bring a broader context and new sense of scholarship to the subject". The Houston Chronicle praised "exhaustive" research and found the book far from salacious.

<span class="mw-page-title-main">Melbourne Queer Film Festival</span>

The Melbourne Queer Film Festival is an annual LGBT film festival held in Melbourne, Victoria, Australia. Held in November, the festival is regarded as the largest queer film event in the Southern Hemisphere. The festival attracts around 23,000 attendees at key locations around Melbourne.

Queer art, also known as LGBT+ art or queer aesthetics, broadly refers to modern and contemporary visual art practices that draw on lesbian, gay, bisexual, transgender, and various non-heterosexual, non-cisgender imagery and issues. While by definition there can be no singular "queer art", contemporary artists who identify their practices as queer often call upon "utopian and dystopian alternatives to the ordinary, adopt outlaw stances, embrace criminality and opacity, and forge unprecedented kinships and relationships." Queer art is also occasionally very much about sex and the embracing of unauthorised desires.

References

  1. 1 2 3 4 "Cecilia Barriga". Women Make Movies. 2005.
  2. 1 2 3 4 Desjardins, Mary (Spring 1995). ""Meeting Two Queens": Feminist Film-Making, Identity Politics, and the Melodramatic Fantasy". Film Quarterly. 48 (3): 26–33. doi:10.2307/1213292. JSTOR   1213292.
  3. Wees, William C. (Winter 2002). "The ambiguous aura of Hollywood stars in avant-garde found-footage films". Cinema Journal. 41 (2): 3–18. doi:10.1353/cj.2002.0006 . Retrieved Oct 3, 2015.
  4. B. Ruby Rich (26 March 2013). New Queer Cinema: The Director's Cut. Duke University Press. pp. 25–. ISBN   978-0-8223-5428-4.
  5. Kelly Hankin (2002). The Girls in the Back Room: Looking at the Lesbian Bar . U of Minnesota Press. pp.  81–. ISBN   978-0-8166-3928-1.