Tláloc is the god of rain in Aztec religion. He was also a deity of earthly fertility and water, worshipped as a giver of life and sustenance. This came to be due to many rituals, and sacrifices that were held in his name. He was feared, but not maliciously, for his power over hail, thunder, lightning, and even rain. He is also associated with caves, springs, and mountains, most specifically the sacred mountain where he was believed to reside. Cerro Tláloc is very important in understanding how rituals surrounding this deity played out. His followers were one of the oldest and most universal in ancient Mexico.
Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. The Aztecs were Nahuatl-speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures. According to legend, the various groups who became the Aztecs arrived from the North into the Anahuac valley around Lake Texcoco. The location of this valley and lake of destination is clear – it is the heart of modern Mexico City – but little can be known with certainty about the origin of the Aztec. There are different accounts of their origin. In the myth, the ancestors of the Mexica/Aztec came from a place in the north called Aztlan, the last of seven nahuatlacas to make the journey southward, hence their name "Azteca." Other accounts cite their origin in Chicomoztoc, "the place of the seven caves", or at Tamoanchan.
Huitzilopochtli is the solar and war deity of sacrifice in Aztec religion. He was also the patron god of the Aztecs and their capital city, Tenochtitlan. He wielded Xiuhcoatl, the fire serpent, as a weapon, thus also associating Huitzilopochtli with fire.
Juan O'Gorman was a Mexican painter and architect.
Coyoacán is a borough in Mexico City. The former village is now the borough's "historic center". The name comes from Nahuatl and most likely means "place of coyotes", when the Aztecs named a pre-Hispanic village on the southern shore of Lake Texcoco dominated by the Tepanec people. Against Aztec domination, these people allied with the Spanish, who used the area as a headquarters during the Spanish conquest of the Aztec Empire and made it the first capital of New Spain between 1521 and 1523.
Cacaxtla is an archaeological site located near the southern border of the Mexican state of Tlaxcala. It contains a sprawling palace with vibrantly colored murals painted in Maya style. The nearby site of Xochitecatl was a more public ceremonial complex associated with Cacaxtla. Cacaxtla and Xochitecatl prospered 650–900 CE, probably controlling important trade routes through the region with an enclave population of no more than 10,000 people.
The Great Pyramid of Cholula, also known as Tlachihualtepetl, is a complex located in Cholula, Puebla, Mexico. It is the largest archaeological site of a pyramid (temple) in the world, as well as the largest pyramid by volume known to exist in the world today. The adobe brick pyramid stands 25 metres (82 ft) above the surrounding plain, which is significantly shorter than the Great Pyramid of Giza's height of 146.6 metres (481 ft), but much wider, measuring 300 by 315 metres in its final form, compared to the Great Pyramid's base dimensions of 230.3 by 230.3 metres. The pyramid is a temple that traditionally has been viewed as having been dedicated to the god Quetzalcoatl. The architectural style of the building was linked closely to that of Teotihuacan in the Valley of Mexico, although influence from the Gulf Coast is evident as well, especially from El Tajín.
The Templo Mayor was the main temple of the Mexica people in their capital city of Tenochtitlan, which is now Mexico City. Its architectural style belongs to the late Postclassic period of Mesoamerica. The temple was called Huēyi Teōcalli in the Nahuatl language. It was dedicated simultaneously to Huitzilopochtli, god of war, and Tlaloc, god of rain and agriculture, each of which had a shrine at the top of the pyramid with separate staircases. The central spire was devoted to Quetzalcoatl in his form as the wind god, Ehecatl. The temple devoted to Huitzilopochtli and Tlaloc, measuring approximately 100 by 80 m at its base, dominated the Sacred Precinct. Construction of the first temple began sometime after 1325, and it was rebuilt six times. The temple was almost totally destroyed by the Spanish in 1521, and the Mexico City Metropolitan Cathedral was built in its place.
The Olympic Stadium is a multi-purpose stadium located inside Ciudad Universitaria in Mexico City. It was built in 1952 and at that time was the largest stadium in Mexico. This stadium has a capacity of 69,000. The first major event held in the stadium was the 1955 Pan American Games. During the 1950s and the 1960s this stadium was used mostly for college American football matches between the largest Mexican public universities at the time: UNAM and IPN. From the late 1950s it was used for football matches, some American football matches and athletics. American architect Frank Lloyd Wright called it "the most important building in the modern America".
Ciudad Universitaria is the main campus of the National Autonomous University of Mexico (UNAM), located in Coyoacán borough in the southern part of Mexico City. Designed by architects Mario Pani and Enrique del Moral, it encloses the Olympic Stadium, about 40 faculties and institutes, the Cultural Center, an ecological reserve, the Central Library, and a few museums. It was built during the 1950s on an ancient solidified lava bed in Coyoacán called "El Pedregal" to replace the scattered buildings in downtown Mexico City where classes were given. It was completed in 1954 at a cost of approximately $25 million. It was declared a World Heritage Site by UNESCO in 2007.
The Diego Rivera Anahuacalli Museum is a museum and arts center in Mexico City, located in the San Pablo de Tepetlapa neighborhood of Coyoacán, 10 minutes by car from the Frida Kahlo Museum, as well as from the tourist neighborhood of this district.
The National Palace is the seat of the federal executive in Mexico. Since 2018 it has also served as the official residence for the President of Mexico. It is located on Mexico City's main square, the Plaza de la Constitución. This site has been a palace for the ruling class of Mexico since the Aztec Empire, and much of the current palace's building materials are from the original one that belonged to the 16th-century leader Moctezuma II.
The School of Architecture at UNAM is one of the leading schools of architecture and design in Mexico. It offers undergraduate and postgraduate studies in architecture, landscape architecture, urbanism and industrial design.
Tlatelolco is an archaeological excavation site in Mexico City, Mexico, where remains of the pre-Columbian city-state of the same name have been found. It is centered on the Plaza de las Tres Culturas. On one side of the square is this excavated Tlatelolco site, on a second is the oldest European school of higher learning in the Americas called the Colegio de Santa Cruz de Tlatelolco, and on the third stands a mid-20th-century modern office complex, formerly housing the Mexican Foreign Ministry, and since 2005 used as the Centro Cultural Universitario of UNAM.
José Chávez Morado was a Mexican artist who was associated with the Mexican muralism movement of the 20th century. His generation followed that of Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros. Although Chávez Morado took classes in California and Mexico, he is considered to be mostly self-taught. He experimented with various materials, and was an early user of Italian mosaic in monumental works. His major works include murals at the Ciudad Universitaria, Secretaría de Comunicaciones y Transportes and Museo Nacional de Antropología in Mexico City as well as frescos at the Alhóndiga de Granaditas, which took twelve years to paint. From the 1940s on, he also worked as a cultural promoter, establishing a number of cultural institutions especially in his home state of Guanajuato including the Museo de Arte Olga Costa - José Chávez Morado, named after himself and his wife, artist Olga Costa.
Quetzalcoatl is a deity in Aztec culture and literature. Among the Aztecs, he was related to wind, Venus, Sun, merchants, arts, crafts, knowledge, and learning. He was also the patron god of the Aztec priesthood. He was one of several important gods in the Aztec pantheon, along with the gods Tlaloc, Tezcatlipoca and Huitzilopochtli. The two other gods represented by the planet Venus are Tlaloc and Xolotl.
The architecture of Mexico reflects the influences of various cultures, regions, and periods that have shaped the country's history and identity. In the pre-Columbian era, distinct styles emerged that reflected the distinct cultures of the indigenous peoples of Mexico, particularly in the architecture of Mesoamerica. During the colonial era, the region was transformed by successive styles from Europe. With the foremost style during this era being Mexican Baroque.
Presencia de América Latina, also known as Integración de América Latina, is a mural painted by Mexican artist Jorge González Camarena between November 1964 and April 1965. The 300-square-meter mural, painted in acrylics on rough stucco, is located in the lobby of the Casa del Arte of the University of Concepción, in Concepción, Chile. Its principal theme is the unity and brotherhood of the different Latin American cultures.
The Double-headed serpent is an Aztec sculpture. It is a snake with two heads composed of mostly turquoise pieces applied to a wooden base. It came from Aztec Mexico and might have been worn or displayed in religious ceremonies. The mosaic is made of pieces of turquoise, spiny oyster shell and conch shell. The sculpture is at the British Museum. Ancient Aztecs have also termed this creature as 'Mansee' which translates as 'The Voice of Heart'.
The Epic of American Civilization is a mural by the social realist painter José Clemente Orozco. It is located in the basement reading room of the Baker Memorial Library on the campus of Dartmouth College in Hanover, New Hampshire. The mural, painted between 1932 and 1934, consists of a series of 24 fresco panels, whose principal themes are the impact of both indigenous Native Americans and European colonists on North America, and the impact of war and rapid industrialization on the human spirit. The mural was designated a National Historic Landmark in 2013.
