The Chakana (Andean cross, "stepped cross" or "step motif" or "stepped motif") is a stepped cross motif used by the Inca and pre-incan Andean societies. The most commonly used variation of this symbol today is made up of an equal-armed cross indicating the cardinal points of the compass and a superimposed square. Chakana means 'bridge', and means 'to cross over' in Quechua. [1] The Andean cross motif appears in pre-contact artifacts such as textiles and ceramics from such cultures as the Chavín, Wari, Chancay, and Tiwanaku, but with no particular emphasis and no key or guide to a means of interpretation. [2] The anthropologist Alan Kolata calls the Andean cross "one of the most ubiquitous, if least understood elements in Tiwanaku iconography". [3] The Andean cross symbol has a long cultural tradition spanning 4,000 years up to the Inca Empire. [4]
Ancient Tiwanaku Qirus sometimes bears Andean crosses with central eye motifs. [5] The central eye sometimes is vertically divided. The anthropologist Scott C. Smith interprets the Andean cross motif as a top view of a platform mound (like the Akapana or Pumapunku). [6] According to anthropologist Robin Beck the cross motif in Yaya-Mama stone carving may have been a precursor of the Tiwanaku Andean cross. Beck suggests that the Tiwanaku Andean cross is a representation of a "platform-chamber complex". [7]
The Andean cross (Chakana) is one of the oldest symbols in the Andes. The oldest complete Chakana was found at an approximately 4,000-year-old temple complex by a team of archaeologists led by archaeologist Pieter Van Dalen. [8] It appears as a prominent element of the decoration of the Tello Obelisk, a decorated monolithic pillar discovered by Peruvian archaeologist Julio C. Tello at the Chavín culture site of Chavín de Huántar. Construction of Chavín de Huántar began around 1200 BCE and the site continued in use to about 400 BCE. The exact date of the Tello Obelisk is not known, but based on its style it probably dates to the middle of this range, around 800 BCE. The form of the Andean cross may be replicated in the Akapana, a large terraced platform mound with a central reservoir built at the site of Tiahuanaco by people of the Tiwanaku culture near Lake Titicaca, Bolivia and dating to about AD 400. Tiwanaku was the center of the Tiwanaku Empire, which thrived in the southern Andes from about 400 to 1000 CE.
The mestizo historian Garcilaso de la Vega, el Ynga, reports about a holy cross of white and red marble or jasper, which was venerated in 16th-century Cusco [ citation needed ]. [9]
The Incas began to venerate the holy cross, after they heard how Pedro de Candia had miraculously defied a lion and a tiger holding a cross. When the Spaniards captured the city, they transferred the cross to sacristy of the newly built cathedral, where De la Vega saw it in 1560. He was surprised that the clergy had not decorated it with gold or gems. [10] Ongoing stories about indigenous crosses contributed to the idea of a 'natural' religion that would have prepared the Indians for their inevitable conversion to Christianity. [11]
The stepped motif has received strong attention from various New Age practitioners and contemporary spiritual leaders. These people claim a relationship with the constellation of the Southern Cross and that all corners and steps have special symbolic meanings. According to Jessica Joyce Christie, the Inka may have shared some of those meanings; however Christie notes that the New Age claim "[...] is purely speculative and unsubstantiated by any historical sources." [17]
Viracocha is the great creator deity in the pre-Inca and Inca mythology in the Andes region of South America. According to the myth Viracocha had human appearance and was generally considered as bearded. According to the myth he ordered the construction of Tiwanaku. It is also said that he was accompanied by men also referred to as Viracochas.
Tiwanaku is a Pre-Columbian archaeological site in western Bolivia, near Lake Titicaca, about 70 kilometers from La Paz, and it is one of the largest sites in South America. Surface remains currently cover around 4 square kilometers and include decorated ceramics, monumental structures, and megalithic blocks. It has been conservatively estimated that the site was inhabited by 10,000 to 20,000 people in AD 800.
In "Southern Andean Iconographic Series" the Staff God pose is a religious icon and a standardized pose reminiscent in its way of the standardized poses in Byzantine art. The pose shows a front-facing human or human-like figure with vertical attributes, one in each hand. There is no uniform representation of a "Staff God". Dozens of variations of "Staff Gods" exist. Some scholars think that some of these personages are possible depictions of Viracocha or Thunupa. However, there is little evidence to support the idea that these front-facing figures do represent deities. Some researchers point to their attributes and spatial organization which seem to indicate that they are ritual practitioners. Some attributes in their hands were identified as Qirus, Snuff trays and Spear-throwers. The "rays" radiating or sprouting out of the faces of Tiwanaku front-facing figures appear to have approximately the value of an aureole. They may represent flows and distribution of energy. At the Wari site of Conchopata a vessel was found which shows a Staff God in which the "rays" can be interpreted as a Anadenanthera colubrina tree sprouting from its head whereas the circular elements do represent its seed pods.
The Wari were a Middle Horizon civilization that flourished in the south-central Andes and coastal area of modern-day Peru, from about 500 to 1000 AD.
The Chavín culture was a pre-Columbian civilization, developed in the northern Andean highlands of Peru around 900 BCE, ending around 250 BCE. It extended its influence to other civilizations along the Peruvian coast. The Chavín people were located in the Mosna Valley where the Mosna and Huachecsa rivers merge. This area is 3,150 metres (10,330 ft) above sea level and encompasses the quechua, suni, and puna life zones. In the periodization of pre-Columbian Peru, the Chavín is the main culture of the Early Horizon period in highland Peru, characterized by the intensification of the religious cult, the appearance of ceramics closely related to the ceremonial centers, the improvement of agricultural techniques and the development of metallurgy and textiles.
The Lanzón is a granite stela that is associated with the Chavín culture. It is located in the Old Temple of Chavin de Huantar which rests in the central highlands of Peru. The Chavín religion was the first major religious and cultural movement in the Andes mountains, flourishing between 900 and 200 BCE. The Lanzón itself was erected during the Early Horizon period of Andean art circa 500 BCE and takes its name from the Spanish word for "lance," an allusion to the shape of the sculpture. The name is deceiving, as its form more closely resembles a highland plow which would have been used for agricultural purposes at the time. It is suspected because of this that the deity depicted is linked to agrarian worship.
Pre-Columbian art refers to the visual arts of indigenous peoples of the Caribbean, North, Central, and South Americas from at least 13,000 BCE to the European conquests starting in the late 15th and early 16th centuries. The pre-Columbian era continued for a time after these in many places, or had a transitional phase afterwards. Many types of perishable artifacts that were once very common, such as woven textiles, typically have not been preserved, but Precolumbian monumental sculpture, metalwork in gold, pottery, and painting on ceramics, walls, and rocks have survived more frequently.
Inca architecture is the most significant pre-Columbian architecture in South America. The Incas inherited an architectural legacy from Tiwanaku, founded in the 2nd century B.C.E. in present-day Bolivia. A core characteristic of the architectural style was to use the topography and existing materials of the land as part of the design. The capital of the Inca empire, Cuzco, still contains many fine examples of Inca architecture, although many walls of Inca masonry have been incorporated into Spanish Colonial structures. The famous royal estate of Machu Picchu is a surviving example of Inca architecture. Other significant sites include Sacsayhuamán and Ollantaytambo. The Incas also developed an extensive road system spanning most of the western length of the continent and placed their distinctive architecture along the way, thereby visually asserting their imperial rule along the frontier.
The Raimondi Stele is a sacred object and significant piece of art of the Chavín culture of the central Andes in present-day Peru. The Chavín were named after Chavín de Huantar, the main structure found in ruin at this archaeological site. The Chavín are believed to have occupied this space from 1500 BCE to 300 BCE, which places them in the Early Horizon period of Andean cultures. The Early Horizon came to rise after the spread and domination of Chavín art styles, namely the hanging pendant eye and anthropomorphism/zoomorphism of feline, serpent, and crocodilian creatures. The stele is seven feet high, made of highly polished granite, with a lightly incised design featuring these key artistic choices shown in the depiction of the Staff God. After not being found in situ, the stele now is housed in the courtyard of the Museo Nacional de Arqueología Antropología e Historia del Perú in Lima.
Peruvian territory was inhabited 14,000 years ago by hunters and gatherers. Subsequent developments include the appearance of sedentary communities that developed agriculture and irrigation, and the emergence of complex socio-political hierarchies that created sophisticated civilizations, technology and monumental construction.
Julio César Tello Rojas was a Peruvian archaeologist. Tello is considered the "father of Peruvian archeology" and was the first indigenous archaeologist in South America.
The Gate of the Sun, also known as the Gateway of the Sun (in older literature simply called " monolithic Gateway of Ak-kapana", is a monolithic gateway at the site of Tiahuanaco by the Tiwanaku culture, an Andean civilization of Bolivia that thrived around Lake Titicaca in the Andes of western South America around 500-950 AD.
Pumapunku or Puma Punku is a 6th-century T-shaped and strategically aligned man-made terraced platform mound with a sunken court and monumental structure on top. It is part of the Pumapunku complex, at the Tiwanaku Site near Tiwanacu, in western Bolivia. The Pumapunku complex is a collection of plazas and ramps centered on the Pumapunku platform mound. Today only the ruins of the monumental complex on top of the Puma Punku platform mound remain.
The Andean civilizations were South American complex societies of many indigenous people. They stretched down the spine of the Andes for 4,000 km (2,500 mi) from southern Colombia, to Ecuador and Peru, including the deserts of coastal Peru, to north Chile and northwest Argentina. Archaeologists believe that Andean civilizations first developed on the narrow coastal plain of the Pacific Ocean. The Caral or Norte Chico civilization of coastal Peru is the oldest known civilization in the Americas, dating back to 3500 BCE. Andean civilizations are one of at least five civilizations in the world deemed by scholars to be "pristine." The concept of a "pristine" civilization refers to a civilization that has developed independently of external influences and is not a derivative of other civilizations.
The history of human habitation in the Andean region of South America stretches from circa 15,000 BCE to the present day. Stretching for 7,000 km (4,300 mi) long, the region encompasses mountainous, tropical and desert environments. This colonisation and habitation of the region has been affected by its unique geography and climate, leading to the development of unique cultural and socn.
Machu Colca, Machuqolqa or Machu Qollqa is an archaeological site in Peru. It lies in the Cusco Region, Urubamba Province, Huayllabamba District, a few minutes outside of Chinchero. Machu Colca is situated at about 3,850 metres (12,631 ft) of elevation, above the left bank of the Urubamba River, near the village of Raqch'i (Raqchi).
The Tiwanaku Polity was a Pre-Columbian polity in western Bolivia based in the southern Lake Titicaca Basin. Tiwanaku was one of the most significant Andean civilizations. Its influence extended into present-day Peru and Chile and lasted from around 600 to 1000 AD. Its capital was the monumental city of Tiwanaku, located at the center of the polity's core area in the southern Lake Titicaca Basin. This area has clear evidence for large-scale agricultural production on raised fields that probably supported the urban population of the capital. Researchers debate whether these fields were administered by a bureaucratic state (top-down) or through a federation of communities with local autonomy. Tiwanaku was once thought to be an expansive military empire, based mostly on comparisons to the later Inca Empire. However, recent research suggests that labelling Tiwanaku as an empire or even a state may be misleading. Tiwanaku is missing a number of features traditionally used to define archaic states and empires: there is no defensive architecture at any Tiwanaku site or changes in weapon technology, there are no princely burials or other evidence of a ruling dynasty or a formal social hierarchy, no evidence of state-maintained roads or outposts, and no markets.
Cerro Baúl is an ancient political outpost and ceremonial center settlement in Peru established by the pre-Incan empire called the Wari. Cerro Baúl is a terraced mountain, 2000 feet above its surroundings, with a settlement on the cliff tops themselves and in the immediate surroundings. Among other finds are the remnants of a brewery and large buildings that may have been used for ceremonial feasting. There is evidence of damage that has been interpreted as a careful and deliberate destruction, by the city's own people, of several buildings prior to the mesa's being vacated.
Richard Lewis Burger, Ph.D., is an archaeologist and anthropologist from the United States. He is currently a professor at Yale University and holds the positions of Charles J. MacCurdy Professor in the Anthropology Department, Chair of the Council on Archaeological Studies, and Curator in the Division of Anthropology at the Peabody Museum of Natural History. He has carried out archaeological excavations in the Peruvian Andes since 1975, publishing several books and many articles on Chavin culture, a pre-Hispanic civilization that developed in the northern Andean highlands of Peru from 1000 BC to 400 BC. Burger is married to Lucy Salazar, a Peruvian archaeologist and long time collaborator on many research projects. His former doctoral student Sabine Hyland has become well-known as an Andean anthropologist.
A snuff tray, also known as a snuff tablet, is a hand-carved tablet or tray that was made for the purpose of inhaling a psychoactive drug, in the form similar to tobacco snuff prepared as a powder using a snuff tube. Snuff trays are best-known from the Tiwanaku culture of the Andes in South America. The principal substance thought to have been inhaled was known as willka, also referred to as cebil, and known as yopó in northern South America and cohoba in the Greater Antilles, where it was also prepared from other species of the genus Anadenanthera.