Artists' charcoal is charcoal used as a dry art medium. Both compressed charcoal (held together by a gum or wax binder) and charcoal sticks (wooden sticks burned in a kiln without air) are used. [1] The marks it leaves behind on paper are much less permanent than with other media such as graphite, and so lines can easily be erased and blended. [2] [3] Charcoal can produce lines that are very light or intensely black. The dry medium can be applied to almost any surface from smooth to very coarse. Fixatives are used with charcoal drawings to solidify the position to prevent erasing or rubbing off of charcoal dusts.
The method used to create artists' charcoal is similar to that employed in other fields, such as producing gunpowder and cooking fuel. The type of wood material and preparation method allow a variety of charcoal types and textures to be produced. [4]
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There are various types and uses of charcoal as an art medium, but the commonly used types are: Compressed, Vine, and Pencil.
Vine charcoal is a long and thin charcoal stick that is the result of burning grape vines in a kiln without air. It comes in shades of gray. [5]
Willow charcoal is a long and thin charcoal stick that is the result of burning willow sticks in a kiln without air. It is darker in color than vine charcoal. [5]
The removable properties of willow and vine charcoal, through dusting and erasing, are favored by artists for making preliminary sketches or basic compositions. This also makes such charcoal less suitable for creating detailed images.
Compressed charcoal (also referred as charcoal sticks) is shaped into a block or a stick. Intensity of the shade is determined by hardness. The amount of gum or wax binders used during the production process affects the hardness, softer producing intensely black markings while firmer leaves light markings. [6]
Charcoal pencils consist of compressed charcoal enclosed in a jacket of wood. Designed to be similar to graphite pencils while maintaining most of the properties of charcoal, they are often used for fine and crisp detailed drawings, while keeping the user's hand from being marked. [7]
Other types of artists' charcoal such as charcoal crayons were developed during the 19th century and used by caricaturists. [8] Charcoal powders are used to create patterns and pouncing, a transferring method of patterns from one surface to another.[ citation needed ]
There are wide variations in artists' charcoal, depending on the proportion of ingredients: compressed charcoal from burned birch, clay, lamp black pigment, and a small quantity of ultramarine. The longer this mixture is heated, the softer it becomes. [9]
Paper used with artists' charcoal can vary in quality. Rough texture may allow more charcoal to adhere to the paper. The use of toned paper allows different possibilities as white oil pastels (commonly referred to by the brand name Conté) can be used in combination with charcoal to create contrast. [10]
Hatching is a method in which thin, dark lines are continuously placed parallel to each-other. When done with charcoal, it comes out smoother and darker.
Rubbing is done by pressing a sheet of paper against a targeted surface, then rubbing charcoal against the paper to create an image of the texture of the surface.
Blending is done to create smooth transitions between darker and lighter areas of a drawing. It can also create a shadow effect. Two common methods of blending are, using a finger to rub or spread charcoal which has been applied to the paper or the use of paper blending stumps also called a Tortillon. Many prefer to use a chamois, which is a soft square piece of leather.
Erasing is often performed with a kneaded rubber eraser. This is a malleable eraser that is often claimed to be self-cleaning. It can be shaped by kneading it softly with hands, into tips for smaller areas or flipped inside out to clean. Other erasing tools that are often used with charcoal are electrical erasers and pencil erasers.
Charcoal was often a key component of cave painting, with examples dating back to at least 28,000 years ago. [11]
One of the oldest charcoal paintings is a picture of a zebra, found at the Apollo cave in Namibia. [12] [ page needed ]
In the Renaissance, charcoal was widely used, but few works of art survived due to charcoal particles flaking off the canvas. At the end of the 15th century, a process of submerging the drawings in a gum bath was implemented to prevent the charcoal from flaking away.[ citation needed ] Charcoal paintings date as far back as ca.23,000 BC. Since then, many cultures have utilized charcoal for art, camouflage, and in rites of passage. Many indigenous people from Australia, parts of Africa, Pacific Islands, parts of Asia, and others still practice body painting for rites of passage including child birth, weddings, spiritual rituals, war, hunting, and funerary rites. Many artists use charcoal because of its unique dark black strokes. The weak structure of charcoal causes the material to flake off onto the canvas.[ citation needed ]
Throughout western art history, artists well known for other mediums have used charcoal for sketching or preliminary studies for final paintings. Examples of contemporary artists using charcoal as a primary medium are Robert Longo, William Kentridge, Dan Pyle and Joel Daniel Phillips.
Drawing is a visual art that uses an instrument to mark paper or another two-dimensional surface. The instruments used to make a drawing are pencils, crayons, pens with inks, brushes with paints, or combinations of these, and in more modern times, computer styluses with graphics tablets or gamepads in VR drawing software.
A pencil is a writing or drawing implement with a solid pigment core in a protective casing that reduces the risk of core breakage, and keeps it from marking the user's hand.
A pastel is an art medium that consist of powdered pigment and a binder. It can exist in a variety of forms, including a stick, a square, a pebble, or a pan of color, though other forms are possible. The pigments used in pastels are similar to those used to produce some other colored visual arts media, such as oil paints; the binder is of a neutral hue and low saturation. The color effect of pastels is closer to the natural dry pigments than that of any other process.
An eraser is an article of stationery that is used for removing marks from paper or skin. Erasers have a rubbery consistency and come in a variety of shapes, sizes, and colors. Some pencils have an eraser on one end. Erasers can come in various shapes and colors. Less expensive erasers are made from synthetic rubber and synthetic soy-based gum, but more expensive or specialized erasers are made from vinyl, plastic, or gum-like materials.
A penciller is an artist who works on the creation of comic books, graphic novels, and similar visual art forms, with a focus on the initial pencil illustrations, usually in collaboration with other artists, who provide inks, colors and lettering in the book, under the supervision of an editor.
Conté, also known as Conté sticks or Conté crayons, are a drawing medium composed of compressed powdered graphite or charcoal mixed with a clay base, square in cross-section. They were invented in 1795 by Nicolas-Jacques Conté, who created the combination of clay and graphite in response to the shortage of graphite caused by the Napoleonic Wars. Conté crayons had the advantage of being cost-effective to produce, and easy to manufacture in controlled grades of hardness.
A tortillon is a cylindrical drawing tool, tapered at the end and usually made of rolled paper, used by artists to smudge or blend marks made with charcoal, Conté crayon, pencil or other drawing utensils.
A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches. A life drawing is a drawing of the human figure, traditionally nude, from observation of a live model. Creating life drawings, or life studies, in a life class, has been a large element in the traditional training of artists in the Western world since the Renaissance.
An oil pastel is a painting and drawing medium formed into a stick which consists of pigment mixed with a binder mixture of non-drying oil and wax. Oil pastel is a type of pastel. They differ from other pastel sticks which are made with a gum or methyl cellulose binder, and from wax crayons which are made without oil. The surface of an oil pastel painting is less powdery than one made from gum pastels, but more difficult to protect with a fixative. Oil pastels are bold and bright. They can be blended easily but they can break easily too.
A writing implement or writing instrument is an object used to produce writing. Writing consists of different figures, lines, and or forms. Most of these items can be also used for other functions such as painting, drawing and technical drawing, but writing instruments generally have the ordinary requirement to create a smooth, controllable line.
A sketch is a rapidly executed freehand drawing that is not usually intended as a finished work. A sketch may serve a number of purposes: it might record something that the artist sees, it might record or develop an idea for later use or it might be used as a quick way of graphically demonstrating an image, idea or principle. Sketching is the most inexpensive art medium.
Stone rubbing is the practice of creating an image of surface features of a stone on paper. The image records features such as natural textures, inscribed patterns or lettering. By rubbing hard rendering materials over the paper, pigment is deposited over protrusions and on edges; depressions remain unpigmented since the pliable paper moves away from the rendering material. Common rendering materials include rice paper, charcoal, wax, graphite or inksticks. Over time, the practice of stone rubbing can cause permanent damage to cultural monuments due to abrasion. For an artist, stone rubbings can become an entire body of creative work that is framed and displayed.
A kneaded eraser, also commonly known as a putty rubber, is a pliable erasing tool used by artists. It is usually made of a grey or white unvulcanized rubber resembling putty or chewing gum. It functions by absorbing and "picking up" graphite and charcoal particles, in addition to carbon, colored pencil, or pastel marks. It neither wears nor leaves residue, thereby lasting much longer than other erasers.
A rubbing (frottage) is a reproduction of the texture of a surface created by placing a piece of paper or similar material over the subject and then rubbing the paper with something to deposit marks, most commonly charcoal or pencil but also various forms of blotted and rolled ink, chalk, wax, and many other substances. For all its simplicity, the technique can be used to produce blur-free images of minuscule elevations and depressions on areas of any size in a way that can hardly be matched by even the most elaborate, state-of-the-art methods. In this way, surface elevations measuring only a few thousandths of a millimeter can be made visible.
Danja Akulin rose to prominence by creating large format pencil drawings that reinstate this genre's autonomous value.
The following outline is provided as an overview of and typical guide to drawing and drawings:
Manon Cleary was an American artist based in Washington, D.C. Cleary specialized in photo-realistic paintings and drawings. Many of her works were inspired by events in her life and focused on the human form and lights.
A colored pencil, coloured pencil, map pencil, pencil crayon, or coloured/colouring lead is an art medium constructed of a narrow, pigmented core encased in a wooden cylindrical case. Unlike graphite and charcoal pencils, colored pencils' cores are wax- or oil-based and contain varying proportions of pigments, additives, and binding agents. Water-soluble (watercolor) pencils and pastel pencils are also manufactured as well as colored cores for mechanical pencils.
Subtractive drawing is a technique in which the drawing surface is covered with graphite or charcoal marks and then erased to make the image. This technique is often used to add texture, establish tonal shapes, or create the appearance of reflected light in a drawing. Artists commonly use a kneaded or putty eraser for this type of drawing, due to its ability to absorb pigment and be manipulated into custom shapes, including fine tips. Charcoal figure drawing commonly uses a combination of subtractive and additive drawing techniques.
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