Charcoal (art)

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4 vine charcoal sticks and 4 compressed charcoal sticks. Charcoal sticks 051907.jpg
4 vine charcoal sticks and 4 compressed charcoal sticks.

Artists' charcoal is charcoal used as a dry art medium. Both compressed charcoal (held together by a gum or wax binder) and charcoal sticks (wooden sticks burned in a kiln without air) are used. [1] The marks it leaves behind on paper are much less permanent that with other media such as graphite, and so lines can easily be erased and blended. [2] [3] Charcoal can produce lines that are very light or intensely black. The dry medium can be applied to almost any surface from smooth to very coarse. Fixatives are used with charcoal drawings to solidify the position to prevent erasing or rubbing off of charcoal dusts.

Contents

The method used to create artists' charcoal is similar to that employed in other fields, such as producing gunpowder and cooking fuel. The type of wood material and preparation method allow a variety of charcoal types and textures to be produced. [4]

Types

A selection of charcoal pencils Charcoal pencils 051907.jpg
A selection of charcoal pencils

There are various types and uses of charcoal as an art medium, but the commonly used types are: Compressed, Vine, and Pencil.

Vine charcoal is a long and thin charcoal stick that is the result of burning grape vines in a kiln without air. It comes in shades of gray. [5]

Willow charcoal is a long and thin charcoal stick that is the result of burning willow sticks in a kiln without air. It is darker in color than vine charcoal. [5]

The removable properties of willow and vine charcoal, through dusting and erasing, are favored by artists for making preliminary sketches or basic compositions. This also makes such charcoal less suitable for creating detailed images.

Compressed charcoal (also referred as charcoal sticks) is shaped into a block or a stick. Intensity of the shade is determined by hardness. The amount of gum or wax binders used during the production process affects the hardness, softer producing intensely black markings while firmer leaves light markings. [6]

Charcoal pencils consist of compressed charcoal enclosed in a jacket of wood. Designed to be similar to graphite pencils while maintaining most of the properties of charcoal, they are often used for fine and crisp detailed drawings, while keeping the user's hand from being marked. [7]

Carbonized sticks of European spindlewood Fusain.JPG
Carbonized sticks of European spindlewood

Other types of artists' charcoal such as charcoal crayons were developed during the 19th century and used by caricaturists. [8] Charcoal powders are used to create patterns and pouncing, a transferring method of patterns from one surface to another.[ citation needed ]

There are wide variations in artists' charcoal, depending on the proportion of ingredients: compressed charcoal from burned birch, clay, lamp black pigment, and a small quantity of ultramarine. The longer this mixture is heated, the softer it becomes. [9]

Art techniques

Paper used with artists' charcoal can vary in quality. Rough texture may allow more charcoal to adhere to the paper. The use of toned paper allows different possibilities as white oil pastels (commonly referred to by the brand name Conté) can be used in combination with charcoal to create contrast. [10]

Hatching

Hatching is a method in which thin, dark lines are continuously placed parallel to each-other. When done with charcoal, it comes out smoother and darker.

Rubbing

Rubbing is done by pressing a sheet of paper against a targeted surface, then rubbing charcoal against the paper to create an image of the texture of the surface.

Blending

Blending is done to create smooth transitions between darker and lighter areas of a drawing. It can also create a shadow effect. Two common methods of blending are, using a finger to rub or spread charcoal which has been applied to the paper or the use of paper blending stumps also called a Tortillon. Many prefer to use a chamois, which is a soft square piece of leather.

Lifting (erasing)

Kneader eraser Kneaded eraser.JPG
Kneader eraser

Erasing is often performed with a kneaded rubber eraser. This is a malleable eraser that is often claimed to be self-cleaning. It can be shaped by kneading it softly with hands, into tips for smaller areas or flipped inside out to clean. Other erasing tools that are often used with charcoal are electrical erasers and pencil erasers.

History

Charcoal was often a key component of cave painting, with examples dating back to at least 28,000 years ago. [11]

One of the oldest charcoal paintings is a picture of a zebra, found at the Apollo cave in Namibia. [12] [ page needed ]

In the Renaissance, charcoal was widely used, but few works of art survived due to charcoal particles flaking off the canvas. At the end of the 15th century, a process of submerging the drawings in a gum bath was implemented to prevent the charcoal from flaking away.[ citation needed ] Charcoal paintings date as far back as ca.23,000 BC. Since then, many cultures have utilized charcoal for art, camouflage, and in rites of passage. Many indigenous people from Australia, parts of Africa, Pacific Islands, parts of Asia, and others still practice body painting for rites of passage including child birth, weddings, spiritual rituals, war, hunting, and funerary rites. Many artists use charcoal because of its unique dark black strokes. The weak structure of charcoal causes the material to flake off onto the canvas.[ citation needed ]

Throughout western art history, artists well known for other mediums have used charcoal for sketching or preliminary studies for final paintings. Examples of contemporary artists using charcoal as a primary medium are Robert Longo, William Kentridge, Dan Pyle and Joel Daniel Phillips.

Related Research Articles

<span class="mw-page-title-main">Drawing</span> Visual artwork on two-dimensional surface

Drawing is a visual art that uses an instrument to mark paper or another two-dimensional surface. The instrument might be pencils, crayons, pens with inks, brushes with paints, or combinations of these, and in more modern times, computer styluses with graphics tablets.

<span class="mw-page-title-main">Pencil</span> Writing implement

A pencil is a writing or drawing implement with a solid pigment core in a protective casing that reduces the risk of core breakage, and keeps it from marking the user's hand.

<span class="mw-page-title-main">Pastel</span> Powdered-pigment-based art medium

A pastel is an art medium in a variety of forms including a stick, a square, a pebble, or a pan of color, though other forms are possible; they consist of powdered pigment and a binder. The pigments used in pastels are similar to those used to produce some other colored visual arts media, such as oil paints; the binder is of a neutral hue and low saturation. The color effect of pastels is closer to the natural dry pigments than that of any other process. Pastels have been used by artists since the Renaissance, and gained considerable popularity in the 18th century, when a number of notable artists made pastel their primary medium.

<span class="mw-page-title-main">Eraser</span> Stationery item used for erasing marks on paper

An eraser is an article of stationery that is used for removing marks from paper or skin. Erasers have a rubbery consistency and come in a variety of shapes, sizes, and colors. Some pencils have an eraser on one end. Less expensive erasers are made from synthetic rubber and synthetic soy-based gum, but more expensive or specialized erasers are made from vinyl, plastic, or gum-like materials.

<span class="mw-page-title-main">Penciller</span> Artist who works in the creation of comic books, graphic novels, and similar visual art forms

A penciller is an artist who works on the creation of comic books, graphic novels, and similar visual art forms, with a focus on the initial pencil illustrations, usually in collaboration with other artists, who provide inks, colors and lettering in the book, under the supervision of an editor.

<span class="mw-page-title-main">Conté</span>

Conté, also known as Conté sticks or Conté crayons, are a drawing medium composed of compressed powdered graphite or charcoal mixed with a clay base, square in cross-section. They were invented in 1795 by Nicolas-Jacques Conté, who created the combination of clay and graphite in response to the shortage of graphite caused by the Napoleonic Wars. Conté crayons had the advantage of being cost-effective to produce, and easy to manufacture in controlled grades of hardness.

<span class="mw-page-title-main">Tortillon</span> A roll of paper used to make smudges on paper for art uses

A tortillon is a cylindrical drawing tool, tapered at the end and usually made of rolled paper, used by artists to smudge or blend marks made with charcoal, Conté crayon, pencil or other drawing utensils.

<span class="mw-page-title-main">Figure drawing</span> Drawing of the usually unclothed human form

A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches. A life drawing is a drawing of the human figure, traditionally nude, from observation of a live model. Creating life drawings, or life studies, in a life class, has been a large element in the traditional training of artists in the Western world since the Renaissance.

<span class="mw-page-title-main">Oil pastel</span> Stick consisting of powdered pigment and an oil-based binder

An oil pastel is a painting and drawing medium formed into a stick which consists of pigment mixed with a binder mixture of non-drying oil and wax. They differ from other pastel sticks which are made with a gum or methyl cellulose binder, and from wax crayons which are made without oil. The surface of an oil pastel painting is less powdery than one made from gum pastels, but more difficult to protect with a fixative. Oil pastels are bold and bright. They can be blended easily but they can break easily too.

A writing implement or writing instrument is an object used to produce writing. Writing consists of different figures, lines, and or forms. Most of these items can be also used for other functions such as painting, drawing and technical drawing, but writing instruments generally have the ordinary requirement to create a smooth, controllable line.

<span class="mw-page-title-main">Sketch (drawing)</span> Quickly executed freehand drawing

A sketch is a rapidly executed freehand drawing that is not usually intended as a finished work. A sketch may serve a number of purposes: it might record something that the artist sees, it might record or develop an idea for later use or it might be used as a quick way of graphically demonstrating an image, idea or principle. Sketching is the most inexpensive art medium.

Prismacolor is a brand of professional visual arts supplies originated in 1938 by the Eagle Pencil Company, and currently manufactured by Newell Brands. Prismacolor products include, colored and graphite pencils, soft pastels, erasers, pencil sharpeners, and cases. In past years, Prismacolor also produced watercolor paintings and charcoals.

<span class="mw-page-title-main">Kneaded eraser</span>

A kneaded eraser, also commonly known as a putty rubber, is a pliable erasing tool used by artists. It is usually made of a grey or white unvulcanized rubber resembling putty or chewing gum. It functions by absorbing and "picking up" graphite and charcoal particles, in addition to carbon, colored pencil, or pastel marks. It neither wears nor leaves residue, thereby lasting much longer than other erasers.

<span class="mw-page-title-main">Rubbing (art)</span> Reproduction technique

A rubbing (frottage) is a reproduction of the texture of a surface created by placing a piece of paper or similar material over the subject and then rubbing the paper with something to deposit marks, most commonly charcoal or pencil but also various forms of blotted and rolled ink, chalk, wax, and many other substances. For all its simplicity, the technique can be used to produce blur-free images of minuscule elevations and depressions on areas of any size in a way that can hardly be matched by even the most elaborate, state-of-the-art methods. In this way, surface elevations measuring only a few thousandths of a millimeter can be made visible.

<span class="mw-page-title-main">Charcoal</span> Lightweight black carbon residue

Charcoal is a lightweight black carbon residue produced by strongly heating wood in minimal oxygen to remove all water and volatile constituents. In the traditional version of this pyrolysis process, called charcoal burning, often by forming a charcoal kiln, the heat is supplied by burning part of the starting material itself, with a limited supply of oxygen. The material can also be heated in a closed retort. Modern "charcoal" briquettes used for outdoor cooking may contain many other additives, e.g. coal.

The following outline is provided as an overview of and typical guide to drawing and drawings:

<span class="mw-page-title-main">Manon Cleary</span> American painter

Manon Cleary was an American artist based in Washington, D.C. Cleary specialized in photo-realistic paintings and drawings. Many of her works were inspired by events in her life. They focused on the human form and lights.

<span class="mw-page-title-main">Colored pencil</span> Type of art medium

A colored pencil, coloured pencil, pencil crayon, map pencil, or coloured/colouring lead is an art medium constructed of a narrow, pigmented core encased in a wooden cylindrical case. Unlike graphite and charcoal pencils, colored pencils' cores are wax- or oil-based and contain varying proportions of pigments, additives, and binding agents. Water-soluble (watercolor) pencils and pastel pencils are also manufactured as well as colored cores for mechanical pencils.

<i>Splendid Mountain Watercolours</i> Collection of sketches and watercolors by John Singer Sargent

Splendid Mountain Watercolours or Splendid Mountain Sketchbook is a collection of sketches and watercolors by John Singer Sargent (1856–1925), executed when he was fourteen years old, and on a summer excursion to Switzerland's Bernese Alps in the Berner Oberland in 1870. The sketchbook contains 60 leaves, including 14 watercolors and 47 crayon or graphite studies of the mountains, landscapes and people he encountered while traveling with his family.

References

  1. "Charcoal: powdered, compressed, willow and vine". Muse Art and Design. September 7, 2011. Archived from the original on August 31, 2012. Retrieved September 15, 2013.
  2. "charcoal drawing | Britannica". www.britannica.com. Retrieved 2022-09-26.
  3. Harris, Peter J F (1999). "On Charcoal". Interdisciplinary Science Reviews. 24 (4): 301–306. Bibcode:1999ISRv...24..301H. doi:10.1179/030801899678966. Archived from the original on 2012-01-14. Retrieved September 15, 2013.
  4. Lindquist, Evan. "How to Make Drawing Charcoal" . Retrieved September 18, 2013.
  5. 1 2 "The Best Vine and Willow Charcoal for New Effects on the Page". ARTnews.com. 2021-05-07. Retrieved 2022-04-11.
  6. Saitzky, Steven (1987). "Carbon Based". Art Hardware: The Definitive Guide to Artists' Materials. Watson-Guptill. ISBN   9780823002672. Archived from the original on 2013-09-21. Retrieved 2013-09-16.
  7. Steven, Pearce (2017). 101 textures in graphite & charcoal. Lake Forest, CA: Quayside Publishing Group. pp. 8–9. ISBN   978-1633224100. OCLC   987022498.
  8. Elisabeth, Mary. Foster, Niki (ed.). "What are Charcoal Pencils?" . Retrieved 2013-09-15.
  9. "How to Choose Drawing Materials: Compressed Charcoal- How it's made?". RUSART Art Supplies. Archived from the original on January 12, 2014. Retrieved September 18, 2013.
  10. Vebell, Victoria (2004). Exploring the Basics of Drawing (1st ed.). Cengage Learning. ISBN   9781401815738.
  11. "An archaeologist has discovered charcoal drawings that are 23,000 years old..."
  12. Kleiner, Fred S. (January 1, 2012). Art Before History. Gardner's Art Through the Ages; A Global History (14th ed.). Street Boston, MA 02210: Wadsworth: Cengage Learning. ISBN   978-0495915430.{{cite book}}: CS1 maint: location (link)