Charles Huot

Last updated

Charles Huot
Charles Huot.png
Huot c.1900
Born
Charles Édouard Masson Huot

(1855-04-06)April 6, 1855
Québec City, United Province of Canada
DiedJanuary 27, 1930(1930-01-27) (aged 74)
Sillery, Québec City, Quebec
Known forPainter and illustrator

Charles Édouard Masson Huot (6 April 1855 – 27 January 1930) was a French-Canadian painter and illustrator. [1]

Contents

Biography

Huot was born in Quebec City, the son of a merchant. Having demonstrated a talent for drawing at an early age, he was enrolled in the Collège de Sainte-Anne-de-la-Pocatière  [ fr ] when he was only ten. He later attended the École normale Laval  [ fr ]. The local Abbé was impressed with his talents and set up a subscription committee to raise funds for him to study in Europe. [1] In 1874, he moved to Paris, where he attended the École des Beaux-arts and studied in the workshop of Alexandre Cabanel. He participated in numerous exhibitions there (including the Salon in 1876) and his painting of "The Good Samaritan" was purchased by Patrice MacMahon on behalf of the French Government in 1878. He married Louise Schlachter in 1885, returned to Canada in 1886 on the promise of a large commission and settled in Quebec City. [2]

The Debate on Languages Debat sur les langues lors de la premiere Assemblee legislative du Bas-Canada le 21 janvier 1793.jpg
The Debate on Languages

Back in Québec, his career truly began when he received that commission to decorate the Church of the Holy Savior  [ fr ] in 1887. After a brief return to Paris to retrieve his wife and daughter, there were several more commissions of a religious nature. In 1903, he travelled to Europe with his family, visiting his wife's parents in Germany, and Italy, where he honed his skills studying with Francesco Gai  [ it ]. He returned to Canada in 1904, alone. Details for this period in his life are rather sketchy. The following year, he rejoined his family in Brussels and lived in Saint-Malo, France. In 1907, his wife died and he brought his daughter back to Canada. [1]

The Sovereign Council Le Conseil souverain - Charles Huot.jpg
The Sovereign Council

The Parliament Building

In 1910, he was selected by a committee (consisting of Thomas Chapais, Eugène-Étienne Taché and Ernest Myrand  [ fr ]) to compose two large historical paintings for the Parliament Building ("Sovereign Council" and the "Debate on Languages"), executed between 1910 and 1913, with an occasional break to do research. [1] This produced another commission for a painting on the theme Je me souviens (Québec's motto) for the building's ceiling. It would take him another seven years to prepare and finish this work. At the time of his death, he was engaged in another large commission for the building, that had to be completed by his students. [1]

Among his illustrations are those for L'Art d'être grand-père by Victor Hugo.

He died in 1855 in Sillery.

Related Research Articles

<span class="mw-page-title-main">Alfred Pellan</span> Canadian artist

Alfred Pellan was an important figure in twentieth-century Canadian painting.

<span class="mw-page-title-main">Victor Laloux</span> French architect

Victor-Alexandre-Frédéric Laloux was a French Beaux-Arts architect and teacher.

<span class="mw-page-title-main">Louis Janmot</span> French painter

Anne-François-Louis Janmot was a French painter and poet.

<span class="mw-page-title-main">Gustave Boulanger</span> French painter

Gustave Clarence Rodolphe Boulanger was a French figurative painter and academic artist and teacher known for his Classical and Orientalist subjects.

<span class="mw-page-title-main">William Brymner</span> Canadian artist (1855–1925)

William Brymner, was a Canadian figure and landscape painter and educator. In addition to playing a key role in the development of Impressionism in Canada, Brymner taught numerous artists who became leading figures in Canadian modern art.

<span class="mw-page-title-main">Charles Gill (artist)</span> Canadian artist

Charles Ignace Adélard Gill was a Canadian artist, specializing in poetry and painting. He also worked under the alternate names of Clairon and Léon Duval.

<span class="mw-page-title-main">Second Empire style</span> 1865–1880 French architectural and art style

Second Empire style, also known as the Napoleon III style, is a highly eclectic style of architecture and decorative arts originating in the Second French Empire. It was characterized by elements of many different historical styles, and also made innovative use of modern materials, such as iron frameworks and glass skylights. It flourished during the reign of Emperor Napoleon III (1852–1870) and had an important influence on architecture and decoration in the rest of Europe and North America. Major examples of the style include the Opéra Garnier (1862–1871) in Paris by Charles Garnier, the Institut National d'Histoire de l'Art, the Church of Saint Augustine (1860–1871), and the Philadelphia City Hall (1871–1901). The architectural style was closely connected with Haussmann's renovation of Paris carried out during the Second Empire; the new buildings, such as the Opéra, were intended as the focal points of the new boulevards.

<span class="mw-page-title-main">Léon Germain Pelouse</span> French painter (1838–1891)

Léon Germain Pelouse was a largely self-taught painter born in Pierrelaye, France. His work was most often said to descend from that of Corot and Daubigny, but was from the beginning unique in its depiction of an often stark, obsessively detailed nature largely devoid of human figures. At the time of his death at age 52 in Paris, Pelouse was "considered one of the great landscape painters of his time."

<span class="mw-page-title-main">Merry-Joseph Blondel</span> French painter (1781–1853)

Merry-Joseph Blondel was a French history painter of the Neoclassical school. He was a winner of the prestigious Prix de Rome in 1803. After the salon of 1824, he was bestowed with the rank of Knight in the order of the Legion d'Honneur by Charles X of France and offered a professorship at the École nationale supérieure des Beaux-Arts: a position in which he remained until his death in 1853. In 1832, he was elected to a seat at the Académie des Beaux-Arts in Paris.

<span class="mw-page-title-main">Maurice Cullen (artist)</span> Canadian artist (1866–1934)

Maurice Cullen is considered to be the father of Canadian Impressionism because he was the first artist to skillfully adapted French Impressionism to Canadian conditions. He is best known for his paintings of snow and his depictions of ice harvest scenes, featuring horse-drawn sleighs traveling across the frozen waters of Quebec during winter. The Laurentians were his greatest love and he painted there often. He excelled in painting crisp northern light.

<span class="mw-page-title-main">Alfred Laliberté</span> Canadian artist (1877-1953)

Alfred Laliberté was a French-Canadian sculptor and painter based in Montreal. His output includes more than 900 sculptures in bronze, marble, wood, and plaster. Many of his sculptures depict national figures and events in Canada and France such as Louis Hébert, François-Xavier-Antoine Labelle, Adam Dollard des Ormeaux, and the Lower Canada Rebellion. Although he produced hundreds of paintings as well, he is chiefly remembered for his work as a sculptor.

<span class="mw-page-title-main">Paul Flandrin</span> French painter (1811–1902)

Paul Jean Flandrin was a French painter. He was the younger brother of the painters Auguste Flandrin and Hippolyte Flandrin.

<span class="mw-page-title-main">Henri Beau</span> French-Canadian Impressionist painter

Henri Beau was a French-Canadian Impressionist painter. He is noted for Chemin en été, La dispersion des Acadiens, L'arrivée de Champlain à Québec, and Les Noces de Cana. Beau is a largely forgotten artist due to his long absence from Canada. His widow Marie Beau worked towards establishing his reputation as an artist in Canada after his death. He was only recognized as a notable artist decades later, with major retrospectives of his paintings celebrating his career by the Galerie Bernard Desroches in Montréal in 1974, and at the Musée du Québec in Québec City in 1987.

<span class="mw-page-title-main">Charles Dufresne</span> French painter

Georges-Charles Dufresne was a French painter, engraver, sculptor and decorator.

Alice Nolin was a Canadian artist and educator.

Marius Germinal Boyer was a French architect active in Casablanca, Morocco.

Stanley Cosgrove was a Canadian painter, draughtsperson and muralist. His landscapes are praised for their serenity.

<span class="mw-page-title-main">Louis Hautecœur</span> French art historian and museum conservator (1884–1973)

Louis-Eugène-Georges Hautecœur was a French art historian and museum conservator.

<span class="mw-page-title-main">François-Anatole Gruyer</span> French art historian (1825–1909)

François-Anatole Gruyer was a French art historian, and conservator at the Louvre.

<span class="mw-page-title-main">Victor Mollet</span> French architect and teacher

Victor Jean-Baptiste Mollet, usually simply Victor Mollet, was a French architect based in Lille. He was the first architect from the Nord–Pas-de-Calais region to receive a degree from the Ecole des Beaux-Arts in Paris, and became one of the more prominent exponents of regionalist architecture in northern France at the turn of the twentieth century.

References

  1. 1 2 3 4 5 Dictionary of Canadian Biography: Huot, Charles
  2. A Dictionary of Canadian Artists, volumes 1-8 by Colin S. MacDonald, and volume 9 (online only), by Anne Newlands and Judith Parker National Gallery of Canada / Musée des beaux-arts du Canada