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Charles Landry | |
---|---|
Born | 1948 United Kingdom |
Occupation | Writer, urban planner |
Nationality | British |
Subject | Urban planning |
Literary movement | Comedia |
Notable works | The Creative City: A Toolkit for Urban Innovators |
Website | |
charleslandry |
Charles Landry (born July 1, 1948) is an author and international adviser on the future of cities best known for popularising the Creative City concept. His book The Creative City: A Toolkit for Urban Innovators became a movement to rethink the planning, development and management of cities. [1]
He is credited for his attempt to rethink city making through his work on intercultural cities, the psychology of cities, creative bureaucracies and the measurement of creativity in cities – the latter developed with Bilbao and now assessed through in-depth studies of 25 cities. [2] [3] [4]
Charles Landry was born in 1948 and brought up and educated in Britain, Germany and Italy. Landry was born in London to German parents who had escaped from the Nazis. His father Harald was a philosopher and Nietzsche specialist and his mother an artist. He was educated at the Nymphenburger Gymnasium in Munich, Keele University in Staffordshire and Johns Hopkins in Bologna where he was assistant to Lord Robert Skidelsky. His dissertation was on problems of post-industrial society. [1]
Landry was assistant to Lord Kennet, a former Labour government minister, on the Europe Plus Thirty an EEC study on forecasting (1973-1974) commissioned by Lord Ralf Dahrendorf. [5] With colleagues he started Publications Distribution Cooperative in 1976, a company focused on distributing alternative literature and media for the then burgeoning system of non-mainstream publishers and bookshops. [6] In parallel he was a specialist bookseller focusing on radical publications. [7]
In 1978 he founded Comedia, a think tank, publisher and consultancy. Comedia undertook much of the early work highlighting the importance of cultural resources as well as a methodological framework and evidence for what is now known as the creative economy, formerly cultural industries. Its publishing programme provided some of the intellectual backdrop to the emergence of cultural studies, involving authors such as Dave Morley, Ken Worpole, Geoff Mulgan. [8] The provocative What a way to run a Railroad: An Analysis of Radical Failure (1985) assessed how the high failure rate of radical projects could be understood, but in the aftermath Landry was criticized as being ‘a left wing Thatcherite’. [9]
Throughout the 1980s and 1990s, Comedia supported a changing group of people developed projects concerned with urban life, culture and creativity and the future of cities including Franco Bianchini, Phil Wood, Sir Peter Hall, Jude Bloomfield and Naseem Khan. After producing more than 100 books Comedia publishing was sold to Routledge in 1988. Initially Comedia's publishing wing was most well known for research and projects on the future of cities. Later Comedia's research became better known with long term projects including Culture at the Crossroads, [10] The Art of Regeneration, [11] and Creativity at the Heart of Culture. [12] [8]
Colin Ward was a British anarchist writer and editor. He has been called "one of the greatest anarchist thinkers of the past half century, and a pioneering social historian."
Creativity is a phenomenon whereby something new and valuable is formed. The created item may be intangible or a physical object.
Acculturation is a process of social, psychological, and cultural change that stems from the balancing of two cultures while adapting to the prevailing culture of the society. Acculturation is a process in which an individual adopts, acquires and adjusts to a new cultural environment as a result of being placed into a new culture, or when another culture is brought to someone. Individuals of a differing culture try to incorporate themselves into the new more prevalent culture by participating in aspects of the more prevalent culture, such as their traditions, but still hold onto their original cultural values and traditions. The effects of acculturation can be seen at multiple levels in both the devotee of the prevailing culture and those who are assimilating into the culture.
Cultural identity is a part of a person's identity, or their self-conception and self-perception, and is related to nationality, ethnicity, religion, social class, generation, locality or any kind of social group that has its own distinct culture. In this way, cultural identity is both characteristic of the individual but also of the culturally identical group of members sharing the same cultural identity or upbringing. Cultural identity is a fluid process that is changed by different social, cultural, and historical experiences. Some people undergo more cultural identity changes as opposed to others, those who change less often have a clear cultural identity. This means that they have a dynamic yet stable integration of their culture.
The creative industries refers to a range of economic activities which are concerned with the generation or exploitation of knowledge and information. They may variously also be referred to as the cultural industries (especially in Europe or the creative economy, and most recently they have been denominated as the Orange Economy in Latin America and the Caribbean.
Sir Geoff Mulgan CBE is Professor of Collective Intelligence, Public Policy and Social Innovation at University College London (UCL). From 2011 to 2019 he was Chief Executive of the National Endowment for Science Technology and the Arts (NESTA) and Visiting Professor at University College London, the London School of Economics, and the University of Melbourne. In 2020, he joined the Nordic think tank Demos Helsinki as a Fellow.
Sir Peter Geoffrey Hall was an English town planner, urbanist and geographer. He was the Bartlett Professor of Planning and Regeneration at The Bartlett, University College London and president of both the Town and Country Planning Association and the Regional Studies Association. Hall was one of the most prolific and influential urbanists of the twentieth century.
Cultural psychology is the study of how cultures reflect and shape the psychological processes of their members.
Intercultural learning is an area of research, study and application of knowledge about different cultures, their differences and similarities. On the one hand, it includes a theoretical and academic approach. On the other hand, it comprises practical applications such as learning to negotiate with people from different cultures, living with people from different cultures, living in a different culture and the prospect of peace between different cultures.
The creative city is a concept that argues creativity should be considered a strategic factor in urban development. In addition to cities being efficient and fair, a creative city provides places, experiences, and opportunities to foster creativity among its citizens.
Cultural sensitivity, also sometimes referred to as cross-cultural sensitivity or simply cultural awareness, is the knowledge, awareness, and acceptance of other cultures and others' cultural identities. It is related to cultural competence, and sometimes regarded as the precursor to the achievement of cultural competence, but is a more widely used term than cultural competence. On the individual level, cultural sensitivity enables travelers and workers to successfully navigate a different culture with which they are interacting.
Third culture kids (TCK) or third culture individuals (TCI) are people who were raised in a culture other than their parents' or the culture of their country of nationality, and also live in a different environment during a significant part of their child development years. They typically are exposed to a greater volume and variety of cultural influences than those who grow up in one particular cultural setting. The term applies to both adults and children, as the term "kid" refers to the individual's formative or developmental years. However, for clarification, sometimes the term adult third culture kid (ATCK) is used.
Multicultural art concentrates on pieces of creativity that have an essence of a certain cultural theme. Kristen Ali Eglinton, in her 2003 book Art in the Early Years, defined multicultural art as "the study of artistic and aesthetic endeavors of the people and cultures that form the non-Western world".
John Widdup Berry is a psychologist known for his work in two areas: ecological and cultural influences on behavior; and the adaptation of immigrants and indigenous peoples following intercultural contact. The first is broadly in the domain of cross-cultural psychology; the second is in the domain of intercultural psychology.
Darren Richard Henley is the Chief Executive of Arts Council England and an author of books about the arts. He is a member of the UK government's Creative Industries Council.
Tenstar Community, often known simply as "TEN", is a Third Sector not-for-profit movemente and association established and registered in Italy, in the city of Verona.
A creative economy is based on people's use of their creative imagination to increase an idea's value. John Howkins developed the concept in 2001 to describe economic systems where value is based on novel imaginative qualities rather than the traditional resources of land, labour and capital.: Compared to creative industries, which are limited to specific sectors, the term is used to describe creativity throughout a whole economy.
Ernest Edmonds is a British artist, a pioneer in the field of computer art and its variants, algorithmic art, generative art, interactive art, from the late 1960s to the present. His work is represented in the Victoria and Albert Museum, as part of the National Archive of Computer-Based Art and Design.
Ken Worpole is a writer and social historian whose many books include works of literary criticism, architectural history, and landscape aesthetics, and was one of the editors of the 2001 United Nations Centre for Human Settlements (UNCHS) report, The State of the World’s Cities. In 2005 The Independent newspaper stated that: ‘For many years, Ken Worpole has been one of the shrewdest and sharpest observers of the English social landscape.’ In 2014 ICON Review similarly observed that ‘For well over 40 years Ken Worpole has been one of the most eloquent and forward thinking writers in Britain.’
Publications Distribution Cooperative (PDC) was set up in 1976 to distribute radical, socialist, feminist, green/ecology and community publications in Britain to the book and newsagent trade.