Charles Olivier de Penne (Paris, January 11, 1831 - Bourron-Marlotte, April 18, 1897) was a French painter. He belonged to the School of Barbizon.
Charles Olivier de Penne (Paris, January 11, 1831 - Bourron-Marlotte, April 18, 1897) was a French painter. He belonged to the School of Barbizon.
Charles-Olivier de Penne was initially a painter of historical scenes, but, as soon as he came into contact with the school of Barbizon, [1] he switched to landscape painting, in which he poured his passion for animals. He became famous for his paintings of hunting scenes or landscapes with animals.
He attempted the grand Prix de Rome in 1857, but only got the second prize with the work Jésus et la Samaritaine. [2] He then exhibited regularly at both the Paris Salon and the Salon des Artistes Français, where he won a bronze medal in 1872 and a silver medal in 1883. Another silver medal was awarded to him at the 1889 Expo.
The Barbizon school of painters were part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form.
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Artmedia was one of the first scientific projects concerning the relationship between art, technology, philosophy and aesthetics. It was founded in 1985 at the University of Salerno. For over two decades, until 2009, dozens of projects, studies, exhibitions and conferences on new technologies made Artmedia a reference point for many internationally renowned scholars and artists, and contributed to the growing cultural interest in the aesthetics of media, the aesthetics of networks, and their ethical and anthropological implications.
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Albert Lebourg, birth name Albert-Marie Lebourg, also called Albert-Charles Lebourg and Charles Albert Lebourg, was a French Impressionist and Post-Impressionist landscape painter of the Rouen School. Member of the Société des Artistes Français, he actively worked in a luminous Impressionist style, creating more than 2,000 landscapes during his lifetime. The artist was represented by Galerie Mancini in Paris in 1896, in 1899 and 1910 by : Galerie Bernheim-Jeune, 1903 and 1906 at the Galerie Paul Rosenberg, and 1918 and 1923 at Galerie Georges Petit.
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Nanine Vallain (1767–1815) was a French painter active between 1785 and 1810. She was sometimes known as Jeanne-Louise Vallain or Madame Piètre.
Ruffo di Calabria is one of the longest-standing noble families in Italy. It was already one of the seven most important houses of the Kingdom of Naples; their notable members include Rembrandt's patron Antonio Ruffo, the flying ace Fulco Ruffo di Calabria and his daughter Paola Ruffo di Calabria, queen-consort of Albert II of Belgium.
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