| Charlie Chaplin's Comic Capers | |
|---|---|
| Daily comic from E.C. Segar's tenure on the series. | |
| Author(s) | Stuart Wallace Carothers, Warren & Ramsey, Elzie Crisler Segar |
| Current status/schedule | Canceled |
| Launch date | 29 March 1915 |
| End date | September 16, 1917 |
| Syndicate(s) | Keeley-Handy Syndicate |
| Publisher(s) | Chicago Herald, M.A. Donohue & Co. |
| Genre(s) | Gag-a-day, Humor Slapstick |
Charlie Chaplin's Comic Capers is an American gag-a-day celebrity comics comic strip by Stuart Carothers [1] and later Elzie C. Segar starring Charlie Chaplin. It ran in syndication from March 29, 1915, until September 16, 1917. [2] It was one of the earliest comic strips inspired by the popularity of a celebrity.
Charlie Chaplin's Comic Capers was produced by the Chicago-based J. Keeley Syndicate [3] and published in the Chicago Herald. [4] The comic strip cashed in on the tremendous popularity of the comedian at the time. Chaplin was depicted as his popular The Little Tramp character. [3] The strip was created by Stewart W. Carothers in March 1915, [2] who drew and wrote the stories until his tragic early death from defenestration. [1] Two cartoonists credited as Warren and Ramsey took over the series until they were replaced by Elzie C. Segar, early in his career. [5] On February 29, 1916, Segar published his first Chaplin strip. The daily version ran until July 15, 1916. His Sunday version ran longer, from March 12, 1916, until September 16, 1917. [6] [7] It was his first professional cartooning job. Contrary to his predecessors, who mostly borrowed ideas from Chaplin's films, Segar thought up his own jokes. He gave Chaplin a tiny sidekick named "Luke the Gook" to act as a straight man to his gags. [5]
In 1917, five books were published by M.A. Donohue & Co., in 'Best of' style collections, four of them being painting/coloring books. [8] These books are considered to be from the Platinum Age. [9]
Published collections;
Despite Chaplin's popularity, the comic strip was not a huge success in the United States. It fared better in the U.K., where it was published in the weekly comics magazine Funny Wonder for decades. [5]