Chequers Ring

Last updated

Chequers Ring Chequers Ring.jpg
Chequers Ring

The Chequers Ring is one of the few surviving pieces of jewellery worn by Queen Elizabeth I of England. The mother-of-pearl ring, set with gold and rubies, includes a locket with two portraits, one depicting Elizabeth and the other traditionally identified as Elizabeth's mother Anne Boleyn, but possibly her step-mother Catherine Parr. The ring is presently housed at Chequers, the country house of the prime minister of the United Kingdom.

Contents

Description

The ring is tentatively dated to the mid-1570s. [1] A mother-of-pearl hoop is mounted with sheet gold set with table-cut rubies, found on the sides of the bezel and on the shoulders. White diamonds on the bezel form the letter E (for Elizabeth), with a cobalt blue enamel letter R (for Regina, meaning queen) underneath. More rubies surround the letters, along with a pearl. The back of the bezel is decorated with an enamel phoenix, symbol of the Seymour family, suggesting that Elizabeth may have received the ring as a gift from a Seymour. [1] [2] Alternatively, the phoenix was a common motif in Elizabeth's portraits and jewellry, and therefore may not have anything to do with the Seymours at all. [3] [4] It has since been suggested that the ring may have been gifted to the Queen by Robert Dudley, Earl of Leicester and her longtime favourite, in 1575. [5]

Portraits

The bezel is hinged to form a locket. Two women are depicted in the secret compartment. [6] Elizabeth is the older one, portrayed in an enamel cameo on the leaf of the jewel inset with a ruby. On the shank of the jewel there is a portrait miniature of a young woman dating from c. 1535–1545. It is made of layers of enamel in an imitation of a cameo. There is a small diamond at the woman's breast. [1]

Due to her portrait's juxtaposition with the cameo of Elizabeth, the younger woman has traditionally been identified as Anne Boleyn, Elizabeth's mother, who was executed when Elizabeth was two years old. [1] Elizabeth mentioned Anne very rarely, and the ring is sometimes claimed to be the evidence of her affection for the memory of her mother, [7] or said to have reminded Elizabeth to be more prudent in politics than her mother. [6]

The identification of the younger woman as Anne Boleyn has been challenged, however. The red-gold hair of the woman in the portrait does not fit modern conceptions of Anne Boleyn, now widely conceived as bearing black hair, but this description is due to sources generally deemed historically unreliable -- Sanders, and a variety of portraiture none of which can be said with certainty to depict the Queen as she was in life ; much of which was painted by people who had never seen her, and all of which has suffered degradation due to oxidation and contamination, etc., over time. And could have possibly darkened.

Due to well known historical events of Boleyn's ending, it quickly became unfashionable, probably even dangerous, to exhibit or discuss authentic relics, artifacts and memories of this important figure.

Few if any other description imbues an understanding of her natural hair colour, or of her styling. We find Sir Thomas Wyatt, writing poetically of her tress .. of crisped gold. [8] And sketch of Anne Boleyn,by Holbein, labelled thus by Sir John Cheke, shows hair matching the ring.

Possibly the portrait miniature depicts Catherine Parr, Elizabeth's red-haired stepmother. [7] Elizabeth was unusually close to Catherine, who was her mother figure in early adolescence. Catherine later married into the Seymour family, which would explain the phoenix symbol. [1]

Or Elizabeth's sister Mary I, who had light reddish hair in undarkened depictions of her, despite public mostly thinking of her as brunette also nowadays.

History

According to legend, Robert Carey, Elizabeth I's maternal relative, took the ring from her finger when she died at Richmond Palace in 1603, and took it to James I in Scotland as a token of her death. [6] Her jewellery collection was soon dispersed by the new king and queen, James I and Anne of Denmark. [9] Sir John Eliot denounced this as a national loss, lamenting in a speech to Parliament in 1626: [9]

O! those jewels! The pride and glory of this realm! Which have made it so far shining above all others! Would they were here, within the compass of these walls, to be viewed and seen by us and to be examined in this place. Their very name and memory have transported me!

The ring is one of the few surviving pieces of jewellery worn by Elizabeth I. [10] It may have been presented by James I to Alexander Home, 1st Earl of Home (c. 1566–1619), and it descended through the Home family until it was acquired by Arthur Lee, 1st Viscount Lee of Fareham (1868-1947).

Lee presented his country house at Chequers and its collection to the British nation, for use as the country house of the prime minister of the United Kingdom. The ring is still housed at Chequers. It was loaned for the first time in 2002 to be exhibited at the National Maritime Museum, and went on public display for the first time in March 2003. [6]

See also

Related Research Articles

<span class="mw-page-title-main">Anne Boleyn</span> Queen of England from 1533 to 1536

Anne Boleyn was Queen of England from 1533 to 1536, as the second wife of King Henry VIII. The circumstances of her marriage and of her execution by beheading for treason and other charges made her a key figure in the political and religious upheaval that marked the start of the English Reformation.

<span class="mw-page-title-main">Jane Seymour</span> Queen of England from 1536 to 1537

Jane Seymour was Queen of England as the third wife of King Henry VIII from their marriage on 30 May 1536 until her death the next year. She became queen following the execution of Henry's second wife, Anne Boleyn, who was accused by King Henry VIII of adultery after failing to produce the male heir he so desperately desired. Jane, however, died of postnatal complications less than two weeks after the birth of her only child, the future King Edward VI. She was the only wife of Henry to receive a queen's funeral; and he was later buried alongside her remains in St George's Chapel, Windsor Castle.

<span class="mw-page-title-main">Mary Tudor, Queen of France</span> Queen of France from 1514 to 1515

Mary Tudor was an English princess who was briefly Queen of France as the third wife of King Louis XII. Louis was more than 30 years her senior. Mary was the fifth child of Henry VII of England and Elizabeth of York, and the youngest to survive infancy.

<span class="mw-page-title-main">Anne Seymour, Duchess of Somerset</span> English noblewoman and courtier

Anne Seymour, Duchess of Somerset was the second wife of Edward Seymour, 1st Duke of Somerset, who held the office of Lord Protector during the first part of the reign of their nephew King Edward VI. The Duchess was briefly the most powerful woman in England. During her husband's regency she unsuccessfully claimed precedence over the queen dowager, Catherine Parr.

<span class="mw-page-title-main">Wives of Henry VIII</span> Queens consort of Henry VIII of England

In common parlance, the wives of Henry VIII were the six queens consort of King Henry VIII of England between 1509 and his death in 1547. In legal terms, Henry had only three wives, because three of his marriages were annulled by the Church of England. However, he was never granted an annulment by the Pope, as he desired, for Catherine of Aragon, his first wife. Annulments declare that a true marriage never took place, unlike a divorce, in which a married couple end their union. Along with his six wives, Henry took several mistresses.

<span class="mw-page-title-main">French hood</span> Womans headgear

The French hood is a type of woman's headgear that was popular in Western Europe in the 16th century.

Young Royals is a series of novels for children by Carolyn Meyer based on the early lives of multiple royalties such as English and French royalty. Books in the series are mostly about the English Tudors, such as: Mary, Bloody Mary (1999); Beware, Princess Elizabeth (2001); Doomed Queen Anne (2002); and Patience, Princess Catherine (2004). The French books in the series are Duchessina (2007), about the life of Catherine de' Medici, and The Bad Queen: Rules and Instructions for Marie-Antoinette (2010). The most recent titles in the series are: The Wild Queen: The Days and Nights of Mary, Queen of Scots (2012); Victoria Rebels (2013), about Queen Victoria of the British Empire; and Anastasia and Her Sisters (2013), about the daughters of Tsar Nicholas of Russia, specifically Anastasia.

Sir John Spilman was a Lindau, German-born entrepreneur who founded the first commercially successful paper-mill in England, establishing a factory on the River Darenth in Dartford, Kent in 1588. Spilman was also jeweller to Queen Elizabeth I, and was knighted by King James I.

<span class="mw-page-title-main">Catherine Howard</span> Queen of England from 1540 to 1541

Catherine Howard, also spelt Katheryn Howard, was Queen of England from 1540 until 1541 as the fifth wife of King Henry VIII. She was the daughter of Lord Edmund Howard and Joyce Culpeper, a cousin to Anne Boleyn, and the niece of Thomas Howard, 3rd Duke of Norfolk. Thomas Howard was a prominent politician at Henry's court, and he secured her a place in the household of Henry's fourth wife, Anne of Cleves, where she caught the King's interest. She married him on 28 July 1540 at Oatlands Palace in Surrey, just 19 days after the annulment of his marriage to Anne. He was 49, and she was between 15 and 21 years old, though it is widely accepted that she was 17 at the time of her marriage to Henry VIII.

<span class="mw-page-title-main">Cheapside Hoard</span>

The Cheapside Hoard is a hoard of jewellery from the late 16th and early 17th centuries, discovered in 1912 by workmen using a pickaxe to excavate in a cellar at 30–32 Cheapside in London, on the corner with Friday Street. They found a buried wooden box containing more than 400 pieces of Elizabethan and Jacobean jewellery, including rings, brooches and chains, with bright coloured gemstones and enamelled gold settings, together with toadstones, cameos, scent bottles, fan holders, crystal tankards and a salt cellar.

Costume and gold and silver plate belonging to Elizabeth I were recorded in several inventories, and other documents including rolls of New Year's Day gifts. Arthur Jefferies Collins published the Jewels and Plate of Queen Elizabeth I: The Inventory of 1574 from manuscripts in 1955. The published inventory describes jewels and silver-plate belonging to Elizabeth with detailed references to other source material. Two inventories of Elizabeth's costume and some of her jewellery were published by Janet Arnold in Queen Elizabeth's Wardrobe Unlocke'd.

Anne Livingstone, Countess of Eglinton was a Scottish courtier and aristocrat, and lady-in-waiting to Princess Elizabeth and Anne of Denmark.

<span class="mw-page-title-main">Great H of Scotland</span> Jewel belonging to Mary, Queen of Scots

The Great 'H' of Scotland was a jewel belonging to Mary, Queen of Scots comprising a large diamond, a ruby, and a gold chain. It was broken up in 1604 and made into the Mirror of Great Britain for James VI and I.

Mary Radcliffe or Ratcliffe (1550-1617) was a courtier of Queen Elizabeth I of England.

Arnold Lulls was a Flemish goldsmith and jeweller in London. He served the court and made several pieces intended as diplomatic gifts.

<span class="mw-page-title-main">Jewels of Mary, Queen of Scots</span> Jewels belonging to Mary, Queen of Scots

The jewels of Mary, Queen of Scots (1542–1587), are mainly known through the evidence of inventories held by the National Records of Scotland. She was bought jewels during her childhood in France, adding to those she inherited. She gave gifts of jewels to her friends and to reward diplomats. When she abdicated and went to England many of the jewels she left behind in Scotland were sold or pledged for loans, first by her enemies and later by her allies. Mary continued to buy new jewels, some from France, and use them to reward her supporters. In Scotland her remaining jewels were worn by her son James VI and his favourites.

<span class="mw-page-title-main">Jewels of Anne of Denmark</span> Jewels belonging to Anne of Denmark (1574–1619)

The jewels of Anne of Denmark (1572–1619), wife of James VI and I and queen consort of Scotland and England, are known from accounts and inventories, and their depiction in portraits by artists including Paul van Somer. A few pieces survive. Some modern historians prefer the name "Anna" to "Anne", following the spelling of numerous examples of her signature.

<span class="mw-page-title-main">Jewels of James V of Scotland</span> Jewels belonging to James V of Scotland

The jewellery and jewels owned by James V of Scotland are mainly known from the royal treasurer's accounts and inventories. James V reinforced his authority by lavish display.

<span class="mw-page-title-main">Jewels of Mary I of England</span> Jewels belonging to Mary I of England

An inventory of the jewels of Mary I of England, known as Princess Mary or the Lady Mary in the years 1542 to 1546, was kept by her lady in waiting Mary Finch. The manuscript is now held by the British Library. It was published by Frederic Madden in 1831. Some pieces are listed twice. Two surviving drawings feature a ribbon with the inscription, "MI LADI PRINSIS". The British Library also has an inventory of the jewels she inherited on coming to the throne in 1553.

<i>Portrait of a Lady, probably a Member of the Cromwell Family</i> Painting by Hans Holbein the Younger

Portrait of a Lady, probably a Member of the Cromwell Family is an oil on panel portrait completed in around 1535–1540 by German painter and printmaker, Hans Holbein the Younger. The painting shows an elegantly but demurely dressed young woman sitting against a blue-grey background. The subject of this portrait is thought to be a member of the Cromwell family, perhaps Thomas Cromwell's daughter-in-law, Elizabeth Seymour, sister to Jane, third consort of Henry VIII.

References

  1. 1 2 3 4 5 James, Susan E. (2009), The Feminine Dynamic in English Art, 1485–1603: Women as Consumers, Patrons and Painters, Ashgate, p. 180, ISBN   978-1351544603
  2. Scarisbrick, Diana (1993), Rings: Symbols of Wealth, Power, and Affection, Abrams, p. 45, ISBN   0810937751
  3. "The Phoenix and the Pelican: two portraits of Elizabeth I, c.1575 - National Portrait Gallery". www.npg.org.uk. Retrieved 9 January 2024.
  4. "Teaching History with 100 Objects - A jewel of Elizabeth I". teachinghistory100.org. Retrieved 9 January 2024.
  5. Borman, Tracy (2023). Anne Boleyn & Elizabeth I: The Mother and Daughter Who Changed History. Great Britain: Hodder & Stoughton. pp. 212–213. ISBN   9781399705080.
  6. 1 2 3 4 Kennedy, Maev (26 July 2002), "Ring that could hold clue to Elizabeth I", The Guardian , retrieved 24 June 2018
  7. 1 2 Riehl Bertolet, Anna (2017), Queens Matter in Early Modern Studies, Springer, p. 159, ISBN   978-3319640488
  8. Benger, Miss (1821). Memoirs of the Life of Anne Boleyn, Queen of Henry VIII. Vol. 2 (2nd ed.). pp. 212–13.
  9. 1 2 Scarisbrick, Diana (1995), Tudor and Jacobean Jewellery, Tate Publication, p. 9, ISBN   1854371584
  10. Weir, Alison (2011), Elizabeth, The Queen, Random House, p. 237, ISBN   978-1446449004