Chino (1973 film)

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Chino
Chino FilmPoster.jpeg
US theatrical release poster
Directed by Duilio Coletti
John Sturges
Screenplay by Clair Huffaker
Based onThe Valdez Horses
by Lee Hoffman
Produced byJohn Sturges
Dino De Laurentiis
Starring Charles Bronson
Jill Ireland
Marcel Bozzuffi
Vincent Van Patten
Cinematography Armando Nannuzzi
Edited byLuis Álvarez
Vanio Amici
Music by Guido De Angelis
Maurizio De Angelis
Production
companies
Distributed byIntercontinental Releasing Corporation
Release date
  • September 14, 1973 (1973-09-14)(Italy)
Running time
98 minutes
CountriesFrance
Italy
Spain
LanguageEnglish

Chino (Italian: Valdez, il mezzosangue, UK theatrical title: Valdez the Half Breed) is a 1973 Western film starring Charles Bronson, Jill Ireland, Marcel Bozzuffi, and Vincent Van Patten. The original English language title shown at the beginning of the film was The Valdez Horses, the same title that the 1967 novel by Lee Hoffman on which the movie is based. Hoffman was awarded the 1967 Western Writers of America Spur Award.

Contents

It was an Italian-Spanish-French co-production filmed in Spain, with Italian and French funding. [1]

Plot

Chino Valdez (Bronson) is a lonely horse breeder, whose life is thrown into turmoil when a young runaway (Van Patten) turns up at his door looking for work and, later, he falls in love with a beautiful woman (Ireland) whose brother (Bozzuffi) hates him.

Cast

Production

Director John Sturges was unhappy with the finished film and considered the casting of Jill Ireland a fatal mistake. Six months after finishing the movie, Producer Dino De Laurentiis gathered the actors and crew to return for re-shoots and inserts. With Sturges no longer available, veteran Italian director Duilio Coletti was hired to complete the work. His name is listed as director on some European prints as a result. [2]

Reception

Critical response

Time Out magazine said of the film, "Bronson suffers from galloping symbolism as Valdez, a wild horse-taming Mexican halfbreed representing different things to different people. Overall, he is the mustang, caught in a wild West which is being tamed and fenced in by white settlers... Despite a few dodgy moments when one really fears for Valdez' co-optability by Ireland's well-kept fragility, the film maintains its contradictory stance right through to a bitter-sweet ending. Valdez leaves, sans wife, sans house, but on his own terms, and after ensuring that if he can not tame the wild horses no one else will. [3]

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References

  1. Chino at the American Film Institute Catalog .
  2. Lovell, Glenn (2008). Escape Artist: The Life and Films of John Sturges. The University of Wisconsin Press. pp. 277–278. ISBN   978-029922834-7.
  3. TimeOut. Staff film review, no date. Accessed: June 22, 2013.