Author |
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Language | English |
Genre | Non-fiction |
Publisher | Scribe, Beacon Press |
Publication date | September 27, 2022 |
Publication place | Australia, UK, US |
Pages | 312 pages |
ISBN | 9-780-80700-7068 |
Chokepoint Capitalism: How Big Tech and Big Content Captured Creative Labor Markets and How We'll Win Them Back is a non-fiction book by Rebecca Giblin and Cory Doctorow, published in 2022 by Scribe in Australia and the UK and Beacon Press in the United States. Chokepoint Capitalism is also a term coined by Giblin and Doctorow to describe the phenomenon of powerful corporations systematically "chokepointing" their markets by locking in buyers and sellers, eliminating competition, and eventually using their market power to squeeze out more than a fair share of value.
While Giblin and Doctorow argue chokepoints are a defining feature of modern economies, the book primarily focus on chokepoints in creative markets. [1]
In the first half of the book, Giblin and Doctorow argue that companies including Amazon, Audible, Spotify, Live Nation and Google (via control of ad markets and via YouTube), have created monopsony markets where they are functionally the only buyers in creative labour markets. This gives them the power to extract more value from creative workers and investors than would be possible in a competitive market.
The authors argue that each of these corporations uses the same playbook to capture markets: first locking in users, then locking in suppliers, and then eliminating competition. They demonstrate these techniques in action across a range of creative markets, including physical and audio books, news, recorded music, music streaming, app development and screenwriting.
The book’s second half proposes a range of ideas for widening these chokepoints out, offering technical, commercial and legal blueprints for artists, fans, arts organisations, technologists and policymakers from local government right up to the level of international treaties.
A starred review in Publishers Weekly describes the book as "a must-read for anyone involved in these industries." [2] In a review for The Guardian , Kitty Drake writes, "The level of detail in the book will make your eyeballs hurt, but it bears fruit." [3] In The Conversation , Justin O'Connor describes the book as "a wake-up call." [4] Oscar Williams writes in a review for the New Statesman that the "book provides practical steps towards rebalancing the cultural economy and empowering the people whose work drives others' profits." [5] In a review for the Journal of Librarianship and Scholarly Communication , Marco Schirone writes that the book "can be read as a scholarly work in the field of intellectual property law and as a critical tool for activism." [6]
The book has received praise from figures including writers Margaret Atwood and David Sirota, comedian Stephen Fry, law professors Zephyr Teachout, Lawrence Lessig, and Jane C. Ginsburg, and Wikipedia co-founder Jimmy Wales. [7] The book was listed in the Financial Times best books of 2022, where economist Tim Harford called it "nerdy, sharp, radical and readable." [8] It also provided inspiration to former Writers Guild of America President David A. Goodman in writing the Futurama season 8 episode ‘Related to Items You’ve Viewed’. [9]
Naomi Klein is a Canadian author, social activist, and filmmaker known for her political analyses; support of ecofeminism, organized labour, and criticism of corporate globalization, fascism and capitalism. In 2021, Klein took up the UBC Professorship in Climate Justice, joining the University of British Columbia's Department of Geography. She has been the co-director of the newly launched Centre for Climate Justice since 2021.
Amber Benson is an American actress, writer, director, and producer. She is best known for her role as Tara Maclay on the TV series Buffy the Vampire Slayer (1999–2002), and has directed, produced and starred in her own films Chance (2002) and Lovers, Liars & Lunatics (2006). She also starred in the movie Kiss the Bride (2007). She co-directed the film Drones (2010) with fellow Buffy cast member Adam Busch, and starred as a waitress in the crime thriller The Killing Jar (2010).
Cory Efram Doctorow is a Canadian-British blogger, journalist, and science fiction author who served as co-editor of the blog Boing Boing. He is an activist in favour of liberalising copyright laws and a proponent of the Creative Commons organization, using some of its licences for his books. Some common themes of his work include digital rights management, file sharing, and post-scarcity economics.
The Internet Speculative Fiction Database (ISFDB) is a database of bibliographic information on genres considered speculative fiction, including science fiction and related genres such as fantasy, alternate history, and horror fiction. The ISFDB is a volunteer effort, with the database being open for moderated editing and user contributions, and a wiki that allows the database editors to coordinate with each other. As of April 2022, the site had catalogued 2,002,324 story titles from 232,816 authors.
Eastern Standard Tribe is a 2004 science fiction novel by Canadian writer Cory Doctorow. Like Doctorow's first two books, the entire text was released under a Creative Commons license on Doctorow's website, allowing the whole text of the book to be read for free and distributed without the publisher's permission.
Post-scarcity is a theoretical economic situation in which most goods can be produced in great abundance with minimal human labor needed, so that they become available to all very cheaply or even freely.
Audible is an American online audiobook and podcast service that allows users to purchase and stream audiobooks and other forms of spoken word content. This content can be purchased individually or under a subscription model where the user receives "credits" that can be redeemed for content monthly and receive access to a curated on-demand library of content. Audible is the United States' largest audiobook producer and retailer. The service is owned by Audible, a wholly-owned subsidiary of Amazon.com, Inc., headquartered in Newark, New Jersey.
Rebecca Soler is an American voice actress based in the New York City area. She has voiced on several audiobooks; her most notable voice work has been the narrator for The Lunar Chronicles series by Marissa Meyer. In anime, she voiced title character Miu Nomura in Piano: The Melody of a Young Girl's Heart, Reanne in Ojamajo Doremi and Battia in Outlanders. In animation, she voiced in Huntik, Viva Piñata, and Winx Club. She has worked with 4Kids Entertainment, NYAV Post, Media Blasters, Central Park Media and DuArt Film & Video. On stage, she has participated in various theater projects, including a play called Becoming Cuba. She is also a producer of a web series called With Friends Like These.
Little Brother is a novel by Cory Doctorow, published by Tor Books. It was released on April 29, 2008. The novel is about four teenagers in San Francisco who, in the aftermath of a terrorist attack on the San Francisco–Oakland Bay Bridge and BART system, defend themselves against the Department of Homeland Security's attacks on the Bill of Rights. The novel is available for free on the author's website under a Creative Commons license, keeping it accessible and remixable to all.
Unseen Academicals is the 37th novel in Terry Pratchett's Discworld series. The novel satirises football, and features Mustrum Ridcully setting up an Unseen University football team, with the Librarian in goal. It includes new details about "below stairs" life at the university. The book introduces several new characters, including Trevor Likely, a street urchin with a wonderful talent for kicking a tin can; Glenda Sugarbean, a maker of "jolly good" pies; Juliet Stollop, a dim but beautiful young woman who might just turn out to be the greatest fashion model there has ever been; and the mysterious Mr Nutt, a cultured, enigmatic, idealistic savant. According to the publisher, Transworld, the "on sale" date for the hardback was 1 October 2009 although the official publication date is 8 October 2009. Bookshop chain Borders included a small set of exclusive Discworld football cards with each book.
Clockwork Watch is a collaborative transmedia storytelling project set in a retro-futurist steampunk vision of Victorian England. Launched in May 2012, this five-year immersive participatory story is told through graphic novels, interactive promenade theatre, online adventures, an interactive book, and a feature film. The project was created and produced in London by Yomi Ayeni.
Pirate Cinema is a 2012 novel by Canadian-British writer Cory Doctorow. The novel is licensed under the terms of Creative Commons BY-NC-ND license and is available free on the author's website.
Scarfolk is a fictional northwestern English town created by writer and designer Richard Littler, who is sometimes identified as the town mayor, L. Ritter. It is trapped in a time loop set in the 1970s, and its culture, parodying that of Britain at the time, features elements of the absurd and the macabre. It was first released as a blog of fake historical documents parodying British public information posters of the 1970s, and a collected book was published in 2014, and the Scarfolk Annual was released in 2019. Scarfolk is depicted as a bleak, post-industrial landscape through unsettling images of urban life; Littler's output belongs to the genres of hauntology and dystopian satire; his psychologically disturbing form of humour has been likened to the writings of George Orwell and J. G. Ballard.
This Changes Everything: Capitalism vs. the Climate is Naomi Klein's fourth book; it was published in 2014 by Simon & Schuster. Klein argues that the climate crisis cannot be addressed in the current era of neoliberal market fundamentalism, which encourages profligate consumption and has resulted in mega-mergers and trade agreements hostile to the health of the environment.
Maciej Cegłowski is a Polish-American web developer, entrepreneur, speaker, and social critic, based in San Francisco, California. He is the owner of the bookmarking service Pinboard, which he calls a social bookmarking site for introverts.
Surveillance capitalism is a concept in political economics which denotes the widespread collection and commodification of personal data by corporations. This phenomenon is distinct from government surveillance, although the two can be mutually reinforcing. The concept of surveillance capitalism, as described by Shoshana Zuboff, is driven by a profit-making incentive, and arose as advertising companies, led by Google's AdWords, saw the possibilities of using personal data to target consumers more precisely.
Information Doesn't Want to Be Free is a 2014 non-fiction book by the science fiction writer and Internet activist Cory Doctorow. In the book, he advocates loosening restrictions on intellectual property on the Internet. He states that "[i]nformation doesn’t want to be free,...people do.”
Capitalism in America: A History is a 2018 book written by former chairman of the Federal Reserve Alan Greenspan and Adrian Wooldridge, political editor at The Economist. The book traces the economic history of the United States since its founding and the authors argue that America's embrace of capitalism and creative destruction has given the nation's economy a superior edge.
Enshittification, also known as crapification and platform decay, is a pattern in which online products and services decline in quality. Initially, vendors create high-quality offerings to attract users, then they degrade those offerings to better serve business customers, and finally degrade their services to users and business customers to maximize profits for shareholders.
The People's Republic of Walmart: How the World's Biggest Corporations are Laying the Foundation for Socialism is a 2019 book by Leigh Phillips and Michal Rozworski, published by Verso Books. In the book, Phillips and Rozworski argue that large multinational corporations, such as Walmart, are not expressions of free-market capitalism but instead examples of central planning on a large scale. They also argue that the question is not if large-scale planning can work, but if it can be made democratic to serve everyone's needs.