Christopher John Cree Brown (born 25 July 1953) is a New Zealand sonic artist and composer of orchestral and electroacoustic works. Now a freelance composer he was an Associate Professor of Music at the University of Canterbury until 2018. [1]
Cree Brown was born on 25 July 1953 in Christchurch, New Zealand. [2] [3] He attended the University of Canterbury, first studying commerce and then switching to music. [4] He gained his BA and a BMus (Hons) in 1977. [3] Before studying music he was influenced by classical music but at university he was exposed to broader influences including Stockhausen, Lilburn and electroacoustic music. [4]
Cree Brown was the Mozart Fellow, a composer in residence position at the University of Otago, in 1980 and 1983. [1] He lectured part–time at Otago in electronic music in 1980. [3] In 1988 he became a full–time lecturer at the University of Canterbury. [3]
In 2018 after leaving his position as Associate Professor of Music at the University of Canterbury Cree Brown received a James Wallace Residency from the University of Otago. [5] He took up a short-term teaching position at the Musikhochschule in Lübeck, Germany in 2019. [1]
In 1990–2000 Cree Brown was one of the artists selected to participate in the Artists to Antarctica Programme, a scheme in which artists visited Antarctica and created works to share their insights and raise public awareness of the continent. [6] He composed an orchestral piece Icescape and a sonic art piece Under Erebus. The latter incorporates the sounds of Antarctica: ice cracking and shattering, wind, seals and birds, and human activity. [1] [7] [8] He also created a sound track to accompany a sculpture by Virginia King. [9] Cree Brown and King produced a video Antarctic Heart of their work in the Antarctic. [10] He has often incorporated other artistic disciplines into his work, usually visual or sculptural but also theatrical and performance e.g. In Sympathy (1981) and Piece for Anzart (1985). [4] [11] [12] He created A Black Painting (1979) an electroacoustic accompaniment to paintings by the artist Ralph Hotere which expressed his opposition to sporting contact with South Africa. [4] [13]
Cree Brown's work Phoenix was premiered by the Christchurch Symphony Orchestra in 2019 at the first concert in the auditorium of the Christchurch Town Hall which had been rebuilt after the 2011 earthquake. The name of the work refers to the phoenix rising from the ashes. [14] It incorporates the sounds of Aeolian harps, an instrument he has used frequently in his works. [1] [14]
Cree Brown has stated that there are three reasons for composing music: political (how the world could change), for aesthetic pleasure and his own motivation of 'having something to say'. [4] Several of Cree Brown's works have political and historical themes: Aramoana, Black and White, Pilgrimage to Gallipoli,No Ordinary Sun. [15] Aramoana (1980) was about the Aramoana smelter and was an electroacoustic piece with sculptural installation. [16] [17] Cree Brown's convictions against South African apartheid stimulated him to write Black and White (1987) for orchestra and tape about the 1981 Springbok rugby tour of New Zealand; despite being written and performed six years after the tour it proved controversial with some audience and New Zealand Symphony Orchestra players walking out of the performance. [4] [15] [17] [18] Pilgrimage to Gallipoli (2009) commemorated World War 1 and included sounds recorded by Cree Brown in 1994 and 2001 at ANZAC commemorations at Gallipoli. [15] [19] Cree Brown used his electroacoustic work No Ordinary Sun (2014) to express his anti–nuclear convictions and included poet Hone Tuwhare reading his own poetry; it was performed by the Karlheinz Company. [15] [20]
Cree Brown has received two awards from the Composers Association of New Zealand: in 1986 he received a Trust Fund award [3] and in 2010 was awarded the KBB Citation for Services to New Zealand Music. [1] In 2010 Inner Bellow won the SOUNZ Contemporary Award at the APRA Silver Scroll Awards. [21]
John Stanley Body was a New Zealand composer, ethnomusicologist, photographer, teacher, and arts producer. As a composer, his work comprised concert music, music theatre, electronic music, music for film and dance, and audio-visual gallery installations. A deep and long-standing interest in the music of non-Western cultures – particularly South-East Asian – influenced much of his composing work, particularly his technique of transcribing field recordings. As an organiser of musical events and projects, Body had a significant impact on the promotion of Asian music in New Zealand, as well as the promotion of New Zealand music within the country and abroad.
Dame Gillian Karawe Whitehead is a New Zealand composer. She is of Māori Ngāi Te Rangi descent. Her Māori heritage has been an important influence on her composing.
The Aramoana massacre was a mass shooting that occurred on 13 November 1990 in the small seaside township of Aramoana, northeast of Dunedin, New Zealand. Resident David Gray killed 13 people, including local police Sergeant Stewart Guthrie, one of the first responders to the reports of a shooting, after a verbal dispute between Gray and his next-door neighbour. After a careful house-to-house search the next day, police officers led by the Anti-Terrorist Squad located Gray, and shot and injured him as he came out of a house firing from the hip. He died in an ambulance while being transported to hospital.
Gareth Vincent Farr is a New Zealand composer and percussionist. He has released a number of classical CDs and composed a number of works performed by the New Zealand Symphony Orchestra (NZSO) and Royal New Zealand Ballet. He has also performed in drag under the name Lilith LaCroix in a show called Drumdrag and has also released a CD under that name.
The following lists events that happened during 1962 in New Zealand.
The Mozart Fellowship is a composer residency attached to the Music Department of the University of Otago, one of the five Arts Fellowships at the university. It is the oldest full-time composition residency in New Zealand and is currently the only position of its kind; the list of past fellows includes many of New Zealand's most notable composers. The current Mozart Fellow is Sean Donnelly.
John Young is an electroacoustic music composer born March 4, 1962, in Christchurch, New Zealand, and currently living in Leicester, UK.
David Blair Hamilton is a New Zealand composer and teacher.
Anthony Damian Ritchie is a New Zealand composer and academic. He has been a freelance composer accepting commissions for works and in 2018 he became professor of composition at The University of Otago after 18 years of teaching composition. Since 2020 he has been head of Otago's School of Performing Arts, a three-year position. His works number over two hundred, and include symphonies, operas, concertos, choral works, chamber music and solo works.
Andrew Perkins is a New Zealand composer, choral conductor and teacher. He has had a number of works recorded and performed internationally.
Eve de Castro-Robinson is a New Zealand composer, professor and graphic designer. Her compositions include orchestral, vocal, chamber and electroacoustic works. She studied at the University of Auckland, where in 1991 she became the first person to receive a DMus from the University. She is Associate Professor of Composition at the University of Auckland.
Helen Bowater is a New Zealand composer. She was born in Wellington into a musical family, and studied piano and violin with Gwyneth Brown. In 1982 she graduated with a Bachelor of Music degree in music history and ethnomusicology from Victoria University of Wellington. She continued her studies in electroacoustic music with Ross Harris and in composition with Jack Body.
Kenneth Young is a composer, conductor, radio presenter and lecturer in composition, conducting and orchestration at the New Zealand School of Music, Massey University and Victoria University of Wellington. As a composer, Young has had works commissioned by New Zealand and Australian orchestras and arts organisations including the New Zealand Symphony Orchestra, Auckland Philharmonia Orchestra, Tasmanian Symphony Orchestra New Zealand International Arts Festival and Chamber Music New Zealand. He works as a freelance composer and is fully represented by SOUNZ: The Centre for New Zealand Music. In 1976, Young became the principal tuba for the New Zealand Symphony Orchestra and first conducted the orchestra in 1985 becoming Conductor in Residence in 1993. In 2001, he resigned from the orchestra to become a full-time conductor, composer and recording artist for orchestras in New Zealand and Australia, as well as engagements in Japan and the United Kingdom. He is well known for his interpretation of Romantic, 20th Century, New Zealand and Australian orchestral repertoire and in 2012 conducted both the winning album, Angel at Ahipara and finalist album, Releasing the Angel, for Best Classical Album at the New Zealand Music Awards. Young has been recorded by EMI, Atoll Records, Continuum, Trust Records, ABC Classics and Naxos and is a frequent presenter on RESOUND, Radio New Zealand Concert introducing and contextualising work from the RNZ archives. In 2004 was awarded the Lilburn Trust Citation in Recognition of Outstanding Services to New Zealand Music.
Stuart Hoar is a New Zealand playwright, teacher, novelist, radio dramatist and librettist.
The Philip Neill Memorial Prize is an annual prize administered by the University of Otago for excellence in original composition. The award is open to all past and present students of a university in New Zealand, except previous winners who are excluded for a period of five years.
Gamelan orchestral instruments were introduced to New Zealand from Java in 1974. There are several gamelan ensembles in New Zealand and gamelan has influenced many New Zealand composers such as Jack Body and Gareth Farr.
Dylan Lardelli is a New Zealand composer and guitarist. He is of Māori Ngāti Porou and Ngāi Tūhoe descent.
Leonie Joyce Holmes is a New Zealand composer and lecturer at the University of Auckland with an interest in music education.
Ariana Rahera Tikao is a New Zealand singer, musician and author. Her works explore her identity as a Kāi Tahu woman and her music often utilises taonga pūoro. Notably, she co-composed the first concerto for taonga pūoro in 2015. She has released three solo albums and collaborated with a number of other musicians. She was a recipient of an Arts Foundation Laureate Award in 2020.
Strike is a New Zealand percussion group which formed in 1993. The group has worked with New Zealand composers and is known for its energetic and choreographed performances.