Chris McCaw

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Chris McCaw (born 1971) is an American photographer whose work is held in many public collections.

Contents

Life and photography

McCaw was born in Daly City, California, in 1971. He has a BFA from the Academy of Art College in San Francisco. [1]

McCaw is known for his large-format homemade cameras [2] in which he uses expired gelatin silver photo paper and long exposures to make solarized paper negatives which often include the burned path of the sun within the frame, in a series named Sunburn. [3] McCaw travels to remote places to capture different apparent movements of the sun, including the Arctic Circle in Alaska, the Galápagos Islands and the Mojave Desert. [4] McCaw's earlier work used a 7×17 inch view camera to create large-format negatives from which he made platinum prints. [5] Projects following Sunburn include work with a modified Cirkut camera, resulting in exposures that can take more than 24 hours. [6] A series titled Poli-optic employs a homemade camera with a grid of lenses. [7] Finally, the series Heliograph includes work in which there are multiple exposures of the sun on the same paper negative. [8]

Sunburn

McCaw's best known project is titled Sunburn. [9] The Metropolitan Museum of Art writes about the series that:

In 2003 McCaw, a photographer based in San Francisco, began taking pictures of the sun. Using large-format cameras that he builds himself, McCaw works outdoors, usually in the desert or by the sea. Instead of film, he places photographic paper in the camera so that each picture he creates is a unique paper negative. His exposures often last four hours or more. McCaw calls these works "Sunburns" because the rays of the sun, magnified by the camera's lens, actually scorch the paper negative, sometimes burning all the way through the paper base. The intensity of the light also causes solarization, reversing the tonal values so that the negative print appears as a positive image. [10]

Publications

Publications by McCaw

Publications with others

Collections

McCaw's work is held in the following permanent collections:

See also

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References

  1. "Chris McCaw: Sunburn". SFO Museum. 2013. Retrieved August 18, 2021.
  2. "DIY Camera: Chris McCaw's Large-Format Cameras". PDN Online. February 13, 2012. Retrieved July 6, 2021.
  3. Johnson, Ken (December 27, 2012). "Chris McCaw: 'Marking Time'". The New York Times. ISSN   0362-4331 . Retrieved July 5, 2021.
  4. "Chris Mc Caw". The New Yorker. Retrieved July 6, 2021.
  5. "Grandpa's almond orchard, Manteca, CA". collections.eastman.org. Retrieved July 6, 2021.
  6. 1 2 "Cirkut #7 (Galbraith Lake, Alaska, within the Arctic Circle, 31 hours)". chrysler.emuseum.com. Retrieved August 17, 2021.
  7. "Poly-optic #22 (Getty Museum)". The J. Paul Getty in Los Angeles. Retrieved August 17, 2021.
  8. "Chris McCaw. Time and Tides". Wall Street International. April 5, 2017. Retrieved August 17, 2021.
  9. "Art review: Astonishing photographs track the sun's scorching path". Los Angeles Times. October 22, 2012. Archived from the original on July 9, 2021. Retrieved July 6, 2021.
  10. 1 2 "Met Collection Record McCaw, Chris". www.metmuseum.org. Archived from the original on November 7, 2016. Retrieved July 6, 2021.
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  22. "Artist Info". www.nga.gov. Retrieved August 17, 2021.
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  31. "Collections | Jordan Schnitzer Museum of Art". jsmacollection.uoregon.edu. Retrieved August 19, 2021.
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