History
Christophe Coppens initially studied drama at the Brussels Conservatoire/Conservatorium, and whilst pursuing a path as actor and director - quite by chance and following an invitation to Paris from a renowned fashion magazine – developed a global career on the edge of fashion, design and art. During the 20 years which followed, he made many collections of fashion accessories, had collaborations in the music, fashion and design world, all whilst developing his work as an artist.
Coppens created his first experimental hat collection in 1990 which was picked up from the start by international buyers and press. Through the years his activities extended to complete accessories collections for men and women and opening outlets in Antwerp, Bruges and Brussels. He would also present his collections twice a year during Paris and Japan Fashion Week. Alongside he worked on collaborations for the fashion shows of international renowned designers making hats for the likes of Issey Miyake, [1] Guy Laroche, JuunJ and Manish Arora, and he created one of a kind presentations for high-end world class retailers Charivay (New York City), Frank et Fils (Paris) and Joyce Boutique (Hong Kong and Paris), among others. In Japan he found distribution and representation in fashion group HP France.
In addition Coppens has made accessories for pop stars such as Rihanna, Grace Jones, Scissor Sisters and Beth Ditto, and he has worked most closely with Róisín Murphy, [2] particularly on all the costumes worn by the performer during her 2008/09 Overpowered world tour. Coppens presented his first couture accessories collection in 2006 during Paris haute couture Fashion Week, displaying spectacular theatrical skills and the surreal undertone that has become his signature style since the early beginnings. That same year HP France opened his first shop in Tokyo, and he presented his couture collection during Japan Fashion Week.
In 2010 he was named Royal Warrant Holder in Belgium, recognition that came after more than 15 years making accessories for the Belgian royal family. At the end of 2011, to celebrate his 20th anniversary as a milliner and artist, Coppens opened an exhibition to show and auction some of his most outstanding couture pieces and artworks, hosted by Pierre Bergé & Associates in Brussels. [3] In early 2012, following this event, he launched a retrospective book Homework encompassing these pieces and other highlights of his career. [4] The book was listed among The New York Times ' "Summer's 2012 must-reads".
2012 would also mark a very important episode in his career, when, after 21 years of making work on the edge of art and fashion Coppens decided to close his company to focus exclusively on his work as an artist. At this point his label was sold in 140 shops worldwide, his name was heard among fashion connoisseurs and he had become arguably one of the most celebrated milliners in Japan.
Coppens expressed his view on this transition in the exhibition "Everything Is Local: Landscape 1" at the prestigious Museum Boijmans Van Beuningen in Rotterdam. [5] [6] [7] [8] The show is a journey through the first six months following this violent break, how to deal with loss, letting go of the past and looking at the future.
In 2015 Coppens was appointed head of a new Master Program at the Sandberg Instituut , Amsterdam. [9] That same year he designed the costumes for Pascal Dusapin's opera To Be Sung at De Munt, Brussels. [10] and also designed 15 new masks for Róisín Murphy's world tour. In March 2017 Coppens returned to the theatre and directed his first opera at De Munt/La Monnaie in Brussels, Janáček's Foxie! The Cunning Little Vixen . [11] [12]
In 2018 he directed Bartok's Bluebeard's Castle and The Miraculous Mandarin at De Munt/La Monnaie, Norma in 2021. At Noord Nederlands Toneel CC directed Dorian, a new play written by Javier Barcala based on the Oscar Wilde novel "The Picture Of Dorian Gray".
From 2013 till 2017 he lived and worked in Los Angeles. From 2017 till 2019 in Madrid. In October 2019 he moved back to Belgium.
