Christopher Willits | |
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 Christopher Willits in 2014 | |
| Background information | |
| Origin | Kansas City, Missouri, United States |
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| Instrument(s) | |
| Years active | 1993–present |
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| Website | www.christopherwillits.com |
Christopher Willits (born April 8, 1978) is a San Francisco-based guitarist, electronic music composer and producer, visual artist and scholar. [1] His music is electroacoustic in nature, in that both analogue and digital sounds are meshed into one singular sound.
Born in Kansas City, MO, Willits began playing guitar when he was about 13. He got his first guitar after a football game when, out of the blue, his father suggested they buy one for him. He'd played piano as a child, but up to this point, his main interest had been sports. "I couldn't really stand piano. It felt too boxy and classical," he remembers. "I loved that dynamic energy of sports and the improvisation... I played everything; soccer, baseball, basketball. ... That's really where my understanding of improvisation and teamwork came in." [2]
With his own guitar, he began playing all the time, trying to figure out the solos that he heard on his Jimi Hendrix records, and then forming bands in the psychedelic vein. Also a visual artist, he attended the Kansas City Art Institute, where he studied painting, then came to Mills College [3] in California where he studied with Fred Frith and Pauline Oliveros. An ambient album released while still in college on Taylor Dupree's 12K label launched his solo career.
“A universal talent, not only a virtuosic musician but an adept computer programmer—to create his shimmering walls of sound he uses his own custom software (he began inventing his own guitar effects when he was 13), and accompanies live performances with interactive visuals.” [4] [2]
The Kansas City native came to the Bay Area in 2000 (After a painting scholarship at KCAI)and received a master's degree in electronic music at Mills College where he studied with Fred Frith and Pauline Oliveros. [2] Along the way, he advanced his skills in photography, cinematography and new media.
Willits completed a master's degree in electronic music at Mills College. [5]
Willits, as a solo artist or in collaboration, has released music on the following record labels: 12k (USA), Ghostly International (USA), Fällt(Ireland), Sub Rosa (Belgium), Ache Records (Canada), Yacca (Japan) and Plop (Japan). He has toured throughout Europe, America, Mexico, Canada, Australia, China, Thailand, and Japan. [5]
Willits has participated in numerous projects, including collaborations with Ryuichi Sakamoto, [6] Tycho, [2] Zach Hill (drummer from the band Death Grips and Hella), Kid606, Brad Laner (Medicine), Nate Boyce, Latrice Barnett (singer/songwriter and bassist for Handsome Boy Modeling School), Taylor Deupree (12k record label founder), Scott Pagano (visual artist and motion graphics designer), Matmos. [7] Willits is also the founder and director of the record label and community building organization Overlap.
Willits regularly teaches workshops on spatial audio, music production, the creative process, and leadership. He has taught at California College of the Arts (CCA), San Francisco Art Institute (SFAI), Berkeley City College (BCC), The Art Institute San Francisco, Norcal DJMPA, Sound Arts, the Bay Area Video Coalition and Goucher College. [8] [9] [2]
Willits is also a meditation teacher [2] teaching at The Center [10] (cite ), Habitas, Envelop SF, and his own private workshops.
Willits plays a custom Moog guitar. [2] Along with various outboard gear [11] and uses Ableton Live with Max for Live, and Touch Designer for video processing.
Willits is the executive director of Envelop, a nonprofit organization that amplifies the connective power of music through immersive audio venues, and open source spatial audio production software. [12] [2] [13]
Christopher Willits directs the creative collective http://overlap.org [14] which is involved in creative community building events [15] and runs a studio in Oakland CA. [16]
Willits' guitar lines and harmonies are folded into each other using custom-designed software (Willits uses the term "folding" to describe the non-linear, real-time indexing, cutting and re-sampling of guitar and voice). [17]
Willits, in an interview, further expanded on the term 'folding,' "It has a lot to do with time. I actually wrote a whole thesis about this, if you want to go to the Mills library and check it out [laughs]. It's a very simple process of recording something to memory and then indexing at different points. But instead of it being a granular process [a form of synthesis in which a sample is separated into 'grains'], I'm actually skating to different locations within this memory. So there's this continuous rupture of time that creates these rhythmic patterns, so these melodic patterns start to emerge out of this time processing technique." [17]
Ryuichi Sakamoto was a Japanese composer, pianist, record producer, and actor who pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO). With his bandmates Haruomi Hosono and Yukihiro Takahashi, Sakamoto influenced and pioneered a number of electronic music genres.
Christian Fennesz is a producer and guitarist active in electronic music since the 1990s, often credited simply by his last name. His work utilizes guitar and laptop computers to blend melody with treated samples and glitch production. He lives and works in Vienna, and currently records on the UK label Touch.
Yellow Magic Orchestra was a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono, Yukihiro Takahashi and Ryuichi Sakamoto. The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the "electropop boom" of the 1980s. They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career.
David Sylvian is an English musician, singer and songwriter who came to prominence in the late 1970s as frontman and principal songwriter of the band Japan. The band's androgynous look and increasingly electronic sound made them an important influence on the UK's early-1980s New Romantic scene.
async is the nineteenth solo studio album of Japanese musician Ryuichi Sakamoto and his first one in eight years since Out of Noise (2009). It is also his first full-length solo record since recovering from throat cancer in 2015. Consisting of a combination of bizarre interpretations of familiar musical instruments, unusual textures both acoustic and electronically-made, samples of recordings of people such as David Sylvian and Paul Bowles doing readings, and everyday sounds borrowed from field recordings of city streets, async has underlying themes of the worries of the end of life and the interaction of differing viewpoints in humanity.
Haruomi Hosono, sometimes credited as Harry Hosono, is a Japanese musician, singer, songwriter and record producer. He is considered to be one of the most influential musicians in Japanese pop music history, credited with shaping the sound of Japanese pop for decades as well as pop music outside of Japan. He also inspired genres such as city pop and Shibuya-kei, and as leader of Yellow Magic Orchestra, contributed to the development and pioneering of numerous electronic genres.
Stephen Vitiello is an American visual and sound artist. Originally a punk guitarist he is influenced by video artist Nam June Paik who he worked with after meeting in 1991. He has collaborated with Pauline Oliveros, Robin Rimbaud and Frances-Marie Uitti; as well as visual artists Julie Mehretu, Tony Oursler and Joan Jonas.
Everything and Nothing is a compilation album by David Sylvian. Released in October 2000, the album contains previously released and unreleased, re-recorded, and alternate versions of tracks from Sylvian's twenty years with Virgin Records. The record peaked at no.57 in the UK albums chart.
Taylor Deupree, is an American electronic musician, photographer, graphic designer and mastering engineer. He is most known for the founding of the 12k record label, along with his work as a member of Prototype 909, and his collaborations with Ryuichi Sakamoto, Marcus Fischer, Stephan Mathieu, Savvas Ysatis, Christopher Willits and others. In 2008, Taylor Deupree was the Président d'Honneur of the Qwartz Electronic Music Awards 5th in Paris (France).
Loscil is the electronic/ambient music project of Scott Morgan from Vancouver, British Columbia, Canada. Morgan launched the project in Vancouver in 1998 while a member of the multimedia collective Multiplex, which curated audiovisual events at an underground cinema called The Blinding Light. The name Loscil is taken from the "looping oscillator" function (loscil) in Csound.
12k is an American independent record label, based in Pound Ridge, New York, United States. It was founded on January 1, 1997, by Taylor Deupree. The label focuses on experimental electronic music, specifically on digital minimalism and contemporary forms; as of 2021, it has released over 100 albums and become one of "the most consistent, and consistently excellent, record companies in the electronic music world." Notable artists appearing in the label's catalogue include Alva Noto and Frank Bretschneider.
Richard Chartier is a sound/installation artist and graphic designer from the United States. He works in reductionist microsound electronic music, a form of extreme minimalism characterised by quiet and sparse sound.
The Sight Below is an American ambient techno/shoegaze act from Seattle, Washington. Its main member is the American post-minimalist composer Rafael Anton Irisarri.
World Citizen is an EP by Ryuichi Sakamoto and David Sylvian. It was originally released in 2003 in Japan before being released in the UK the following year on Sylvian's label Samadhi Sound; the two editions have different track lists and different covers. The EP was created as part of a project called Chain Music instigated by Ryuichi Sakamoto. A remix of "World Citizen " was later included on Sakamoto's 2004 solo album Chasm and Sylvian's 2010 compilation Sleepwalkers; the 2022 reissue of the latter additionally adds in "World Citizen".
"Behind the Mask" is a 1979 song by the Japanese synth-pop group Yellow Magic Orchestra. The composer, Ryuichi Sakamoto, wrote the first version for a television commercial. This was expanded with the band and the British lyricist Chris Mosdell for inclusion on the 1979 Yellow Magic Orchestra album Solid State Survivor. In the US and the UK, "Behind the Mask" was released as a single from the album X∞Multiplies in 1980.
"Merry Christmas, Mr. Lawrence" is a 1983 instrumental by Japanese composer Ryuichi Sakamoto recorded for the film of the same name. The song has become a staple of Christmas music in the USA and Japan. A vocal version, "Forbidden Colours", features former Japan frontman David Sylvian and charted in the top 20 of the UK Singles Chart and Irish Singles Chart.
The Japanese musician Ryuichi Sakamoto (1952–2023) released over 20 solo studio albums, over 25 collaboration albums, 3 remix albums, more than 10 live albums, several compilation albums, over 40 EPs and singles, and about 50 soundtracks. Several of the albums exist in both Japanese and internationally released versions, sometimes containing different track listings. Sakamoto has also released many video albums and music videos.
Michael Greene, aka Fort Romeau, is an electronic music producer and DJ from the United Kingdom.
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Truth? is the debut solo album by Japanese musician and composer Sugizo, released on November 19, 1997 by Cross. The drum'n'bass experimental album featured several guest musicians and peaked at the 12° position on Oricon charts.
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