Church of the Third Order of Mount Carmel

Last updated
Church of the Third Order of Mount Carmel
Igreja da Ordem Terceira do Carmo
Igreja da Ordem Terceira do Carmo, Salvador, Bahia-1117.jpg
Facade of the Church of the Third Order of Mount Carmel
Religion
Affiliation Catholic
Rite Roman
Location
Municipality Salvador
State Bahia
Country Brazil
Brazil location map.svg
Red pog.svg
Location of the Church of the Third Order of Mount Carmel in Brazil
Geographic coordinates 12°58′09″S38°30′27″W / 12.969201°S 38.507507°W / -12.969201; -38.507507
Architecture
Style Baroque
Date establishedca. 1644
Completed1855
Designated1938
Reference no.82

The Church of the Third Order of Mount Carmel (Portuguese : Igreja da Ordem Terceira do Carmo, also known as the Igreja da Ordem Terceira do Monte do Carmo) is an 18th-century Roman Catholic church in Salvador, Bahia, Brazil. It is located adjacent to the Church and Convent of Our Lady of Mount Carmel (Igreja e Convento de Nossa Senhora do Carmo). Work on the church began in 1644. It was destroyed by fire in 1788 and subsequently rebuilt. The church is a large complex consisting of a nave, chancel, choir, corridors, tribunes, meeting rooms, and a sacristy. The interior was richly decorated in the 18th century; the painting of the ceiling of the nave is the first major work by José Teófilo de Jesus. The Church of the Third Order of Mount Carmel was listed as a historic structure by National Institute of Historic and Artistic Heritage (IPHAN) in 1938 and is part of the Historic Center of Salvador UNESCO World Heritage Site. [1] [2] [3]

Contents

History

The Third Order of Mount Carmel was founded in Portugal in 1629, following the establishment of the Carmelites in Portugal in 1251. The Third Order of Mount Carmel in Salvador was established in 1636 in Bahia by Pedro Alves Botelho, a wholesale trader; Pedro da Silva, 1st Count of São Lourenço  [ pt ], the governor of Bahia, was its first prior. Third Third Order Brotherhood was restricted to members of "pure" Portuguese descent, wealthy, and without Jewish ancestry. It was rivalled in size only by the Third Order Brotherhood of Saint Francis. The Carmelite brotherhood gave preference to merchants, while the Franciscans gave preference to "intellectuals." The order held a great religious procession in Salvador on Good Friday from the 17th century, one of many elaborate processions in the city. The procession once included members of other brotherhoods, but was reduced to the Carmelite brotherhood in the 19th due to quarreling among the Third Order brotherhoods in Salvador. [4] [5] [6]

Construction of the first church structure began in 1644 with permission from the Convent of Our Lady of Mount Carmel; the land was donated by residents of Salvador. The brotherhood was recognized by a papal bull on December 12, 1695, under the name of "Venerável Ordem Terceira da Mãe Santíssima e Soberana Senhora do Monte do Carmo", or the Venerable Third Order of the Holy Mother and Sovereign Lady of Monte do Carmo. The master woodcarver Lourenço Rodrigues Lançarote completed extensive work on the church between 1733 and 1734; he later carved the ornate side altars of the Basilica of the Immaculate Conception, Salvador. [5] [6] [2]

The church was destroyed by fire on the night of March 21, 1788. The building was completely destroyed, but numerous images and other artwork were saved or salvaged from the building. The order began reconstruction of the church in 1788, the same year of the fire, but was delayed by a lack of funds through the 19th century. Work began on the current structure in 1803. Due to lack of funds, its façade in lioz from Portugal was only completed in 1855. A second bell tower was added at the same time; the work continued five years to completion. The interior of the church was richly decorated, and completed at the end of the 19th century. Manoel Inácio da Costa sculpted six scenes of the Passion of Jesus, and José Teófilo de Jesus completed the monumental painting of the nave ceiling. A severe collapse of the cornice of the nave to the chancel arch occurred on September 7, 1882. The church was closed until 1984 for the repair of the choir and side altars. [1] [6] [2] [3]

Structure

View of nave and chancel Igreja da Ordem Terceira do Carmo Salvador 2018-0735.jpg
View of nave and chancel
Catacombs of the Third Order of Mount Carmel Igreja da Ordem Terceira do Carmo Salvador-1208.jpg
Catacombs of the Third Order of Mount Carmel

The Church of the Third Order of Mount Carmel sits at the top of Ladeira do Carmo, a street leading north from the main squares of the Pelourinho. It is in close proximity to the Church of the Blessed Sacrament at Rua do Passo. The structure, of brick and stone masonry, is slightly set back from street level and is approached via a large staircase in stone. The structure is built around two courtyards. Its plan is vast in scale and consists of the church and sacristy, an ossuary, a consistory room (casa da mesa), and a house of saints (casa dos santos). The galleries are glazed. [3]

Exterior

The exterior of the church features a staircase, two towers with a frontispiece and pilasters, doorways of lioz stone. The style of the facade is eclectic; it has both Neoclassical elements of the period and Roccoco elements common to other churches in the Pelourinho. The facade is crowned by a cross and a relief of the coat of arms of the Carmelites. The decorative elements of the towers were considered old-fashioned at the time. [1]

Interior

The floor plan of Church of the Third Order of Mount Carmel is typical of eighteenth-century Bahian religious architecture. It has a single nave, side altars, side aisles with tribunes, a chancel, and a sacristy. The sacristy provides access to the ossuary in the lower level. The interior of the church is in the Neoclassical style, common to both church architecture in Salvador and across Brazil in the 18th century. The chancel arch is high, with straight columns with capitals. It is white with talha dourado, or gilded woodwork, and surmounted by a small cartouche with the emblem of the Carmelite order. The nave has an organ imported from France. The principal work of the church is cedar carving of Christ inlaid with rubies; the rubies represent 2,000 drops of blood. It is the work of Francisco Xavier Chagas and dates to 1730. The statue of Our Lady of Mount Carmel on the altar is said to be a likeness of Isabel II, daughter of Garcia d'Ávila. Gilding in the nave and chancel was completed by Manuel Vaz da Costa (1831–1902) in the late 19th century; Euclides Teles da Cruz (1848–1904) restored the altar and central images in the same period. [6] [3] [7]

The painting of the ceiling of the nave and gilded woodwork was executed by José Teófilo de Jesus and between 1815 and 1817. The figurative painting consists of a central image, Virgem entregando o escapulário a Santa Teresa e a Santo Elias, da Ordem Carmelitana, cercada de um Coro de arcanjos ("English: Virgin delivering the scapular to St. Teresa and St. Elias, of the Carmelite Order, surrounded by a Choir of Archangels"). The central image is surrounded by medallions featuring Carmelite saints. Teófilo de Jesus hired assistants to complete the gilded woodwork and focused primarily on the painting. The nave ceiling painting of the Church of the Third Order was the artist's first major commission, and led to similar work at the Convent of Bom Jesus dos Perdões and Chapel of Mercy in 1819. The painting was restored in the late 19th century by José Antônio da Cunha Couto (1832–1894). [6] [8]

Notable artwork

Protected status

The Church of the Third Order of Mount Carmel was listed as a historic structure by the National Institute of Historic and Artistic Heritage in 1938. It is listed in the Book of Historical Works process no. 82. [1] [3]

Access

The church is open to the public and may be visited.

See also

Related Research Articles

<span class="mw-page-title-main">Cachoeira</span> Municipality in Bahia, Brazil

Cachoeira is an inland municipality of Bahia, Brazil, on the Paraguaçu River. The town exports sugar, cotton, and tobacco and is a thriving commercial and industrial centre.

<span class="mw-page-title-main">Church and Convent of São Francisco, Salvador</span>

The São Francisco Church and Convent of Salvador is located in the historical centre of Salvador, in the State of Bahia, Brazil. The ornate Church of the Third Order of Saint Francis sits adjacent to the convent. The friars of the Franciscan Order arrived in Salvador in 1587 and constructed a convent and church on the site. This structure was destroyed by the Dutch during the Dutch invasions of Bahia in the next century; Father Vicente das Chagas initiated the current structure in 1686, which was completed in the 18th century. The Franciscan church and convent have the largest number of azulejos, 55,000, of any church in Latin America.

<span class="mw-page-title-main">Church of Nosso Senhor do Bonfim, Salvador</span>

The Church of Our Lord of Bonfim is the most famous of the Catholic churches of Salvador, in the State of Bahia, Brazil. It was built in the 18th century on the only line of hills in the Itapagipe Peninsula, in the lower town of Salvador. The church is the subject of intense religious devotion by the people of Salvador and is the site of a famous celebration held every year in January, the Festa do Senhor do Bonfim. The church is the Cathedral of the Roman Catholic Diocese of Bonfim. The church is noted for the Festa do Bonfim, held annually the second Thursday after Three Kings Day. The festival combines elements of both Catholicism and Candomblé. It was listed as a historic structure by the National Historic and Artistic Heritage Institute in 1938.

<span class="mw-page-title-main">Historic Center of Salvador</span> UNESCO World Heritage Site in Bahia, Brazil

The Historic Center (US) or Centre of Salvador de Bahia in Brazil, also known as the Pelourinho or Pelo, is a historic neighborhood in western Salvador, Bahia. It was the city's center during the Portuguese colonial period and was named for the whipping post in its central plaza where enslaved people from Africa were publicly beaten as punishment for alleged infractions. The Historic Center is extremely rich in historical monuments dating from the 17th through the 19th centuries.

<span class="mw-page-title-main">Convent of Our Lady of Mount Carmel (Lagoa)</span> Convent in Lagoa, Portugal

The Convent of Our Lady of Mount Carmel is a medieval carmelite convent and church complex in the civil parish of Lagoa in the municipality of Lagoa in the Portuguese Algarve. The original convent was all but destroyed in the 1755 Lisbon earthquake. After the extinction of the religious orders in Portugal in 1834, the property was taken over by a signeurial family which continued to provide church services.

<span class="mw-page-title-main">Church and Convent of Our Lady of Mount Carmel (Cachoeira)</span>

The Church and Convent of Our Lady of Mount Carmel is an 18th-century Roman Catholic church in Cachoeira, Bahia, Brazil. It was constructed between 1688 and likely completed in 1773. The church is dedicated to Our Lady of the Rosary and is constructed in the Baroque style with a Rococo frontispiece. The church opens to Travessa Taváres, a broad avenue, with a view to the Paraguaçu River. The church is dedicated to Our Lady of Mount Carmel.

<span class="mw-page-title-main">Church of the Third Order of Saint Francis</span> 18th-century church in Salvador, Bahia

The Church of the Third Order of Saint Francis is an 18th-century Roman Catholic church in Salvador, Bahia, Brazil and seat of the Third Order of Saint Francis in Brazil. The church is one of the main elements of the Historic Center of Salvador and lies within the UNESCO World Heritage Site of the city. It was listed as a historic structure by National Institute of Historic and Artistic Heritage (IPHAN) in 1941. The church was constructed as an annex to the São Francisco Church and Convent. It is noted for its distinctive Plateresque-style façade, an example unique in Brazil. The writer Jorge Amado called the façade of the Third Order church "magnificent."

<span class="mw-page-title-main">Church of the Third Order of the Holy Trinity</span>

The Church of the Third Order of the Holy Trinity is an abandoned Roman Catholic church located in Salvador, capital of the Brazilian state of Bahia. First built as a chapel in 1733 and later expanded into its current structure in 1739, the church was abandoned by the Archdiocese of São Salvador in 1990. Located in the decadent Água de Meninos neighbourhood, the church was abandoned for a whole decade until it was reclaimed by a group of homeless people known as the Trinity community in 2000.

<span class="mw-page-title-main">Church of the Third Order of Our Lady of the Rosary of the Black People</span>

The Church of the Third Order of Our Lady of the Rosary of the Black People is an 18th-century Roman Catholic church in Salvador, Bahia, Brazil. Construction of the church took almost 100 years. It is dedicated to Our Lady of the Rosary and belongs to the Archdiocese of São Salvador da Bahia. The church was listed as a historic structure by National Institute of Historic and Artistic Heritage (IPHAN) in 1938 and is part of the Historic Center of Salvador UNESCO World Heritage Site.

<span class="mw-page-title-main">Parish Church of Our Lady of Pilar</span>

The Parish Church of Our Lady of Pilar is an 18th-century Roman Catholic church located in Salvador, Bahia, Brazil. It includes a cemetery, constructed in the Neoclassical parallel to the nave of the church. The interior of the church has an extensive set of azulejo tiles in the rococo style. The historian Carlos Ott dated them to the late 18th century, and stated that they appear to be the work of the Juncal workshop in Portugal. The stonework of the church is in lioz stone, imported from Lisbon at great expense. The art historian Germain Bazin describes the church as a "refinement of forms", due to its long, narrow nave and lack of corridors in the nave.

<span class="mw-page-title-main">Church and Convent of Saint Antony and Chapel of the Third Order</span>

The Church and Convent of Saint Antony and Chapel of the Third Order is a 17th-century Roman Catholic church and convent located in São Francisco do Conde, Bahia, Brazil. Construction began in 1618 and was completed in 1633, 64 years before the founding of the municipality of São Francisco of the Conde in 1697. The interior of the church was renovated in 1718 and the original alters were removed, but the façade was retained. The Convent of Saint Anthony is the only religious structure in Latin America with azulejos depicting all sixteen miracles of Saint Anthony, the patron of the church and convent. The painting on the ceiling of the nave is attributed to José Joaquim da Rocha, who also painted the ceiling of Basilica of the Immaculate Conception in Salvador. It could also be the work of his student, Veríssimo de Souza Freitas.

<span class="mw-page-title-main">Church of the Third Order of Penitence of Saint Dominic of Osma</span>

The Church of the Third Order of Penitence of Saint Dominic of Osma is an 18th-century Roman Catholic church in Salvador, Bahia, Brazil. The church is dedicated to Saint Dominic, a Castilian priest and founder of the Dominican Order. It belongs to the Roman Catholic Archdiocese of São Salvador da Bahia. It occupies the north-west perimeter of the Terreiro de Jesus, opposite the Cathedral Basilica of Salvador. The church was listed as a historic structure by the National Historic and Artistic Heritage Institute in 1938.

<span class="mw-page-title-main">Chapel of the Holy Body</span>

The Chapel of the Holy Body is an 18th-century Roman Catholic church in Salvador, Bahia, Brazil. The church is dedicated to Saint Peter González; Saint Joseph is also venerated by the congregation. It belongs to the Roman Catholic Archdiocese of São Salvador da Bahia. The church is the seat of the Brotherhood de São José do Corpo Santo, which also manages the property. A large scale image of Our Father of Salvation attributed to Francisco das Chagas is located in the church.

<span class="mw-page-title-main">Church and Convent of Our Lady of Mount Carmel</span>

The Church and Convent of Our Lady of Mount Carmel is a 17th-century Roman Catholic church and former convent in Salvador, Bahia, Brazil. The church is dedicated to Our Lady of Mount Carmel. The complex is adjacent to the Church of the Third Order of Mount Carmel. The Church and Convent of Our Lady of Mount Carmel was listed as a historic structure by National Institute of Historic and Artistic Heritage (IPHAN) in 1938 and is part of the Historic Center of Salvador UNESCO World Heritage Site.

<span class="mw-page-title-main">Parish Church of Our Lady of Purification</span>

The Parish Church of Our Lady of Purification is an 18th-century Roman Catholic church located in Santo Amaro, Bahia, Brazil. The church is dedicated to Blessed Virgin Mary and belongs to the Roman Catholic Archdiocese of São Salvador da Bahia. Its construction is dated to 1706. The church was listed as a historic structure by the National Historic and Artistic Heritage Institute in 1958.

<span class="mw-page-title-main">Church of the Third Order of the Blessed Virgin Mary of Our Lady of the Conception of the Mulatto Brothers</span>

The Church of the Third Order of the Blessed Virgin Mary of Our Lady of the Conception of the Mulatto Brothers is an 18th-century Roman Catholic church and former convent in Salvador, Bahia, Brazil. The church was constructed in a neighborhood formerly occupied by mixed-race and Afro-Brazilian artisans. The exterior of the church has an elaborate roccoco pediment and towers; the interior of the church has a Baroque-style ceiling painting in the nave and neoclassical side altars and chancel. The name of the church, boqueirão, refers to a large slope and trench constructed between the high city and low city of Salvador; it served as a defense of the city against foreign invasion. It was listed as a historic structure by the National Historic and Artistic Heritage Institute in 1951.

<span class="mw-page-title-main">José Teófilo de Jesus</span> Brazilian painter

José Teófilo de Jesus was a Brazilian painter and gilder. He is the most noted representative of the Escola Baiana or Bahian School of painting. His work was eclectic, characterized by the passage from the Baroque to the Rococo, with reference to Neoclassical traits. De Jesus was of pardo, or mixed ethnic ancestry and lived into his nineties; little else is known of his life. His production was apparently vast, but many of his works are only identified by oral tradition. Although he is known as one of the great names of the Brazilian Baroque, and one of its final artists, details of his life and a full account of his works remain unclear.

<span class="mw-page-title-main">Church and Convent of the Third Order of Our Lady of Carmo</span>

The Church and Convent of the Third Order of Our Lady of Carmo is located in the Brazilian state capital of João Pessoa. Situated in the Historic Center of João Pessoa, in Dom Adauto Square, comprises an architectural complex, built by the Carmelites, composed of the Church of Our Lady of Carmo, the Episcopal Palace, both built in the century (Iphaep), and the Church of Santa Teresa de Jesus of the Terceira do Carmo Order, dating from the 18th century and registered by the Institute of National Historical and Artistic Heritage (Iphan).

<span class="mw-page-title-main">Church of the Third Order of Mount Carmel (São Cristóvão)</span>

The Church of the Third Order of Mount Carmel is an 18th-century Roman Catholic church in São Cristóvão, Sergipe, Brazil. It, along with the First Order Church and Convent of Mount Carmel form a large-scale religious complex at the south of the cidade alta, or upper city, of the town. The Third Order church was completed in 1739 after the First Order Church and Monastery; the two form a harmonious whole. The Carmlite complex is part of the UNESCO World Heritage Site of São Francisco Square; it was separatedly listed as a historic structure by the National Institute of Historic and Artistic Heritage (IPHAN) in 1941.

<span class="mw-page-title-main">José Joaquim da Rocha</span> Brazilian painter

José Joaquim da Rocha was a Brazilian painter, engraver, gilder and restorer. His entire production was in the field of religious art, with the Catholic Church as his exclusive patron. He left numerous works of a scholarly character, moving away from the popular tradition that was common during the colonial period. Although his work has many moments of high level, it is uneven, partly because, since he became recognized, he always had many disciples and apprentices to assist him, to whom he delivered large portions of the work, and partly because of the use, as inspiration, of a varied iconography in engraving of irregular quality. Both practices were, however, common at the time.

References

  1. 1 2 3 4 Carrazzoni, Maria, ed. (1980). Guia dos bens tombados (in Portuguese). Rio de Janeiro, RJ: EXPED-Expansão Editorial. p. 65. ISBN   9788520800577.
  2. 1 2 3 Lins, Eugénio Ávila (2012). "Church of the Third Order of Mount Carmel". Lisbon, Portugal: Heritage of Portuguese Influence/Património de Influência Portuguesa. Retrieved 2017-03-29.
  3. 1 2 3 4 5 "Igreja e Casa da Ordem Terceira do Carmo (Salvador, BA)" (in Portuguese). Brasília, Brazil: IPHAN. 2017. Retrieved 2017-04-04.
  4. Maria de Fátima Hanaque Campos; Maria de Fátima Hanaque Campos (2003), A pintura religiosa na Bahia, 1790-1850 (in Portuguese), vol. 1, p. 104, Wikidata   Q111326272
  5. 1 2 Freire, Luiz Alberto Ribeiro; Hernandez, Maria Hermínia Olivera, eds. (2014). "Lourenço Rodrigues Lançarote". Dicionário Manuel Querino de arte na Bahia. Salvador, Bahia: Escola de Belas Artes, Universidade Federal da Bahia. Retrieved 2020-01-07.
  6. 1 2 3 4 5 6 Afonso Rui de Souza (1949), Convento e Ordem 3.a do Carmo, Pequeno guia das igrejas da Bahia (in Portuguese), Salvador: Municipal Prefecture of Salvador, Wikidata   Q109748956
  7. 1 2 "Francisco das Chagas". ENCICLOPÉDIA Itaú Cultural de Arte e Cultura Brasileiras. São Paulo: Itaú Cultural. 2015. Retrieved 2018-12-04.
  8. "José Teófilo de Jesus". Guia das Artes. São Lourenço – MG: Guia das Artes. 2015. Retrieved 2021-11-26.
  9. Maria de Fátima Hanaque Campos; Maria de Fátima Hanaque Campos (2003), A pintura religiosa na Bahia, 1790-1850 (in Portuguese), vol. 1, p. 223-226, Wikidata   Q111326272