Circle Takes the Square | |
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Background information | |
Origin | Savannah, Georgia, U.S. |
Genres | Screamo, post-hardcore, experimental rock [1] |
Years active | 1999–present |
Labels | Gatepost Recordings, Robotic Empire, HyperRealist, Perpetual Motion Machine |
Members | Drew Speziale Kathleen Stubelek Caleb Collins |
Past members | David Rabitor Jay Wynne Bobby Scandiffio Josh Ortega Colin Kelly Robbie Rose |
Website | www |
Circle Takes the Square is an American screamo band from Savannah, Georgia. It is composed of founding members Drew Speziale and Kathleen Stubelek, as well as Caleb Collins. Their debut release was a 6-track self-titled EP released in 2001, followed by a 7" split with Pg. 99 in 2002. In 2004, they released their debut studio album As the Roots Undo on Robotic Empire, which released the CD, and HyperRealist Records, which released the gatefold LP. The album gained them considerable acclaim and the band toured extensively to promote it during the year. This included a six-week east coast tour that took the band into Canada for the first time, supported by Arkata and Raise Them And Eat Them. [2] The band's second album, Decompositions: Volume Number One , was released after an 8-year silence on December 21, 2012, as a digital download; physical editions of the album were released in April 2013.
Ben Sailer of Noisey wrote that As the Roots Undo , which Drew Speziale describes as "just a punk rock record from 2004", has long garnered praise from both the press and fans alike for its forward-thinking blend of 90s screamo, fractured grindcore, and experimental post-rock. [3] Metal Injection described their style as a "blend of progressive experimentation and DIY hardcore, metal, and noise [...] characterized by a natural fusion of the off-the-wall structures of grindcore and the sweeping guitar dynamics of post-punk". [4] The band themselves have described the sound as "...a punk rock band with reverence for the Mystery." [5]
Metal Injection called Circle Takes the Square "legendary". [6] Writing for NPR music, Lars Gotrich credited Circle Takes the Square alongside Pg. 99, Orchid and Majority Rule as pioneers of emotional post-hardcore. [7]
Grindcore is an extreme fusion genre of heavy metal and hardcore punk that originated in the mid-1980s, drawing inspiration from abrasive-sounding musical styles, such as thrashcore, crust punk, hardcore punk, extreme metal, and industrial. Grindcore is considered a more noise-filled style of hardcore punk while using hardcore's trademark characteristics such as heavily distorted, down-tuned guitars, grinding overdriven bass, high-speed tempo, blast beats, and vocals which consist of growls, shouts and high-pitched shrieks. Early groups such as England's Napalm Death are credited with laying the groundwork for the style. It is most prevalent today in North America and Europe, with popular contributors such as Brutal Truth and Nasum. Lyrical themes range from a primary focus on social and political concerns, to gory subject matter and black humor.
Hardcore punk is a punk rock subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington, D.C., and New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics".
Emo is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.
A number of heavy metal genres have developed since the emergence of heavy metal during the late 1960s and early 1970s. At times, heavy metal genres may overlap or are difficult to distinguish, but they can be identified by a number of traits. They may differ in terms of instrumentation, tempo, song structure, vocal style, lyrics, guitar playing style, drumming style, and so on.
Screamo is an subgenre of emo that emerged in the early 1990s and emphasizes "willfully experimental dissonance and dynamics". San Diego–based bands Heroin and Antioch Arrow pioneered the genre in the early 1990s, and it was developed in the late 1990s mainly by bands from the East Coast of the United States such as Pg. 99, Orchid, Saetia, and I Hate Myself. Screamo is strongly influenced by hardcore punk and characterized by the use of screamed vocals. Lyrical themes usually include emotional pain, death, romance, and human rights. The term "screamo" has frequently been mistaken as referring to any music with screaming.
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term "post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac that stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period.
As the Roots Undo is the debut studio album by screamo band Circle Takes the Square in 2004. It was released on CD and vinyl by the Robotic Empire and HyperRealist labels respectively. The album would later see a repress on the LP format in 2014 through GatePost Recordings
Orchid is an American screamo band from Amherst, Massachusetts. Originally active from 1997 until 2002, they released several EPs and splits as well as three studio albums. The band consists of lead vocalist Jayson Green, drummer Jeffrey Salane, guitarist Will Killingsworth, guitarist Brad Wallace and bassist Geoff Garlock.
Pg. 99 was a hardcore punk band from Sterling, Virginia, a town on the outskirts of Washington, D.C., who are widely considered one of the pioneers of the screamo genre. The band formed as a six-piece in late 1997 and broke up as an eight-piece in 2003; at their maximum capacity they performed with two singers, three guitarists, two bassists and a drummer and were known for their intense live shows.
Sore Throat were a British crust punk band formed in Huddersfield in 1987. They are known for being one of the earliest exponents of the grindcore subgenre known as "noisecore", as well as for launching the careers of several prominent members of the British heavy metal community.
Robotic Empire is an American independent record label based out of Richmond, Virginia, specializing in hardcore punk, heavy metal, and alternative rock. Some of the most popular bands signed to the label over the years have been pg.99, City of Caterpillar, Crowpath, The Red Chord, Circle Takes the Square, Cursive, Versoma, Daughters, Isis, Kayo Dot, Cave In, Red Sparowes, Torche and Hot Cross. Robotic Empire was known as Robodog Records for their first 14 releases.
Powerviolence is a chaotic and fast subgenre of hardcore punk which is closely related to thrashcore and grindcore. In contrast with grindcore, which is a "crossover" idiom containing musical aspects of heavy metal, powerviolence is just an augmentation of the most challenging qualities of hardcore punk. Like its predecessors, it is usually socio-politically charged and iconoclastic.
Decompositions: Volume Number One is the second studio album by American band Circle Takes the Square. The album was released digitally on December 21, 2012 through Gatepost Recordings. Decompositions: Volume Number One is the first studio album released from Circle Takes the Square since 2004's As the Roots Undo.
Nails is an American hardcore punk band from Oxnard, California. The group was formed in 2009 by frontman Todd Jones, formerly the guitarist of Terror, along with bassist John Gianelli and drummer Taylor Young of Disgrace. They released their debut EP Obscene Humanity in 2009, followed by the studio albums Unsilent Death (2010), Abandon All Life (2013) and You Will Never Be One of Us (2016), and a split EP with Full of Hell. Nails have achieved widespread notoriety and critical acclaim for their savage and intense sound.
Oathbreaker is a Belgian band from Flanders, formed in 2008 and currently signed to Deathwish Inc. The band consists of guitarists Lennart Bossu and Gilles Demolder, drummer Wim Coppers, and vocalist Caro Tanghe who performs both screamed and sung vocals. They are a part of Church of Ra, an artistic collective started by Amenra, a band of which Lennart and Caro are also members. Like Amenra, Oathbreaker emerged from the Belgian underground hardcore punk scene but integrated extreme metal and art music aesthetics.
Totem Skin were a Swedish hardcore punk band from Dalarna. The band was formed in 2012 by guitarist Christoffer Oster and vocalists Henrik Dahlqvist and Glenn Zettersten. They released two studio albums, Still Waters Run Deep in 2013 and Weltschmerz in 2015, combining raw ferocity with dark atmospheres. Totem Skin disbanded in January 2017; what was to be their third album has been reworked into the self-titled debut album of Oster's new project Dödsrit.
Errorzone is the debut studio album by American metalcore band Vein, which was released on June 22, 2018, through Closed Casket Activities. Noted by critics for taking influence from nu metal, mathcore, and screamo, the album has gained praise for its genre-bending style. To promote the record, music videos were produced for the tracks "Virus://Vibrance" and "Demise Automation". The album peaked at number 21 on the hard rock Billboard chart within its first week of release.
Majority Rule is an American hardcore punk band from Northern Virginia, originally active between 1996 and 2004. Influential within the screamo subgenre, their releases include the studio albums Interviews with David Frost (2001) and Emergency Numbers (2003) and the split album Document #12 (2002) with Pg. 99. The band reunited in 2017, performing benefit shows with Pg. 99 and City of Caterpillar.
Gospel is an American hardcore punk band. The band was formed in 2003 in Brooklyn, New York by guitarist/vocalist Adam Dooling, bassist Sean Miller and drummer Vincent Roseboom, with keyboardist/guitarist Johnathan Pastir joining the band in 2004.
[...]there's a renewed interest in the emotional post-hardcore that bands like pg. 99, Orchid, Circle Takes the Square and Majority Rule pioneered, mostly by an audience that was far too young to hear it the first time around.