As the Roots Undo

Last updated
As the Roots Undo
Astherootsundo.jpg
Studio album by
ReleasedJanuary 6, 2004
RecordedMay 2003
StudioRockstudio (Brunswick, Georgia)
Genre Screamo, [1] grindcore, post-rock
Length44:01
Label Robotic Empire
HyperRealist
Circle Takes the Square chronology
Document #13: Pyramids In Cloth
(2002)
As the Roots Undo
(2004)
Decompositions: Volume Number One
(2012)

Professional ratings
Review scores
SourceRating
Chronicles of Chaos 9.5/10 [2]
Ox-Fanzine 8/10 [3]
Punknews.orgStar full.svgStar full.svgStar full.svgStar full.svgStar full.svg [4]
Sputnikmusic Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [5]
Stylus 6/10 [6]

As the Roots Undo is the debut studio album by screamo band Circle Takes the Square in 2004. It was released on CD and vinyl by the Robotic Empire and HyperRealist labels respectively. The album would later see a repress on the LP format in 2014 through GatePost Recordings

Contents

The album is a contender for the most celebrated screamo record. Noisey called it "one of the most critically acclaimed cult classics in modern hardcore" which has "long garnered praise from both the press and fans alike for its forward-thinking blend of 90s screamo, fractured grindcore, and experimental post-rock." [7] On June 11, 2010, Sputnikmusic placed it at number 3 on its list of the 100 best album of the decade. [8]

Content and packaging

The CD is packaged in a four-fold flap with artwork along each side; the artwork was done by band member Drew Speziale.

When asked about his influences at the time of writing As the Roots Undo, Drew Speziale referred to bands that were innovating punk and hardcore through incorporating a lot of melody, including their tour-mates Majority Rule, Pg. 99 and City of Caterpillar and bands who had "really dark melodies going on underneath [an] overtly pretty brutal sound" such as Orchid and His Hero Is Gone, besides less intense artists such as Godspeed You! Black Emperor, Modest Mouse and Built to Spill. [7]

Track listing

All tracks are written by Circle Takes the Square

No.TitleLength
1."Intro"0:55
2."Same Shade as Concrete"4:28
3."Crowquill"2:44
4."In the Nervous Light of Sunday"6:17
5."Interview at the Ruins"5:09
6."Non Objective Portrait of Karma"6:46
7."Kill the Switch"9:33
8."A Crater to Cough In"8:13

Personnel

Circle Takes the Square
Production and Artwork

Related Research Articles

Emo is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the early-to-mid 1990s, emo was adopted and reinvented by alternative rock, indie rock, punk rock, and pop-punk bands, including Sunny Day Real Estate, Jawbreaker, Cap'n Jazz, and Jimmy Eat World. By the mid-1990s, Braid, the Promise Ring, and the Get Up Kids emerged from Midwest emo, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath.

<span class="mw-page-title-main">Screamo</span> Aggressive subgenre of emo

Screamo is an aggressive subgenre of emo that emerged in the early 1990s and emphasizes "willfully experimental dissonance and dynamics". San Diego-based bands Heroin and Antioch Arrow pioneered the genre in the early 1990s, and it was developed in the late 1990s mainly by bands from the East Coast of the United States such as Pg. 99, Orchid, Saetia, and I Hate Myself. Screamo is strongly influenced by hardcore punk and characterized by the use of screamed vocals. Lyrical themes usually include emotional pain, death, romance, and human rights. The term "screamo" has frequently been mistaken as referring to any music with screaming.

<span class="mw-page-title-main">Circle Takes the Square</span> American screamo band

Circle Takes the Square is an American screamo band from Savannah, Georgia. It is composed of founding members Drew Speziale and Kathleen Stubelek, as well as Caleb Collins. Their debut release was a 6-track self-titled EP released in 2001, followed by a 7" split with Pg. 99 in 2002. In 2004, they released their debut studio album As the Roots Undo on Robotic Empire, which released the CD, and HyperRealist Records, which released the gatefold LP. The album gained them considerable acclaim and the band toured extensively to promote it during the year. This included a six-week east coast tour that took the band into Canada for the first time, supported by Arkata and Raise Them And Eat Them. The band's second album, Decompositions: Volume Number One, was released after an 8-year silence on December 21, 2012, as a digital download; physical editions of the album were released in April 2013.

<span class="mw-page-title-main">Underoath</span> American rock band from Florida

Underoath is an American rock band from Tampa, Florida. It was founded by lead vocalist Dallas Taylor and guitarist Luke Morton in 1997 in Ocala, Florida; subsequently, its additional members were from Tampa, including drummer, clean vocalist and last remaining original member Aaron Gillespie. The band's current lineup consists of Gillespie, keyboardist Christopher Dudley, lead guitarist Timothy McTague, bassist Grant Brandell, and lead vocalist Spencer Chamberlain. Originally, the band identified as a Christian group; they have since distanced themselves from Christianity.

<span class="mw-page-title-main">Orchid (hardcore punk band)</span> American hardcore punk band

Orchid is an American screamo and hardcore punk band from Amherst, Massachusetts. Originally active from 1997 until 2002, they released several EPs and splits as well as three studio albums. The band consists of lead vocalist Jayson Green, drummer Jeffrey Salane, guitarist Will Killingsworth, guitarist Brad Wallace and bassist Geoff Garlock.

Antioch Arrow was an American punk rock band from San Diego, California, that formed in 1992. Most of their discography was released through the San Diego independent label Gravity Records. The label was responsible raising San Diego's profile in the underground music scene of the mid-1990s. The band, breaking up in 1994 and releasing one final studio album posthumously in 1995, are now considered to be one of the most influential bands of the early 1990s that shaped emo and post-hardcore music of the late 1990s and early 2000s.

<i>No Gods, No Managers</i> 1999 studio album by Choking Victim

No Gods / No Managers is the only studio album and final release by American hardcore punk band Choking Victim. The album was released in 1999 through Hellcat/Epitaph Records and re-released on LP format by Epitaph in 2004. Being the sole full-length album of Choking Victim,, it became hugely popular in the punk scene. It inspired many nascent bands, and the band members of Choking Victim went on to form other bands, most notably Leftöver Crack.

<span class="mw-page-title-main">Void (band)</span> American hardcore punk band

Void was an American hardcore punk band formed in Columbia, Maryland, in 1980. The group was a pioneering force in the thriving Washington, D.C., hardcore scene during the early 1980s, successfully combining elements of punk with heavy metal in a style that was accepted by the scene's otherwise exclusive community. Void's punk metal fusion sound was marked by guitarist Bubba Dupree's innovative guitar work and the "unhinged" vocals of John Weiffenbach, which resonated in the band's chaotic but popular live performances. Like many of their contemporaries, Void had a short-lived recording career, limited to the split album Faith/Void Split with the Faith on Dischord Records. However, they have enjoyed an enduring cult following among hardcore aficionados.

<span class="mw-page-title-main">Ready to Fall</span> 2006 single by Rise Against

"Ready to Fall" is the first single by the punk rock band Rise Against from their fourth studio album, The Sufferer & The Witness (2006).

<i>Ugly/Heartless</i> 2006 studio album by The Jonbenét

Ugly/Heartless is the debut studio album by American noise rock band The Jonbenét, released on August 26, 2005 via Pluto Records. The title was given as a result of a poll from the band's LiveJournal.

<i>No Devolución</i> 2011 studio album by Thursday

No Devolución is the sixth studio album by the American rock band Thursday. The record was released through Epitaph Records on April 12, 2011, and it was Thursday's final album before their five-year breakup from 2011 to 2016 and their most recent album to date. The musical style on No Devolución is a departure from the more traditional post-hardcore sound on Thursday's earlier records, and instead explores darker and more atmospheric tones.

<i>The Martyrdom of a Catastrophist</i> 2009 studio album by Junius

The Martyrdom of a Catastrophist is the first full-length studio album from American art rock band Junius. It was released on September 4, 2009 through The Mylene Sheath and Make My Day Records in digipak, vinyl and digital download formats.

<i>Decompositions: Volume Number One</i> 2012 studio album by Circle Takes the Square

Decompositions: Volume Number One is the second studio album by American band Circle Takes the Square. The album was released digitally on December 21, 2012 through Gatepost Recordings. Decompositions: Volume Number One is the first studio album released from Circle Takes the Square since 2004's As the Roots Undo.

Jeromes Dream is a screamo band formed in Connecticut and currently based in San Francisco, California, originally active from 1997 to 2001, and again from 2018 onwards.

Midwest emo refers to the emo scene and/or subgenre that developed in the 1990s Midwestern United States. Employing unconventional vocal stylings, distinct guitar riffs and arpeggiated melodies. Midwest emo bands shifted away from the genre's hardcore punk roots and drew on indie rock and math rock approaches. According to the author and critic Andy Greenwald, "this was the period when emo earned many, if not all, of the stereotypes that have lasted to this day: boy-driven, glasses-wearing, overly sensitive, overly brainy, chiming-guitar-driven college music." Midwest emo is sometimes used interchangeably with second-wave emo. Although implied by the name, Midwest emo does not solely refer to bands and artists from the Midwestern United States, and the style is played by outfits across the United States and internationally.

Totem Skin were a Swedish hardcore punk band from Dalarna. The band was formed in 2012 by guitarist Christoffer Oster and vocalists Henrik Dahlqvist and Glenn Zettersten. They released two studio albums, Still Waters Run Deep in 2013 and Weltschmerz in 2015, combining raw ferocity with dark atmospheres. Totem Skin disbanded in January 2017; what was to be their third album has been reworked into the self-titled debut album of Oster's new project Dödsrit.

<i>Gems of Masochism</i> Album by Antioch Arrow

Gems Of Masochism is the third and final studio album by American band Antioch Arrow, which was posthumously released on September 27, 1995 on CD and LP formats by the Amalgamated Recording Corp. The album, musically, shows the band's complete transition from spastic hardcore punk sound to the flat out gothic post-punk style, utilizing instruments such as keyboards.

<i>Eternal Rituals for the Accretion of Light</i> 2017 studio album by Junius

Eternal Rituals for the Accretion of Light is the third full-length studio album from American art rock band Junius. The record was released in CD, limited edition Vinyl, and digital download format through Prosthetic Records on March 3, 2017.

<i>Document 12</i> 2002 studio album by Pg. 99 and Majority Rule

Document #12 is a split album by American screamo bands Pg. 99 and Majority Rule, originally released on CD on July 23, 2002, under the Magic Bullet Records. The LP edition of the album first became available on October 9 of the same year. It is noted for showing Pg. 99 experimenting with melody more than on their previous releases.

References

  1. "Circle Takes the Square - As the Roots Undo". Scene Point Blank. Retrieved August 20, 2018.
  2. Hoose, Xander (July 24, 2004). "CoC : Circle Takes the Square - As the Roots Undo : Review". Chronicles of Chaos . Retrieved March 29, 2024.
  3. Hiller, Joachim (March 2004). "Review - Circle Takes the Square - As The Roots Undo CD". Ox Fanzine (in German). Retrieved March 30, 2024.
  4. Smith, Colin (January 27, 2004). "Circle Takes The Square - As The Roots Undo". Punknews.org. Retrieved March 30, 2024.
  5. Sputnikmusic review
  6. Burns, Todd (July 7, 2004). "Circle Takes The Square - As The Roots Undo". Stylus Magazine . Archived from the original on November 8, 2004. Retrieved March 30, 2024.
  7. 1 2 Sailer, Ben (April 7, 2014). ""It's Just a Punk Record from 2004": Circle Takes The Square Discuss the Ten-Year Anniversary of 'As The Roots Undo'". Noisey . Retrieved January 16, 2017.
  8. ""Top 100 Albums of the Decade"". Sputnikmusic. June 11, 2010. Retrieved August 22, 2018.