Circumstantial Evidence | ||||
---|---|---|---|---|
Studio album by | ||||
Released | June 19, 1987 | |||
Recorded | 1986 | |||
Studio | Galaxy Sound Studios, Hollywood, Silverlake Studio, Hollywood | |||
Genre | Dance-pop, urban | |||
Length | 38:11 | |||
Label | SOLAR | |||
Producer | L.A. Reid, Babyface, Jerry Peters, Bernadette Cooper | |||
Shalamar chronology | ||||
| ||||
Singles from Circumstantial Evidence | ||||
|
Review scores | |
---|---|
Source | Rating |
Allmusic | [1] |
Circumstantial Evidence is the ninth album by American R&B group Shalamar, produced by L.A. Reid, Babyface, Jerry Peters, and Klymaxx founding member Bernadette Cooper. Released in 1987 on the SOLAR label. The line-up on this album is Delisa Davis, Micki Free and Sydney Justin, the latter having replaced Howard Hewett, who had left the group in 1986 to pursue a solo career.
Circumstantial Evidence peaked at number 29 on the R&B chart but failed to register on the Billboard chart.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Circumstantial Evidence" | Babyface, L.A. | 4:52 |
2. | "Games" | Charles Muldrow, Sid Johnson, Bruce Robinson, Jeffrey Wilson | 6:09 |
3. | "Love's Grown Deep" | Kenny Nolan | 4:41 |
4. | "Playthang" | L.A., Babyface, Sid Johnson, Stephen Page | 4:07 |
No. | Title | Writer(s) | Length |
---|---|---|---|
5. | "Female" | Bernadette Cooper | 4:58 |
6. | "Born 2 Love" | Delisa Davis, Michael Wells | 3:49 |
7. | "Worth Waitin' 4" | Jerry Peters | 5:27 |
8. | "Imaginary Love" | Etienne | 4:08 |
Year | Single | Chart positions [2] | ||
---|---|---|---|---|
US Pop | US R&B | UK Pop | ||
1987 | "Circumstantial Evidence" | - | 30 | - |
"Games" | - | 11 | - | |
Shalamar is an American R&B and soul music vocal group created by Dick Griffey and Don Cornelius in 1977 and active throughout the 1980s. Shalamar's classic lineup on the SOLAR label consisted of Howard Hewett, Jody Watley, and Jeffrey Daniel. It was originally a disco-driven group created by Soul Train booking agent Dick Griffey and show creator and producer Don Cornelius. They went on to be an influential dance trio, masterminded by Cornelius. As noted in the British Hit Singles & Albums, they were regarded as fashion icons and trendsetters, and helped to introduce "body-popping" to the United Kingdom. Their name was created by Griffey.
Chris Rea is the fourth studio album by British singer-songwriter Chris Rea, released in 1981. It charted on the UK Albums Chart, peaking at number fifty-two. The single "Loving You" peaked at number 65 on the UK Singles Chart, and charted on the US Billboard Hot 100 at number 88, remaining on that chart for three weeks.
Louder Than Words is the fourth studio album by American singer Lionel Richie. It was released by Mercury Records on April 16, 1996, in the United States. The album marked Richie's debut with the record label as well as his first album of new material in 10 years after a longer hiatus during which he went through a much-publicized divorce from his first wife Brenda Harvey and the loss of his father and a close friend. Apart from chief producer James Anthony Carmichael, the singer worked with Jimmy Jam and Terry Lewis, Babyface and David Foster on Louder Than Words.
Phyllis Hyman is the self-titled solo debut studio album by American soul singer-songwriter Phyllis Hyman. It was released by Buddah Records in 1977. The album charted at number 107 on the Billboard 200 chart.
The Moment is the eighth studio album by American saxophonist Kenny G. It was released by Arista Records in 1996, and reached number 1 on the Billboard Top Contemporary Jazz Albums chart, number 2 on the Billboard 200, number 9 on the Top R&B/Hip-Hop Albums chart and number 16 on the Canadian Albums Chart.
Cool Night is the seventh and final studio album by singer/songwriter Paul Davis. It was his highest-charting album in the United States, reaching #52 on the Billboard album chart, and yielded three top-40 singles, "Cool Night", "'65 Love Affair", and "Love or Let Me Be Lonely". The third was a remake of a song by The Friends of Distinction. This album was the first to be both recorded and mixed fully digitally. It features backing vocals by the Commodores who were simultaneously recording their 1981 album In the Pocket. While the album was a commercial success, Davis hated it, so much so that he ended his contract with Arista to sign with a much smaller label, before retiring from the music industry in 1988.
Air Supply is the eighth studio and second eponymous album by British-Australian soft rock duo Air Supply, released in 1985. The album was a step down in the band's sales, attaining gold certification by the RIAA and peaking at No. 26 on the US Billboard 200 chart. The single "Just as I Am" was their last major entry on the charts, reaching No. 19 on the Billboard Hot 100, while their interpretation of the Jennifer Rush song "The Power of Love" became a minor hit, reaching No. 68.
Love All the Hurt Away is the twenty-seventh studio album by American singer Aretha Franklin. It was released on August 20, 1981. This album is the singer's second release under the Arista Records label. The Arif Mardin-produced disc reached fourth place on Billboard's R&B albums chart and number 36 on the main Billboard album chart, selling roughly 250,000 copies in the US.
Klymaxx is the fourth studio album by Klymaxx, released in 1986.
Heartbreak is the eighth album by American R&B group Shalamar, released in 1984 on the SOLAR label. It features a new line-up of Delisa Davis, Micki Free and Howard Hewett. The album features Grammy nominated songs included on the Footloose and Beverly Hills Cop soundtracks. This would be Hewett's last album with the group before embarking on a solo career.
Just Gets Better with Time is the 16th studio album by American R&B/Soul group The Whispers. It was released on April 9, 1987 via Capitol/SOLAR Records. This album features their highest charting pop single, "Rock Steady," which peaked inside the top 10 at number 7. The song also reached number 1 on the U.S. R&B chart.
20/20 is a studio album by George Benson, released on the Warner Bros. record label in 1985. The lead single by the same name reached #48 on the Billboard Hot 100. The album was certified Gold by the RIAA. "You Are the Love of My Life" is a duet with Roberta Flack. It was one of a number of songs used for Eden Capwell and Cruz Castillo on the American soap opera Santa Barbara. Also included on 20/20 is the original version of the song "Nothing's Gonna Change My Love for You" which would later become a smash hit for Hawaiian singer Glenn Medeiros.
Everlasting is the eleventh studio album by American singer Natalie Cole, released on June 14, 1987 by Manhattan Records. The album peaked at number 8 on Billboards Top R&B Albums chart and number 42 on the Billboard 200 chart.
Funky Entertainment is the third and final album by the Detroit, Michigan R&B group Brainstorm. It was released in 1979 on Tabu Records and produced by Jerry Peters.
Face to Face is the sixth album released by R&B singer Evelyn "Champagne" King on RCA Records in 1983. It was produced by André Cymone, Leon Sylvers III, Foster Sylvers, and Joey Gallo.
Don't Look Back is a 1980 album by American singer Natalie Cole. Released on May 15, 1980, by Capitol Records, The album reached peak positions of number 77 on the Billboard 200; number 17 on Billboard's R&B Albums chart.
Love Remembers is the 28th album by George Benson, released June 8, 1993. This album charted at No. 1 on Billboard's Contemporary Jazz Albums chart, as well as No. 7 on its Jazz Albums chart.
Just Between Us is the debut album by jazz guitarist Norman Brown. It was released in 1992 by Motown Records. The album reached No. 4 on the Billboard Top Contemporary Jazz Albums chart.
Caché is an album by saxophonist Kirk Whalum issued in 1993 on Columbia Records. The album reached No. 1 on the Billboard Top Contemporary Jazz Albums chart and No. 39 on the Billboard Top Jazz Albums chart.
Labor of Love is a 1981 studio album by American soul music vocal group the Spinners, released on Atlantic Records. This release followed a brief period of disco experimentation. The group returned to their Philly soul roots, giving the band a commercial and critical boost. Still, with this album, the slid to the bottom of sales charts and would fall off entirely within a few years.