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Chinatown is a community in Southwest Houston, Texas, United States.
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The Chinese Culture Center of San Francisco is a community-based, non-profit organization established in 1965 as the operations center of the Chinese Culture Foundation located in Hilton San Francisco Financial District, at 750 Kearny Street, 3rd Floor, San Francisco, California, United States.
Visual Communications –– is a community-based non-profit media arts organization based in Los Angeles. It was founded in 1970 by independent filmmakers Robert Nakamura, Alan Ohashi, Eddie Wong, and Duane Kubo, who were students of EthnoCommunications, an alternative film school at University of California, Los Angeles. The mission of VC is to "promote intercultural understanding through the creation, presentation, preservation and support of media works by and about Asian Pacific Americans."
Doris Chanin Freedman (1928–1981) was a pioneer in the field of public art, active in New York City. She was the daughter of architect Irwin Salmon Chanin and his wife Sylvia Schofler.
Hamilton-Madison House is a voluntary, non-profit settlement house dedicated to improving the quality of life of its community, primarily that of the Two Bridges/Chinatown area of the Lower East Side of Manhattan, New York City, United States. The neighborhood is a federally designated poverty area, with a constantly changing mixture of ethnic groups, and lack of adequate services and resources. An average income of a family living in the area is $17,000. Further, more than 25% of the seniors live on less than $15,000 a year, of which 40% goes toward housing. In the past 108 years, Hamilton-Madison House has developed programs that meet the changing needs of its community. In 1965, with a change in federal immigration policies, the community's predominant immigrant became Chinese New Yorkers. Since that time, the organization's staff has grown to include a staff of 300 who collectively speak 15 languages, including 6 Chinese dialects. Further, the House's long-standing programs have been adapted to meet the cultural norms of this expanding population.
The Asian American Arts Centre (AAAC) is a non-profit organization located in Chinatown in New York City. Founded in 1974, it’s one of the earliest Asian American community organizations in the United States. The Arts Centre presents the ongoing developments between contemporary Asian & Asian American art forms and Western art forms through the presentation of performance, exhibitions, and public education. AAAC's permanent collection, which it has accumulated since 1989, contains hundreds of contemporary Asian American art works and traditional/folk art pieces. The organization also has an Artists Archive which documents, preserves, and promotes the presence of Asian American visual culture in the United States since 1945. This includes the East Coast, especially the greater New York area; the West Coast; and some artists in Canada, Hawaii, and overseas. The artists include Asian Americans producing art, Asian artists who are active in the United States, and other Americans who are significantly influenced by Asia. Pan-Asian in outlook, the Arts Centre's understanding of ‘Asia’ encompasses traditions and influences with sources ranging from Afghanistan to Hawaii.
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CITYarts, Inc. is a nonprofit public arts and education organization, focusing on creating murals and mosaics with youth and professional artists.
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Tomie Arai is an American artist and community activist. Her works consist of multimedia site-specific art pieces that deal with topics of gender, community, and racial identity. She is highly involved in community discourse, co-founding the Chinatown Art Brigade.
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Chinatown Art Brigade (CAB) is a cultural collective of artists, media makers and activists creating art and media to advance social justice. Their work focuses on the belief that "collaboration with and accountability to those communities that are directly impacted by racial, social and economic inequities must be central to cultural, art, or media making process." Through art and public projections, CAB aims to share stories of Chinatown tenants to fight displacement and gentrification. Chinatown Art Brigade collaborates with the Chinatown Tenants Union of CAAAV Organizing Asian Communities, a non-profit organization that fights against tenant rights violation, evictions, and displacement of low-income pan-Asian communities.
Tricia Ward is a Los Angeles-based artist whose work has included public and environmental art, sculpture, and social practice art. She emerged in the 1980s, when collaborations with underserved youth and urban groups that bridged art and social change began to gain institutional attention. Her work combines collaborative, interdisciplinary approaches that include physical transformations of derelict urban environments into "pocket parks," environmental remediation, cultural and educational programming, public policy and civic engagement.
References
- 1 2 3 Wong, Ryan (2017-02-07). "A Brief History of the Art Collectives of NYC's Chinatown". Hyperallergic. Retrieved 2018-07-21.
- 1 2 Braun-Reinitz, Janet (2009). One the wall: four decades of community murals in New York City (1st ed.). Oxford: The University Press of Mississippi. p. 18. ISBN 978-1-60473-111-8.
- ↑ "This Might Be Your Last Chance To See This Mural". The Forward. Retrieved 2017-08-21.
- 1 2 3 4 Maffi, Mario (1994). Gateway to the promised land : ethnic cultures on New York's Lower East Side. Amsterdam: Rodopi. p. 35. ISBN 9051836775. OCLC 32375137.
- ↑ "Arise from Oppression, 1971, by James Jannuzzi and Susan Shapiro Kiok". cultureNOW. Retrieved 2018-07-21.