Claire Barclay | |
|---|---|
| Born | 1968 (age 56–57) |
| Alma mater | Glasgow School of Art |
| Style | installation, sculpture and printmaking |
Claire Barclay (born 1968) is a Scottish artist. Her artistic practice uses a number of traditional media that include installation, sculpture and printmaking, but it also expands to encapsulate a diverse array of craft techniques. [1] Central to her practice is a sustained exploration of materials and space. [2] [3]
"While there is always a concept behind the work its actual form comes out of the 'play' with materials and my response to them" [4]
Claire Barclay received a Master of Fine Arts from the Glasgow School of Art, where she focused on environmental art. [5] She graduated in 1993 with an MA. [6] [4]
Barclay's first solo exhibition was at Transmission Gallery, Glasgow in 1994. [4] In 2003, Barclay represented Scotland in the Venice Biennale. [5] Her work was the focus of a solo exhibition at the Tate Britain in 2004. [7] In 2009 she had a solo exhibition at the Fruitmarket Gallery, which documented significant works created by Barclay over the previous 12 years, alongside newly-commissioned installations. [1] She has had several solo exhibitions at Stephen Friedman Gallery, London. In 2017 she showed new large scale sculptural work at Tramway Gallery in Glasgow, [8] and the work made here amongst others were reworked and adapted at Mission Gallery, Swansea, in 2018. [9] She was elected to the Royal Scottish Academy in 2024. [10]
Situated within realms of the domestic, Barclay's work juxtaposes the reified space of the gallery with that of the everyday. [1] The objects present within her installations allude to dichotomies between function and dysfunction; subsequently, this imbues them with qualities of both the familiar and strange, simultaneously imparting them with an elusory nature. [11]
Barclay creates large-scale installations, often made in situ and in response to the spaces in which they are shown. [1] Her practice is also deeply rooted in process and craftsmanship; accordingly, her installations include an array of materials that oscillate between those associated with mechanization and those associated with the domestic: steel, cast-concrete, machined aluminium, rubber, brass mesh, ceramic, leather, canvas and printed fabric. [12] These dualities further position her artistic process between the handcrafted and industrially produced, as well as the natural and man-made. [13]
{{cite book}}: CS1 maint: location missing publisher (link){{cite book}}: CS1 maint: others (link)