The Cloisters Hebrew Bible is a Hebrew Bible codex made in the Kingdom of Castile from the early to mid-14th century, with an approximate date prior to 1366. [1] The Metropolitan Museum of Art acquired this manuscript from the collection of Jacqui Safra from Sotheby's Judaica auction on December 20, 2017. [2]
Hebrew Bibles were produced in Castile during the 1230s, during the reign of Ferdinand III. [3] The era of manuscript making came to an end due to the Black Plague and the Massacre of 1391, followed by the Alhambra Decree and the expulsion of the Jewish communities in Portugal. [4]
After the expulsion of Jews, the manuscript remained in Thessaloniki for centuries, followed by Alexandria before coming into the hands of Jacqui Safra. [5] The manuscript was placed on auction by Safra through Sotheby's Judaica Auction on December 20, 2017, with an estimate of $3.5-5 million but it was purchased by the MET pre-auction for an undisclosed amount. [6]
It is now part of the Cloisters collection, under accession number 2018.59. [7]
The manuscript consist of 476 folios. [8] The first part of the manuscript is heavily gilded 70 folios are decorated with micrography, and the six of the micrographic pages are decorated with horseshoe and double-horseshoes frames. The manuscript is noted to be heavily influenced by Mudéjar and Gothic Design, which was prominent within the Iberian Peninsula. The combination of Judaic, Islamic, and Christian art styles has come to be known as convivencia . [9]
It is one of only three surviving illuminated Hebrew Bibles from fourteenth-century Castile. [10]
The earliest known date on the codex is dated to 1366, with the owner's signature: David ha-Kohen Coutinh[o].
Other owners of the book include:
The Morgan Bible, also called the Morgan Picture Bible, Crusader Bible, Shah Abbas Bible or Maciejowski Bible, is a unique medieval illuminated manuscript. It is a picture book Bible consisting of 46 surviving folios. The book consists of miniature paintings of events from the Hebrew Bible, set in the scenery and costumes of thirteenth-century France, and depicted from a Christian perspective. It is not a complete Bible, as it consists largely of illustrations of stories of kings, especially King David. The illustrations are now surrounded by text in three scripts and five languages: Latin, Persian, Arabic, Judeo-Persian, and Hebrew. The level of detail in the images and the remarkable state of preservation of the work make it particularly valuable to scholars.
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The Blue Quran is an early Quranic manuscript written in Kufic script. The dating, location of origin, and patron of the Blue Quran are unknown and have been the subject of academic debate, though it is generally accepted that the manuscript was produced in the late 9th to mid-10th century in either Kairouan, Tunisia or Cordoba in Umayyad Spain. The manuscript is among the most famous works of Islamic calligraphy, notable for its gold lettering on a rare indigo-colored parchment.
Marc Michael Epstein is Professor of Religion and Visual Culture on the Mackie M. Paschall (1899) & Norman Davis Chair at Vassar College.
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