| Closer to You | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | August 23, 1994 [1] | |||
| Studio | Capitol (Hollywood, California) | |||
| Genre | Blues, Americana, Tulsa Sound | |||
| Length | 43:55 | |||
| Label | Delabel/Virgin | |||
| Producer | JJ Cale | |||
| J. J. Cale chronology | ||||
| ||||
Closer to You is the eleventh studio album by American singer-songwriter J. J. Cale, released on August 23, 1994 through the independent French label Delabel and distributed by Virgin Records.
Closer to You is noted for the change in sound from Cale’s previous albums, primarily due to the prominence of synthesizers, which Cale employs on five of the album's songs. Although the use of synthesizers may have seemed like a left turn for hardcore fans used to his laidback, rootsy sound, it was not new; Cale had used synthesizers on his 1976 Troubadour album. In an interview with Vintage Guitar in 2004, Cale acknowledged the dismay some fans felt, recalling:
…me playing with the synthesizer, everybody hated. [Then producer/manager] Audie Ashworth did the first eight albums, and those were kind of semi-popular, for an obscure songwriter like me. Then I started doing these albums in California with all synthesizers and me being the engineer. I liked those, but the folks wanted a little warmer kind of thing. [2]
On Closer to You Cale used two bass players (electric and acoustic), three percussionists (including Jim Keltner), three guitarists (including Cale), two keyboardists (Spooner Oldham and Bill Payne), and three horn players. The horns are used on the closing track “Steve’s Song,” which AllMusic describes as a “hypnotically groovy instrumental.” The same review also complements the electronic treatment of Cale’s vocals on the title track, a technique that surprisingly makes him sound as down-to-earth as ever.” In truth, the majority of the songs boast the sound that Cale is so well-known for. The lusty “Slower Baby” and the breezy “Sho-Biz Blues” are characteristic Cale tracks, with the latter documenting the bleak realities of a musician’s life. (“The bus breaks down and the motel’s bad, you’re always in a stew…”) The foreboding “Borrowed Time” and “Brown Dirt” are meditations on mortality, the latter from the perspective of a Mississippi cotton picker who observes, “Brown dirt, somebody told me, be the last place you lay.” The gentle love song “Rose in the Garden” appeals for affection while the more direct “Like You Used To” asks a lover to “Tell me that you really love me, even if it ain't true.” The album also includes one live track, “Hard Love.”
AllMusic said “with the dazzling Closer to You, J.J. Cale finds ever-newer surprises in his own remarkable corner of the musical world.” [3]
All songs written by J. J. Cale.
2. "Sho-Biz Blues" – 3:39
3. "Slower Baby" – 5:00
4. "Devil's Nurse" – 3:45
5. "Like You Used To" – 3:02
6 "Borrowed Time" – 4:13
7. "Rose in the Garden" – 3:00
8. "Brown Dirt" – 3:26
9. "Hard Love" – 4:18
10. "Ain't Love Funny" – 2:43
11. "Closer to You" – 2:46
12. "Steve's Song" – 4:02
John Weldon "J. J." Cale was an American guitarist, singer, and songwriter. Though he avoided the limelight, his influence as a musical artist has been acknowledged by figures such as Neil Young, Mark Knopfler, Waylon Jennings, and Eric Clapton, who described him as one of the most important artists in rock history. He is one of the originators of the Tulsa sound, a loose genre drawing on blues, rockabilly, country, and jazz.
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