| Naturally | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | October 25, 1971 [1] | |||
| Recorded | September 29, 1970–June 9, 1971 | |||
| Studio |
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| Genre | Country rock [2] | |||
| Length | 31:41 | |||
| Label | UK: A&M USA: Shelter | |||
| Producer | Audie Ashworth | |||
| J. J. Cale chronology | ||||
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Naturally is the debut studio album by J. J. Cale released on October 25, 1971.
Cale, who was raised in Oklahoma, first tasted success in 1964 when singer Mel McDaniel scored a regional hit with Cale's composition "Lazy Me". From there Cale moved to California and worked at Leon Russell's home studio as a chief engineer and began performing at places like the Whisky a Go Go. With Johnny Rivers already performing there regularly, club co-owner Elmer Valentine rechristened Cale as J.J. Cale to avoid confusion with the John Cale in the Velvet Underground. [3] In 1966, Cale cut an unsuccessful single for Liberty Records called "Slow Motion", but it was the B-side, "After Midnight", that would have long-term ramifications for Cale's career when Eric Clapton recorded the song and had a Top 20 hit. Cale, who was languishing in obscurity at the time, had no knowledge of Clapton's recording of "After Midnight" until it became a radio hit in 1970. Cale recalled to Mojo magazine that when he heard Clapton's version playing on his radio, "I was dirt poor, not making enough to eat and I wasn't a young man. I was in my thirties, so I was very happy. It was nice to make some money." [4] Cale's friend and producer, Audie Ashworth, encouraged Cale to record a full album in order to capitalize on the success of his song.
Naturally was recorded independently, "on spec," the musicians being paid demo fees. The ingredients that went into that project, with subtle drum rhythms, murky vocals sung in a narrow range, and a guitar style that merged country, blues and jazz, established the template for the "Tulsa sound". Some songs, such as "Call Me the Breeze", were recorded with primitive drum machine accompaniment and sound almost like demos. Cale explained to Dan Forte of Vintage Guitar in 2004, "When we did the first album, most people didn't realize that was an electric drum machine – or that there even was such a thing. I didn't use a real drummer because I had no money. So I cut 'Crazy Mama' and 'Call Me The Breeze', and Carl Radle came in and played bass, and Mac Gayden played slide on 'Crazy Mama'. Then Audie hired some musicians and a real studio, and we cut the other eight songs on Naturally." The album showcased Cale's distinctive, understated style, and it successfully established his solo recording career, which continued until his death in 2013.
Cale's version of "After Midnight" differs greatly from Clapton's frenetic version, which is itself based on Cale's own arrangement. The Oklahoma Troubadour explained in 2004:
The history on that deal was, the original "After Midnight" I recorded was on Liberty Records on a 45-rpm, and it was fast. That was about 1967-68, maybe 69. I can't remember exactly. But that was the original "After Midnight", and that is what Clapton heard. If you listen to Eric Clapton's record, what he did was imitate that. No one heard that first version I made of it. I tried to give the thing away, until he cut it and made it popular. So, when I recorded the Naturally album Denny Cordell, who ran Shelter Records at the time, and I had already finished the album, he said, "John, why don't you put 'After Midnight' on there because that is what people recognize you for?" I said, "Well, I've already got that on Liberty Records, and Eric Clapton's already cut it, so if I'm going to do it again I'm going to do it slow. [5] [ full citation needed ]
In the 2005 documentary To Tulsa and Back, Cale admitted, "I wasn't real crazy about the Naturally album and I'm still not, but most of the people who like my music, J.J. Cale fans, really like the Naturally album. I think what they liked really was the songs." In the same documentary, Cale recalls producer and agent Audie Ashworth calling him saying if he appeared on Dick Clark's American Bandstand , the single "Crazy Mama" would jump into the Top 10 on the charts, but Cale refused when he learned he would have to lip sync to the recording of the song. While "Crazy Mama" nearly cracked the Top 20, Cale was unimpressed with fame right from the beginning, telling Steve Newton of The Georgia Straight in 1990:
The first album was a collection of tunes I'd been working on for about 32 years. It was a collection that refined everything that had come out of me and weeded out all the bad ideas I'd had over 20 years. But, when it was successful, the record company wanted the next album in six months. When you get successful, the money comes in and pretty soon you've got to hire an accountant, you've got to get up early, and then you've got a day job. Pretty soon, I wasn't enjoying life – all I was doing was working.
In 2009 the album was re-released, with Really , as a French exclusive 24-track 2-CD album set, as part of Universal Records' "2 For 1" series.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [2] |
| Christgau's Record Guide | B [6] |
The album contained the 1972 hits "Crazy Mama" (#22 on the Billboard Hot 100, his only Top 40 hit [7] ) and "After Midnight" (#42) as well as turntable hits "Bringing it Back" (recorded by Kansas for their first album), "Call Me the Breeze" (later recorded by Lynyrd Skynyrd), and "Clyde" (later recorded by Dr. Hook & the Medicine Show and a 1980 country hit for Waylon Jennings). "Crazy Mama" was actually the B-side of the single, "Magnolia", but a DJ in Little Rock, Arkansas played it in preference to the A-side, facilitating its success. Reviewing the LP for Rolling Stone in 1972, Jon Landau said, "This quiet and leisurely album from an excellent guitarist, vocalist, and songwriter is a charmer. J.J. Cale has a unique approach to funk, blues, and country and all it involves is taking things at just as relaxed and mellow a pace as the human metabolism will allow. Here it results in one of the most enjoyable debut albums heard in some time." [8] Village Voice critic Robert Christgau was less receptive to the "lassitude affected" by Cale and his collaborators. In Christgau's Record Guide: Rock Albums of the Seventies (1981), he said that while "Call Me the Breeze" and "Crazy Mama" are "absolutely beguiling", the rest of the record's "murmured blues meditations are so easy on the spirit that even though they have their charms they invite the mistrust of moralizers like myself—there's just too much talent here to justify such slight results." [6] Thom Owens of AllMusic later wrote that "Cale effortlessly captured a lazy, rolling boogie that contradicted all the commercial styles of boogie, blues, and country rock at the time" of the album's release. [9]
All songs written by JJ Cale.
Side one
Side two
461 Ocean Boulevard is the second solo studio album by English musician Eric Clapton. It was released in late July 1974 by RSO Records, after the record company released the hit single "I Shot the Sheriff" earlier in the month. The album topped various international charts and sold more than two million copies.
John Weldon "J. J." Cale was an American guitarist, singer, and songwriter. Though he avoided the limelight, his influence as a musical artist has been acknowledged by figures such as Neil Young, Mark Knopfler, Waylon Jennings, and Eric Clapton, who described him as one of the most important artists in rock history. He is one of the originators of the Tulsa sound, a loose genre drawing on blues, rockabilly, country, and jazz.
Eric Clapton's Rainbow Concert is a live album by Eric Clapton, recorded at the Rainbow Theatre in London on 13 January 1973 and released in September that year. The concerts, two on the same evening, were organised by Pete Townshend of the Who and marked a comeback by Clapton after two years of inactivity, broken only by his performance at the Concert for Bangladesh in August 1971. Along with Townshend, the musicians supporting Clapton include Steve Winwood, Ronnie Wood and Jim Capaldi. In the year following the two shows at the Rainbow, Clapton recovered from his heroin addiction and recorded 461 Ocean Boulevard (1974).
Eric Clapton is the debut solo studio album by English rock musician Eric Clapton, released in August 1970 by Atco and Polydor Records.
The Tulsa sound is a popular musical style that originated in Tulsa, Oklahoma, during the second half of the twentieth century. It is a mix of blues, blues rock, country, rock and roll and swamp pop sounds of the late 1950s and early 1960s. Artists considered to have pioneered the Tulsa sound include J. J. Cale, Leon Russell, Roger Tillison and Elvin Bishop. After 1980, Gus Hardin (country), and Jeff Carson (country) released roots music albums. Although Dwight Twilley is from Tulsa, his power pop style bears no resemblance to the Tulsa sound; likewise, David Gates' most recognized songs were mostly in the soft rock genre.
"After Midnight" is a rock song by J. J. Cale, first released in 1966. Eric Clapton later covered it for his eponymous album, released in 1970. Clapton's rendition became a success, prompting Cale to re-record the song for his own 1971 album Naturally. In 1987, Clapton later re-recorded the song for a Michelob beer commercial and then released the re-recording as a single. "After Midnight" has been considered one of Clapton's signature songs throughout his career. Other artists covered the song in later years.
Troubadour is the fourth studio album by J. J. Cale. Eric Clapton covered the song "Cocaine" on his 1977 album Slowhand, turning it into one of his biggest hits.
The Road to Escondido is a collaborative studio album by J. J. Cale and Eric Clapton. It was released on 7 November 2006. Contained on this album are the final recordings of keyboardist Billy Preston. The album is jointly dedicated to Preston and Brian Roylance.
Really is the second studio album by J. J. Cale. It was released in 1972.
Okie is the third studio album by J. J. Cale, released in 1974.
5 is the fifth studio album by J. J. Cale. Released in 1979, it was his first album in three years. When the album was re-issued on CD, "Katy Kool Lady" was replaced by a new song listed as "Out of Style," though it was still listed as the former on the CD. "Out of Style" is also included on the 2007 album Rewind: The Unreleased Recordings under its proper title. There is still no U.S. domestic release of the song "Katy Kool Lady" on CD.
"Call Me the Breeze" is a rock song by J. J. Cale. It first appeared on his 1972 debut album, Naturally, as the opening track. The song consists of a 12-bar blues guitar shuffle and features the early use of a drum machine.
Grasshopper is a 1982 album by J. J. Cale. It was his seventh studio album since his debut in 1971.
Backtrackin' is a two-disc compilation album by Eric Clapton spanning the years 1966 to 1980. It was released in 1984. The compilation contains all of Clapton's best known songs with Cream, Blind Faith, Derek and the Dominos, and his solo 1970s work through his 1980 live album Just One Night. This compilation album is made in Germany and is only available in the United States as an import. It was originally released by Starblend Records, and has since been reissued by Polydor Records. This 2 CD compilation is currently out of print in some markets while still available in some form in others.
To Tulsa and Back is the 13th album by J. J. Cale, released in 2004.
Travel-Log is the ninth studio album by J. J. Cale. It was released in 1989.
McGavock Dickinson "Mac" Gayden is an American rock and country singer, songwriter, musician, and record producer. He is also president of Wild Child Records, formed in 2004.
Closer to You is the 11th studio album by J. J. Cale, released in 1994. It was published under the independent French label Delabel and distributed by Virgin Records.
Number 10 is a 1992 album by J. J. Cale. It was his tenth studio album since his debut in 1971.
Live in San Diego is the thirteenth live album by British rock musician Eric Clapton. It was released through Reprise Records as a live album on 30 September 2016 and as a 2-hour live DVD on 10 March 2017.
