Hips, Hips, Hooray! is a 1934 American Pre-Code slapstick comedy starring Bert Wheeler, Robert Woolsey, Ruth Etting, Thelma Todd, and Dorothy Lee. During its initial theatrical run, it was preceded by the two-color Technicolor short Not Tonight, Josephine, directed by Edward F. Cline.
Wheeler & Woolsey were an American vaudeville comedy double act who performed together in comedy films from the late 1920s. The team comprised Bert Wheeler (1895–1968) of New Jersey and Robert Woolsey (1888–1938) of Illinois.
Albert Jerome Wheeler was an American comedian who performed in Broadway theatre, American comedy feature films, and vaudeville acts. He was the comedy partner of Robert Woolsey, and together they formed a successful double act called Wheeler & Woolsey.
Robert Rollie Woolsey was an American stage and screen comedian and half of the 1930s comedy team Wheeler & Woolsey.
Rio Rita is a 1929 American pre-Code RKO musical comedy starring Bebe Daniels and John Boles along with the comedy team of Wheeler & Woolsey.. The film is based on the 1927 stage musical produced by Florenz Ziegfeld, which originally united Wheeler and Woolsey as a team and made them famous. The film was the biggest and most expensive RKO production of 1929 as well as the studio's biggest box office hit until King Kong (1933). Its finale was photographed in two-color Technicolor. Rio Rita was chosen as one of the 10 best films of 1929 by Film Daily.
Mark Sandrich was an American film director, writer, and producer.
Hook, Line and Sinker is a 1930 American pre-Code slapstick comedy directed by Edward F. Cline from a screenplay by Ralph Spence and Tim Whelan. It was the third starring vehicle for the comedy team of Wheeler & Woolsey, and also featured Dorothy Lee. It would be one of the largest financial successes for RKO Pictures in 1930.
Dorothy Lee was an American actress and comedian during the 1930s. She appeared in 28 films, usually appearing alongside the Wheeler & Woolsey comedy team.
Cracked Nuts is a 1931 American pre-Code comedy film directed by Edward F. Cline, from an original screenplay written by Al Boasberg and Ralph Spence. The film stars the comedy duo Wheeler & Woolsey as well as Dorothy Lee. It also features Boris Karloff in a small supporting role. The film was one of RKO's only financial successes of the year, with a profit of just over $150,000.
Girl Crazy is a 1932 American pre-Code musical film adaptation of the 1930 stage play of the same name. The film was very unlike the stage play except for its score. It was tailored for the comic talents of Wheeler & Woolsey, a popular comedy team of the time. Three songs written by George and Ira Gershwin for the play were retained: "Bidin' My Time", "I Got Rhythm", and "But Not For Me". According to RKO records, the film lost $150,000.
The Cuckoos (1930) is an American Pre-Code musical comedy film, released by RKO Radio Pictures and partially filmed in two-strip Technicolor. Directed by Paul Sloane, the screenplay was adapted by Cyrus Wood, from the 1926 Broadway musical, The Ramblers, by Guy Bolton, Bert Kalmar, and Harry Ruby. It starred, and although they had appeared on Broadway and in other films together, this was their first time starring as a team. The success of this picture, combined with Rio Rita being their most successful film of 1929, convinced the studio to headline them as the comedy team Wheeler & Woolsey, through 1937.
Everything's Rosie is a 1931 American Pre-Code slapstick comedy film directed by Clyde Bruckman, from a screenplay by Ralph Spence, Tim Whelan, and Al Boasberg, based on a story by Boasberg. Although the screenplay was credited as original, it bore a striking resemblance to a 1923 play, Poppy, which had starred W.C. Fields.
Dangerous Corner is a 1934 American mystery film directed by Phil Rosen, using a screenplay by Anne Morrison Chapin, Madeleine Ruthven, Ralph Berton, and Eugene Berton, which was based on a novel and play of the same name by J. B. Priestley. It starred Virginia Bruce, Conrad Nagel, and Melvyn Douglas.
By Your Leave is a 1934 American domestic comedy film directed by Lloyd Corrigan from a script by Allan Scott, Lewis Foster, and Sam Mintz. The screenplay was based on a play of the same name by Gladys Hurlbut and Emma B. C. Wells, which had a short run early in the year at the Morosco Theatre. The film was produced by Pandro S. Berman, and starred Frank Morgan and Genevieve Tobin, although several other actresses were initially scheduled to appear in the film, including Mary Astor and Ann Harding. Both stars were on loan to RKO from other studios. It marked the film debuts of two notable Broadway actors, Glenn Anders and Gene Lockhart, the latter of which had a lengthy Hollywood career. By Your Leave opened on November 9, 1934, and received mostly positive reviews.
Grand Old Girl is a 1935 American drama film directed by John Robertson from a screenplay by Milton Krims, John Twist, Arthur T. Horman, adapted from a story by Wanda Tuchock. The film stars May Robson, Mary Carlisle, Fred MacMurray, and Alan Hale, other cast members included Ben Alexander.
A Dog of Flanders is a 1935 American drama film directed by Edward Sloman, based on a screenplay by Ainsworth Morgan from the story by Dorothy Yost, which she adapted from the 1872 novel of the same name by Ouida. The film stars Frankie Thomas, appearing in only his second film.
The Nitwits is a 1935 American comedy film directed by George Stevens from a screenplay written by Fred Guiol and Al Boasberg, based on a story by Stuart Palmer. Released by RKO on June 7, 1935, the film stars the comedy duo of Wheeler & Woolsey, with featured roles being filled by Fred Keating, Betty Grable, Evelyn Brent and Erik Rhodes.
The Rainmakers is a 1935 American comedy film directed by Fred Guiol from a screenplay by Grant Garrett and Leslie Goodwins, based on a story by Guiol and Albert Traynor. RKO Radio Pictures released the film on October 25, 1935, starring the comedy team of Wheeler & Woolsey and Dorothy Lee.
Hugh Trevor was an American actor whose short career began at the very end of the silent era in 1927. He would appear in nineteen films in the scant six years during which he was active. He did not fare well with the advent of talking pictures, and retired from the industry in 1931. His life was cut short when he unexpectedly died from complications following appendectomy surgery in 1933.
Lee Marcus, also known as Lee S. Marcus, was an American film producer of the 1930s and 1940s. During his fifteen-year career he produced over 85 films, most of them between 1934 and 1941 while he was at RKO Studios. Prior to his production career, Marcus worked for FBO and then RKO as a sales executive, reaching the level of vice president in both organizations. At RKO, he was head of production of the studio's b-films during the late 1930s and the beginning of the 1940s. He was also responsible for producing what many consider to be the first film noir, 1940's Stranger on the Third Floor.
