A Woman Rebels | |
---|---|
Directed by | Mark Sandrich |
Screenplay by | Ernest Vajda Anthony Veiller |
Based on | Portrait of a Rebel 1930 novel by Netta Syrett |
Produced by | Pandro S. Berman |
Starring | Katharine Hepburn Herbert Marshall Elizabeth Allan |
Cinematography | Robert De Grasse |
Edited by | Jane Loring |
Music by | Roy Webb |
Production company | |
Distributed by | RKO Pictures |
Release date |
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Running time | 88 minutes |
Country | United States |
Languages | English Italian |
Budget | $574,000 [1] |
Box office | $583,000 [1] |
A Woman Rebels is a 1936 American historical drama film adapted from the 1930 novel Portrait of a Rebel by Netta Syrett and starring Katharine Hepburn as Pamela Thistlewaite, who rebels against the social mores of Victorian England. The film was directed by Mark Sandrich; it was the film debut of Van Heflin, and the second last film of David Manners.
Hepburn's performance as the defiant young woman is considered by many critics[ by whom? ] the epitome of her feminist characterizations of the 1930s.
In Victorian London, Pamela defies her autocratic father (Donald Crisp), and has a baby out of wedlock with her lover, Gerald Waring Gaythorne (Van Heflin, in his screen debut). Pamela's pregnant sister Flora (Elizabeth Allan) hears of the death of her young husband, faints, hurting herself, and dies. Pamela raises her illegitimate daughter as her niece and becomes a crusading journalist for women's rights. Eventually she agrees to marry diplomat Thomas Lane (Herbert Marshall) after being unfairly named as co-respondent in Gaythorne's divorce.
With a box office loss estimated at a hefty $222,000 for RKO, this was Hepburn's third flop in a row which contributed to Hepburn being one of the actors labeled "box office poison" in the infamous 1938 advertisement created by Harry Brandt, president of the Independent Theatre Owners of America. [1]
Katharine Houghton Hepburn was an American actress whose career as a Hollywood leading lady spanned six decades. She was known for her headstrong independence, spirited personality, and outspokenness, cultivating a screen persona that matched this public image, and regularly playing strong-willed, sophisticated women. She worked in a varied range of genres, from screwball comedy to literary drama, which earned her various accolades, including four Academy Awards for Best Actress—a record for any performer.
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