Cognitive poetics

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Cognitive poetics is a school of literary criticism that applies the principles of cognitive science, particularly cognitive psychology, to the interpretation of literary texts. It has ties to reader-response criticism, and also has a grounding in modern principles of cognitive linguistics. The research and focus on cognitive poetics paves way for psychological, sociocultural and indeed linguistic dimensions to develop in relation to stylistics.

Contents

Topics addressed by cognitive poetics include deixis; text world theory (the feeling of immersion within texts); schema, script, and their role in reading; attention; foregrounding; and genre.

One of the main focal points of cognitive literary analysis is conceptual metaphor, an idea pioneered and popularized by the works of Lakoff, as a tool for examining texts. Rather than regarding metaphors as ornamental figures of speech, cognitive poetics examines how the conceptual bases of such metaphors interact with the text as a whole.

Background

Prominent figures in the field include Reuven Tsur, who is credited for originating the term, [1] Ronald Langacker, Mark Turner, Gerard Steen, Joanna Gavins and Peter Stockwell. Although Tsur's original, "precise and particular" sense of the term poetics was related to his theory of "poetry and perception", it has come to be "more broadly applied" to any "theory" or "system" of the workings (Greek poiesis) of literature of any genre. [2]

During the first half of the twentieth century, emphasis was placed on the particular literary text itself. Moreover, concentration on style and linguistic placement of the texts helped to place an importance on the structural patterns prevalent within the literature. However, during this time period, attention to the human interaction aspect of literary analysis was largely unobserved.  

Cognitive poetics, therefore aimed to describe how poetic language and form is naturally constrained and shaped by various human cognitive processes. It allows for the science of cognition and the literary understanding regarding literary texts to both have significance when conducting any literary analytical process. Moreover, cognitive poetics helps demonstrate how ways of expression and ways of conscious perception are mutually inclusive.

The nature of literature involves explaining its function and application in the human mind. Cognitive poetics therefore illustrates just how vital the means of comprehending and analysing literature is to the process of human cognition.

Application

Media and Everyday Life

While the framework for cognitive poetics was still in its infancy during the 1990s, the internet was simultaneously becoming an increasingly popular academic device for research purposes. This technological advancement enabled a large range of cognitive linguists to share their ideas, and scholarly awareness regarding cognitive poetics globally began to diffuse.

The current technological advancements and adjustments pertaining to the internet, social media, music, film, and television have broadened the definition of literature. Hence, the applicability of cognitive poetics to a wider scope has been realised.

The result of this recent rise in cognitive poetics solidifies the assumptions that the theory views literature as a particular type of the everyday experience, especially cognition that is innate in our general cognitive capabilities for navigating the world. It further establishes the relationship of literature with the human experience and cognition. The theory states that it is due to this relationship that humans are able to interact in these unique methods amongst each other to begin with. The consistent and overlapping nature amongst non-literary and literary backgrounds of language use is especially emphasised through the everyday application of cognitive poetics.

Cognitive-Linguistic Significance  

The close link between knowledge and meaning is essential to establish in cognitive linguistic assumptions. According to these assumptions, language is understood through an individual’s knowledge of the world. In relation to cognitive poetics, this significant relationship is also deemed as crucial assumption for the theory, as this can be applied in terms of the nature and language of literature.

Cognitive linguists use metaphor as an example for the intersection between knowledge and meaning. They explain that the root of metaphor may originate from metaphorical thought, which is described to be a result of an individual’s reflection of their real-world experiences. This highlights another key assumption cognitive linguists’ maintain, that is, language, cognition and experience are closely connected.

Consequently, observing metaphors in this manner helps uncover the contextual background of the writer in question. In cognitive poetics, context is an essential notion for understanding literature.

One example of cognitive poetics using these assumptions is in the literary device of humour. Through the combination of metaphors, and the manipulation of metaphorical schemas, a writer can successfully draw upon the desired emotional response, however more research pertaining to the role of humour and cognitive poetics is needed.

See also

Related Research Articles

The following outline is provided as an overview and topical guide to linguistics:

<span class="mw-page-title-main">Metaphor</span> Figure of speech of implicit comparison

A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide clarity or identify hidden similarities between two different ideas.

In cognitive linguistics, conceptual metaphor, or cognitive metaphor, refers to the understanding of one idea, or conceptual domain, in terms of another. An example of this is the understanding of quantity in terms of directionality or the understanding of time in terms of money.

Cognitive linguistics is an interdisciplinary branch of linguistics, combining knowledge and research from cognitive science, cognitive psychology, neuropsychology and linguistics. Models and theoretical accounts of cognitive linguistics are considered as psychologically real, and research in cognitive linguistics aims to help understand cognition in general and is seen as a road into the human mind.

Stylistics, a branch of applied linguistics, is the study and interpretation of texts of all types and/or spoken language in regard to their linguistic and tonal style, where style is the particular variety of language used by different individuals and/or in different situations or settings. For example, the vernacular, or everyday language may be used among casual friends, whereas more formal language, with respect to grammar, pronunciation or accent, and lexicon or choice of words, is often used in a cover letter and résumé and while speaking during a job interview.

<span class="mw-page-title-main">Image schema</span>

An image schema is a recurring structure within our cognitive processes which establishes patterns of understanding and reasoning. As an understudy to embodied cognition, image schemas are formed from our bodily interactions, from linguistic experience, and from historical context. The term is introduced in Mark Johnson's book The Body in the Mind; in case study 2 of George Lakoff's Women, Fire and Dangerous Things: and further explained by Todd Oakley in The Oxford handbook of cognitive linguistics; by Rudolf Arnheim in Visual Thinking; by the collection From Perception to Meaning: Image Schemas in Cognitive Linguistics edited by Beate Hampe and Joseph E. Grady.

Narratology is the study of narrative and narrative structure and the ways that these affect human perception. It is an anglicisation of French narratologie, coined by Tzvetan Todorov. Its theoretical lineage is traceable to Aristotle (Poetics) but modern narratology is agreed to have begun with the Russian formalists, particularly Vladimir Propp, and Mikhail Bakhtin's theories of heteroglossia, dialogism, and the chronotope first presented in The Dialogic Imagination (1975).

Formalism is a school of literary criticism and literary theory having mainly to do with structural purposes of a particular text. It is the study of a text without taking into account any outside influence. Formalism rejects or sometimes simply "brackets" notions of culture or societal influence, authorship, and content, and instead focuses on modes, genres, discourse, and forms.

<span class="mw-page-title-main">Cognitive rhetoric</span>

Cognitive rhetoric refers to an approach to rhetoric, composition, and pedagogy as well as a method for language and literary studies drawing from, or contributing to, cognitive science.

Linguistics is the scientific study of language. Linguistics is based on a theoretical as well as a descriptive study of language and is also interlinked with the applied fields of language studies and language learning, which entails the study of specific languages. Before the 20th century, linguistics evolved in conjunction with literary study and did not exclusively employ scientific methods.

<span class="mw-page-title-main">Reuven Tsur</span>

Reuven Tsur was a professor emeritus of Hebrew literature and literary theory at Tel Aviv University. He was born in Oradea (Nagyvárad), Romania. His mother tongue was Hungarian. Tsur died on September 6, 2021, at the age of 88.

Ellen Spolsky is Professor Emerita of English at Bar-Ilan University, Israel. She is a literary scholar and theorist who has published several monographs that deal with topics such as early English literary history, Shakespeare, history of literary theory, word and image relations, cognitive cultural theory, iconotropism, performance theory, and some aspects of evolutionary literary theory. Her books and essays discuss both the universal and historically local aspects of Renaissance art, poetry and drama.

Cognitive sociolinguistics is an emerging field of linguistics that aims to account for linguistic variation in social settings with a cognitive explanatory framework. The goal of cognitive sociolinguists is to build a mental model of society, individuals, institutions and their relations to one another. Cognitive sociolinguists also strive to combine theories and methods used in cognitive linguistics and sociolinguistics to provide a more productive framework for future research on language variation. This burgeoning field concerning social implications on cognitive linguistics has yet received universal recognition.

Raymond W. Gibbs Jr. is a former psychology professor and researcher at the University of California, Santa Cruz. His research interests are in the fields of experimental psycholinguistics and cognitive science. His work concerns a range of theoretical issues, ranging from questions about the role of embodied experience in thought and language, to looking at people's use and understanding of figurative language. Raymond Gibbs's research is especially focused on bodily experience and linguistic meaning. Much of his research is motivated by theories of meaning in philosophy, linguistics, and comparative literature.

Elena Semino is an Italian-born British linguist whose research involves stylistics and metaphor theory. Focusing on figurative language in a range of poetic and prose works, most recently she has worked on topics from the domains of medical humanities and health communication. Her projects use corpus linguistic methods as well as qualitative analysis.

Michael Henry 'Mick' Short is a British linguist. He is currently an honorary professor at the Department of Linguistics and English Language of Lancaster University, United Kingdom. His research focuses on applied linguistics with a special focus on stylistics.

Paul Anthony Chilton is a British cognitive linguist and discourse analyst known for his work on conceptual metaphor, cognitive stylistics, and political discourse. Chilton developed a three-dimensional model to analyze semantic structure in natural languages, basd on spatial cognition and using a formalism derived from vector geometry. This approach has been applied to discourse in terms of spatial, temporal, and modal dimensions.

<span class="mw-page-title-main">Willie van Peer</span> Belgian Literary Scholar

Willie van Peer is professor emeritus in the Faculty of Languages and Literature at the Ludwig-Maximilians-University in Munich, Germany. He is a linguist, literary scholar, and one of the founders of the empirical study of literature. Van Peer has published extensively in his main areas of research: foregrounding, narratology, literary evaluation, literary theory, emotion in literature and intimate relations in literature. Van Peer was Vice President of the International Association of Empirical Aesthetics, Chair of the Poetics and Linguistics Association and President of the International Society for the Empirical Study of Literature. He was (co-)editor of the series Linguistic Approaches to Literature (2000–2010) and founding editor of Scientific Study of Literature (2011). Directions in Empirical Literary Studies was published in his honour in 2008.

Mira Ariel is a professor of linguistics at Tel Aviv University, specializing in pragmatics. A pioneer of the study of information structure, she is best known for creating and developing Accessibility Theory.

Text world theory is a cognitive model of language processing which aims to explain how people construct meaning from language. This theory figuratively describes a piece of language as a "world" that the reader/hearer must "build" in their mind. Text world theory was first developed by Paul Werth in the 1980s, and has subsequently been used as in education as a method for pupils to engage with literature.

References

  1. "Reuven Tsur ... has run a cognitive poetics project since the early 1970s, long before the first publications in cognitive linguistics." Gerard Steen and Joanna Gavins, "Contextualising cognitive poetics", in Gavins and Steen (2003): p. 3.
  2. "Cognitive poetics is still relatively new as a discipline, though it makes clear reconnections back to much older forms of analysis such as classical rhetoric." Stockwell (2002): p. 8.

Bibliography