Cole Robinson is a British documentary filmmaker from Teesside, England.
Robinson was born in Middlesbrough and grew up in Redcar, Teesside, in North East England. [1] He received his early education from Rye Hills Academy in Redcar. [2] [3]
Robinson studied economics, media studies, and business at Prior Pursglove College in Guisborough. [4] Later, he attended Northumbria University in Newcastle, where he graduated with a first class honours degree in entrepreneurial business management. [5] During his time at university, Robinson established Filmit UK, a video production enterprise. [5] [2]
Robinson is a lifelong Middlesbrough FC fan. [6]
Robinson produces documentary films focusing primarily on geopolitics, working-class communities and global social issues. [1] [2] His earlier work includes travel films created during international trips such as Exploring Croatia in 97 Seconds (2022) which he produced during a five-week backpacking trip. [7]
In 2023, his documentary How One City Is Quietly Dominating World Football explored football culture in Rosario, Argentina, hometown of footballer Lionel Messi. Filmed shortly after the 2022 World Cup final, the documentary considered how Rosario, despite socio-economic difficulties, consistently produces professional football players. [8] [9]
In 2024, Robinson produced The Dark Reality of Life on Easter Island , a documentary which examined contemporary issues faced by the indigenous Rapa Nui community, including cultural preservation, economic exploitation, and environmental pressures resulting from tourism. [4] [1] Later, in the same year, Robinson directed Tyne-Wear Derby: In With Sunderland , a documentary created with the football media outlet COPA90. [10] [4]
In 2025, Robinson worked with the British Library and Leeds Libraries to create two documentaries for the Voice of the Fans exhibition. [4] [10] In the same year, Robinson worked on Europe’s Deadliest Land Border Is in Africa, which featured interviews and commentary from David Stenner, filming in Melilla and at the fence, and archival documentation of violence at the border. [2]