Oatley is a suburb in Southern Sydney in the state of New South Wales, Australia. It is located 18 kilometres south of the Sydney central business district and is part of the St George area. Oatley lies in the local government area of Georges River Council. It lies on the northern side of the tidal estuary of the Georges River and its foreshore includes part of Oatley Bay and Lime Kiln Bay, and all of Neverfail Bay, Gungah Bay and Jewfish Bay.
Darlington is a small, inner-city suburb of Sydney, in the state of New South Wales, Australia. Darlington is located about 3 kilometres south of the Sydney central business district and is part of the local government area of the City of Sydney. At the time of its incorporation in 1864, it had the distinction of being the smallest municipality in the Sydney metropolitan area, at a mere 44 acres. Darlington is bordered by City Road, Cleveland Street, Golden Grove Street, Wilson Street and Abercrombie Street.
Robin Gibson was an Australian architect, from Brisbane, Queensland.
Nonda Katsalidis is a Greek-Australian architect. He is currently a practising director of architecture firm Fender Katsalidis Architects in partnership with Karl Fender.
Sir Roy Burman Grounds was an Australian architect. His early work included buildings influenced by the Moderne movement of the 1930s, and his later buildings of the 1950s and 1960s, such as the National Gallery of Victoria and the adjacent Victorian Arts Centre, cemented his legacy as a leader in Australian architecture.
The Sir John Sulman Medal for Public Architecture is an architectural award presented by the New South Wales chapter of the Australian Institute of Architects since 1932. The medal is sometimes referred to as the Sulman Award and now recognises excellence in public buildings in either New South Wales or in the Australian Capital Territory. Before the advent of the Wilkinson Award in 1961 it was on occasions presented to domestic projects.
Andrew Andersons is an Australian architect. Buildings he has designed include various extensions to art museums, a number of theatres and concert halls as well as public, commercial and residential buildings.
Harold Bryce Mortlock, LFRAIA, was an Australian architect and planner, alongside Sydney Ancher, Stuart Murray and Ken Woolley. His career spanned the era which saw the consolidation of modern Australian architecture.
Peter McIntyre is an Australian architect and educator.
Richard Anthony Johnson is an Australian architect best known as the creator of some of the Australian most important and iconic cultural buildings and spaces of the twentieth century.
Kenneth Frank Charles Woolley, BArch, Hon DSc Arch Sydney LFRAIA, FTSE, was an Australian architect. In a career spanning 60 years, he is best known for his contributions to project housing with Pettit and Sevitt, four time Wilkinson Award-winning architect, including three times for his own house, the first being the 1962 Woolley House in Mosman, and his longstanding partnership with Sydney Ancher and Bryce Mortlock. He is regarded as being a prominent figure in the development of the Sydney School movement and Australian vernacular building.
Patrick Bingham-Hall is an architectural photographer. He is also an architectural writer and editor, and owns Pesaro Publishing, which publishes books on architecture and design.
Bernard Ollis OAM is a British-Australian artist, painter and advocate for arts education. He lives and works in Sydney and Paris.
Robert Harold Dickson was a South Australian architect. His many works contributed greatly to various aspects of South Australian architecture, ranging from conservation shelters to school buildings and residential projects. His most notable works are former premier, Don Dunstan's residence, the first townhouses in Adelaide and the University of Adelaide's Union House. He was described by Don Dunstan as the "premier architect".
Leslie Wilkinson, FRAIA, was a UK-born Australian architect and academic. He was the founding dean of the faculty of architecture at University of Sydney in 1920. A traditionalist, he is known for his residential and church architecture.
M3architecture is an Australian architecture firm based in Brisbane. The practice was founded in 1997 and is run by Directors Michael Banney, Ben Vielle, Michael Christensen and Michael Lavery.
New England Regional Art Museum
Howard Hinton was an Australian art patron and benefactor. A thwarted artist due to shortsightedness, he visited many of the great galleries of Europe in his youth. At age 24 he migrated to Australia and quickly associated with leading artists of the Heidelberg School and the bohemian artists' camps around Sydney Harbour in the 1890s. He built a successful career in shipping and, along with a family inheritance, used his moderate wealth to support waves of Australian artists in the first half of the twentieth century. Through extensive donations to the Art Gallery of New South Wales and particularly the Armidale Teachers' College he became one of the greatest benefactors in Australian art history.
Sally Robinson is an English-born Australian artist. She has had a long career as a portrait artist and designer, painter and printmaker, teacher and lecturer. Her work is represented in private and public collections around Australia.
Peter Brian Hall was an Australian architect active in Sydney and elsewhere from the 1950s to the early 1990s. Schooled in the tenets of modernism his practice was also informed by a strong sense of the importance of function and context in design. During his early years Hall was the recipient of numerous education scholarships and bursaries, most notably a traineeship and then employment with the office of the New South Wales Government Architect, a source of highly creative architecture during the 1960s. However, Hall is best known for completing the Sydney Opera House after the resignation of its original architect, Jørn Utzon, in February 1966. Aged just 34 he was invited by the Government Architect to act as design architect in the newly formed consortium Hall Todd & Littlemore to resolve the issues which had led to Utzon’s resignation, principally the design of all the interiors and the enclosing glass walls of the unfinished building. The Opera House opened in October 1973 and despite its subsequent success as Sydney’s most popular performance venue, understanding of the work of Hall and his team has been coloured by the controversial circumstances of their appointment. For Hall, both personally and professionally, Utzon’s legacy was a poisoned chalice – an unprecedented challenge to complete the building to a standard commensurate with its sublime exterior, but one that brought little recognition during his lifetime.
