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Comes a Horseman | |
---|---|
Directed by | Alan J. Pakula |
Written by | Dennis Lynton Clark |
Produced by | Gene Kirkwood Dan Paulson |
Starring | Jane Fonda James Caan Jason Robards Richard Farnsworth |
Cinematography | Gordon Willis |
Edited by | Marion Rothman |
Music by | Michael Small |
Distributed by | United Artists |
Release date |
|
Running time | 118 minutes |
Country | United States |
Language | English |
Budget | $10-12 million [1] |
Box office | $9,585,769 |
Comes a Horseman is a 1978 American Western drama film starring Jane Fonda, James Caan, Jason Robards, and Richard Farnsworth, directed by Alan J. Pakula.
Set in the American West of the 1940s but not a typical Western, it tells the story of two ranchers (Caan and Fonda) whose small operation is threatened both by economic hardship and the expansionist dreams of a local land baron (Robards).
It's the 1940s, near the end of World War II in the American West. The setting is a large, fertile valley ideal for grazing cattle. Rancher Jacob W. Ewing's (Jason Robards) family has lived in the valley for generations, and his dream is to control all of it and preserve it from those - farmers and oilmen, for example - who would use the land for other purposes. Visiting J.W. is wealthy oil executive Neil Atkinson, whose late father was J.W.'s good friend and financial backer; the Atkinsons helped J.W. buy out neighboring ranchers, taking advantage of their financial problems (often with some "persuasion" from J.W.'s henchmen). The one remaining holdout is Ella Connors (Jane Fonda), whose family has ranched in the area for the last two generations and who relies on the family's aging but skillful cowhand Dodger (Richard Farnsworth). Another small player is war veteran Frank Athearn (James Caan) to whom Ella has sold a small plot of land to pay her bills. Ella and J.W. have some personal history which Ella prefers to put behind her, but which J.W. keeps bringing up. Although J.W. believes that Ella cannot survive another season financially, Ella and Frank, both of whom are committed to making a living ranching, enter into an uneasy alliance, especially after a dangerous incident precipitated by J.W. involving Frank and Frank's partner, fellow veteran Billy Joe Meynart (Mark Harmon). Neil, meanwhile, wants to explore the entire valley for oil, and uses his family's financial support to pressure J.W. into agreeing. Ella, Frank, and Neil soon discover that J.W. will go to any lengths to get what he wants. [2]
The film was based on an original script Comes a Horseman Wild and Free. [3] In January 1977 it was announced that Jane Fonda and James Caan would play the leads. [4] [5]
"The theme of this film is very, very American," said Pakula. [6]
On 18 August 1977, a stuntman working on this film, Jim Sheppard, was killed while doing a scene where Robards' character is dragged to (presumably) his death. A horse dragging him veered from its course and caused Sheppard to hit his head on a fence post. The scene made it into the movie, but it is cut right before the horse passes through the gate where the fatal accident occurred. [7]
Gene Siskel of the Chicago Tribune gave the film three-and-a-half stars out of four and called it "a fine film—majestic at times—save for a slapdash ending." [8] A less enthusiastic review in Variety stated the film was "so lethargic not even Jane Fonda, James Caan and Jason Robards can bring excitement to this artificially dramatic story of a stubborn rancher who won't surrender to the local land baron." [9] Charles Champlin of the Los Angeles Times wrote that the film "is not about the plot as such but about the way of life which the plot interrupts. The care and authenticity with which that way of life is recorded helps Comes a Horseman overcome some real problems, notably a pace that is all too reverentially slow and a totally inadequate delineation of the Robards character." [10] Gary Arnold of The Washington Post stated "Pakula and Clark may believe they revere Westerns, but their form of respectful imitation is lifeless, strictly token respect for the dead...By the time Comes a Horseman wheezes to an anticlimactic fadeout, Robards' depredations have begun to resemble Gothic camp." [11]
Farnsworth received a nomination for the Academy Award for Best Supporting Actor for his performance.
The film grossed $9.6 million at the box office. The film holds a score of 67% on Rotten Tomatoes, based on 12 reviews. [12]
Coming Home is a 1978 American romantic war drama film directed by Hal Ashby from a screenplay written by Waldo Salt and Robert C. Jones with story by Nancy Dowd. It stars Jane Fonda, Jon Voight, Bruce Dern, Penelope Milford, Robert Carradine and Robert Ginty. The film's narrative follows a perplexed woman, her Marine husband, and a paraplegic Vietnam War veteran with whom she develops a romantic relationship while her husband is deployed in Vietnam.
Heaven Can Wait is a 1978 American sports fantasy comedy-drama movie directed by Warren Beatty and Buck Henry about a young man being mistakenly taken to heaven by his guardian angel, and the resulting complications of how this mistake can be undone, given that his earthly body has been cremated. It was the second film adaptation of Harry Segall's play of the same name, the first being Here Comes Mr. Jordan (1941).
Richard William Farnsworth was an American actor and stuntman. He was twice nominated for an Academy Award: in 1978 for Best Supporting Actor for Comes a Horseman, and in 2000 for Best Actor in The Straight Story, making him the oldest nominee for the award at the time. Farnsworth was also known for his performances in The Grey Fox (1982), for which he received a Golden Globe Award nomination for Best Actor in a Motion Picture - Drama, as well as Anne of Green Gables (1985), Sylvester (1985), and Misery (1990).
Klute is a 1971 American neo-noir psychological thriller film directed and produced by Alan J. Pakula, and starring Jane Fonda, Donald Sutherland, Charles Cioffi, Nathan George, Dorothy Tristan, Roy Scheider, and Rita Gam. Its plot follows a high-priced New York City call girl who assists a detective from Pennsylvania in solving the missing person case of a john who may be stalking her. It is the first installment of what has informally come to be known as Pakula's "paranoia trilogy", followed by The Parallax View (1974) and All the President's Men (1976), all films dealing with themes of paranoia, conspiracies, and surveillance.
Starting Over is a 1979 American comedy-drama film based on Dan Wakefield's 1973 novel, written and produced by James L. Brooks, and directed by Alan J. Pakula. Starring Burt Reynolds, Jill Clayburgh, and Candice Bergen, it follows a recently divorced man who is torn between his new girlfriend and his ex-wife.
Jason Nelson Robards Jr. was an American actor. Known for his roles on stage and screen, he gained a reputation as an interpreter of the works of playwright Eugene O'Neill. Robards received numerous accolades and is one of 24 performers to have achieved the Triple Crown of Acting having earned competitive wins for two Academy Awards, a Tony Award, and an Emmy Award. He was inducted into the American Theatre Hall of Fame in 1979, earned the National Medal of Arts in 1997, and the Kennedy Center Honors in 1999.
James Edmund Caan was an American actor. He came to prominence playing Sonny Corleone in The Godfather (1972) – a performance that earned him Academy Award and Golden Globe nominations for Best Supporting Actor. He received a motion-picture star on the Hollywood Walk of Fame in 1978.
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The Electric Horseman is a 1979 American western comedy-drama film starring Robert Redford and Jane Fonda and directed by Sydney Pollack. The film is about a former rodeo champion who is hired by a cereal company to become its spokesperson and then runs away on a $12 million electric-lit horse and costume he is given to promote it in Las Vegas after he finds that the horse has been abused.
All the President's Men is a 1976 American epic biographical political thriller film about the Watergate scandal that brought down the presidency of Richard Nixon. Directed by Alan J. Pakula, with a screenplay by William Goldman, it is based on the 1974 non-fiction book by Carl Bernstein and Bob Woodward, the two journalists investigating the scandal for The Washington Post.
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The 44th New York Film Critics Circle Awards honored the best filmmaking of 1978. The winners were announced on 20 December 1978 and the awards were given on 28 January 1979.
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