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Condorism (in Portuguese : Condorismo or Condoreirismo) was a Brazilian literary movement that lasted from the mid-1860s until the early 1880s. It is a subdivision of Brazilian Romanticism, being thus called "the third phase of Brazilian Romanticism", preceded by the Indianism and the Ultra-Romanticism. Condorism was created by the poet Tobias Barreto, who was one of its most significant figures alongside Castro Alves and Pedro Luís Pereira de Sousa.
The name "Condorism" comes from the condor, a bird of solitary and high flight, said to be capable of seeing things from a great distance. [1] Condorist poets believed they had this same ability, and should use it to educate people in the ways of justice and freedom.
Sometimes (albeit very rarely) Condorism is also called Hugoanism (in Portuguese : Hugoanismo), after Victor Hugo, who served as the major Condorist influence.
Condorism changed Brazilian poetry in a variety of ways, being considered the Romantic phase that preceded the Realism in Brazil. Condorist poetry is characterized by a heavy use of hyperboles and grandiose language. Its main themes are Abolitionism and Republicanism, although the lyrical genre is also cultivated. However, unlike in the "Ultra-Romanticism", where love is heavily idealized and platonic, in Condorist poetry it is corporified, concrete, viable.
Indianism was a Brazilian literary and artistic movement that reached its peak during the first stages of Romanticism in the country, though it had been present in Brazilian literature since the Baroque period.
The Academia Brasileira de Letras is a Brazilian literary non-profit society established at the end of the 19th century. The first president, Machado de Assis, declared its foundation on Tuesday, 15 December 1896, with the by-laws being passed on Thursday, 28 January 1897. On Tuesday, 20 July of the same year, the academy started its operation.
Antônio Frederico de Castro Alves was a Brazilian poet and playwright famous for his abolitionist and republican poems. One of the most famous poets of the Condorist movement, he wrote classics such as Espumas Flutuantes and Hinos do Equador, which elevated him to the position of greatest among his contemporaries, as well as verses from poems such as "Os Escravos" and "A Cachoeira de Paulo Afonso", in addition to the play Gonzaga, which earned him epithets such as "O Poeta dos Escravos" and "republican poet" by Machado de Assis, or descriptions of being "a national poet, if not more, nationalist, social, human and humanitarian poet", in the words of Joaquim Nabuco, of being "the greatest Brazilian poet, lyric and epic", in the words of Afrânio Peixoto, or even of being the "walking apostle of Condorism" and "a volcanic talent, the most enraptured of all Brazilian poets", in the words of José Marques da Cruz. He was part of the romantic movement, being part of what scholars call the "third romantic generation" in Brazil.
Casimiro José Marques de Abreu was a Brazilian poet, novelist and playwright, adept of the "Ultra-Romanticism" movement. He is famous for the poem "Meus oito anos".
Manuel Antônio Álvares de Azevedo, affectionately called "Maneco" by his close friends, relatives and admirers, was a Brazilian Romantic poet, short story writer, playwright and essayist, considered to be one of the major exponents of Ultra-Romanticism and Gothic literature in Brazil. His works tend to play heavily with opposite notions, such as love and death, platonism and sarcasm, sentimentalism and pessimism, among others, and have a strong influence of Musset, Chateaubriand, Lamartine, Goethe and – above all – Byron.
Tobias Barreto de Meneses was a Brazilian poet, philosopher, jurist and literary critic. He is famous for creating the "Condorism" and revolutionizing Brazilian Romanticism and poetry. He is patron of the 38th chair of the Brazilian Academy of Letters.
Ultra-Romanticism was a Portuguese and Brazilian literary movement that took place during the second half of the 19th. Aesthetically similar to the German- and British-originated Dark Romanticism, it was typified by a tendency to exaggerate the norms and ideals of Romanticism, namely the value of subjectivity, individualism, amorous idealism, nature and the medieval world. The Ultra-Romantics generated literary works of highly contendable quality, some of them being considered as "romance of knife and earthenware bowl", given the succession of bloody crimes that they invariably described, which realists fiercely denounced.
Luís Nicolau Fagundes Varela was a Brazilian Romantic poet, adept of the "Ultra-Romanticism" movement. He is patron of the 11th chair of the Brazilian Academy of Letters.
Marshal is the highest rank in both the Brazilian Army and the Brazilian Air Force, although the latter is titled marechal-do-ar. These ranks are equivalent to that of admiral in the navy. A marshal is distinguished by using five stars, which for a marshal of the air are in the approximate position of Southern Cross and for a marshal in the army, in the form of "X". The five stars of admiral are in the shape of a pentagon.
José Bonifácio de Andrada e Silva was a French-born Brazilian poet, teacher and senator. He is known as "the Younger" to distinguish him from his grand-uncle, José Bonifácio de Andrada e Silva, "the Elder" or "the Patriarch", a famous statesman who was one of the most important mentors of Brazilian independence.
Pedro Luís Pereira de Sousa was a Brazilian poet, politician, orator and lawyer, adept of the "Condorist" movement. He is the patron of the 31st chair of the Brazilian Academy of Letters.
Cabocla is a Brazilian telenovela produced and broadcast by Rede Globo. It premiered on 10 May 2004, replacing Chocolate com Pimenta, and ended on 20 November 2004, replaced by Como uma Onda. The telenovela is written by Ricardo Waddington, with the collaboration of Edmara Barbosa and Edilene Barbosa. It is based on the 1979 telenovela of the same name and originally shown on Rede Globo.
The Processo Revolucionário Em Curso is the period of the history of Portugal from the Carnation Revolution on 25 April 1974 to the establishment of a new constitution and the legislative elections on 25 April 1976. The turbulent period saw a number of governing bodies.
Events in the year 1889 in Brazil.
The Constituent Cortes of 1820, formal title The General and Extraordinary Cortes of the Portuguese Nation, also frequently known as the Sovereign Congress or the Cortes Constituintes Vintistas, was the first modern Portuguese parliament. Created after the Liberal Revolution of 1820 to prepare a constitution for Portugal and its overseas territories, it used a different system from the traditional General Cortes for choosing representatives, and the three traditional feudal estates no longer sat separately. The Cortes sat between January 24, 1821 and November 4, 1822 at the Necessidades Palace in Lisbon. The work of the Constitutional Cortes culminated in the approval of the Portuguese Constitution of 1822.