The International Council on Monuments and Sites is a professional association that works for the conservation and protection of cultural heritage places around the world. Now headquartered in Charenton-le-Pont, France, ICOMOS was founded in 1965 in Warsaw as a result of the Venice Charter of 1964 and offers advice to UNESCO on World Heritage Sites.
Historic preservation (US), built heritage preservation or built heritage conservation (UK) is an endeavor that seeks to preserve, conserve and protect buildings, objects, landscapes or other artifacts of historical significance. It is a philosophical concept that became popular in the twentieth century, which maintains that cities as products of centuries' development should be obligated to protect their patrimonial legacy. The term refers specifically to the preservation of the built environment, and not to preservation of, for example, primeval forests or wilderness.
Burra is a pastoral centre and historic tourist town in the mid-north of South Australia. It lies east of the Clare Valley in the Bald Hills range, part of the northern Mount Lofty Ranges, and on Burra Creek. The town began as a single company mining township that, by 1851, was a set of townships collectively known as "The Burra". The Burra mines supplied 89% of South Australia's and 5% of the world's copper for 15 years, and the settlement has been credited with saving the economy of the struggling new colony of South Australia. The Burra Burra Copper Mine was established in 1848 mining the copper deposit discovered in 1845. Miners and townspeople migrated to Burra primarily from Cornwall, Wales, Scotland and Germany. The mine first closed in 1877, briefly opened again early in the 20th century and for a last time from 1970 to 1981.
Cultural landscape is a term used in the fields of geography, ecology, and heritage studies, to describe a symbiosis of human activity and environment. As defined by the World Heritage Committee, it is the "cultural properties [that] represent the combined works of nature and of man" and falls into three main categories:
- "a landscape designed and created intentionally by man"
- an "organically evolved landscape" which may be a "relict landscape" or a "continuing landscape"
- an "associative cultural landscape" which may be valued because of the "religious, artistic or cultural associations of the natural element."
Heritage interpretation refers to all the ways in which information is communicated to visitors to an educational, natural or recreational site, such as a museum, park or science centre. More specifically it is the communication of information about, or the explanation of, the nature, origin, and purpose of historical, natural, or cultural resources, objects, sites and phenomena using personal or non-personal methods. Some international authorities in museology prefer the term mediation for the same concept, following usage in other European languages.
Conservation and restoration of immovable cultural property describes the process through which the material, historical, and design integrity of any immovable cultural property are prolonged through carefully planned interventions. The individual engaged in this pursuit is known as an architectural conservator-restorer. Decisions of when and how to engage in an intervention are critical to the ultimate conservation-restoration of cultural heritage. Ultimately, the decision is value based: a combination of artistic, contextual, and informational values is normally considered. In some cases, a decision to not intervene may be the most appropriate choice.
The Venice Charter for the Conservation and Restoration of Monuments and Sites is a set of guidelines, drawn up in 1964 by a group of conservation professionals in Venice, that provides an international framework for the conservation and restoration of historic buildings. However, the document is now seen as outdated, representing Modernist views opposed to reconstruction. Reconstruction is now cautiously accepted by UNESCO in exceptional circumstances if it seeks to reflect a pattern of use or cultural practice that sustains cultural value, and is based on complete documentation without reliance on conjecture. The change in attitude can be marked by the reconstruction in 2015 of the Sufi mausoleums at the Timbuktu World Heritage Site in Mali after their destruction in 2012.
The International Committee for the Conservation of the Industrial Heritage, usually known by its acronym TICCIH, is the international society dedicated to the study of industrial archaeology and the protection, promotion and interpretation of the industrial heritage. TICCIH's Nizhny Tagil Charter (archived), signed in 2003, is the international guidance document for the industrial heritage. In 2011, the Joint ICOMOS – TICCIH Principles for the Conservation of Industrial Heritage Sites, Structures, Areas and Landscapes, also called "The Dublin Principles", were adopted in Paris.
The Burra Charter is a document published by the Australian ICOMOS which defines the basic principles and procedures to be followed in the conservation of Australian heritage places. The Charter was first endorsed in 1979 as an Australian adaptation of the Venice Charter, but with the introduction of a new analytical conservation model of heritage assessment that recognised forms of cultural heritage beyond tangible and physical forms. The Charter was the first national heritage document to replace the Venice Charter as the basis of national heritage practice. The Charter has been revised on four occasions since 1979, and has been internationally influential in providing standard guidelines for heritage conservation practice.
Australia ICOMOS is a peak cultural heritage conservation body in Australia. It is a branch of the United Nations-sponsored International Council on Monuments and Sites (ICOMOS), a non-government professional organisation promoting expertise in the conservation of place-based cultural heritage. Its secretariat is based at the Cultural Heritage Centre for Asia and the Pacific at Deakin University.
A conservator-restorer is a professional responsible for the preservation of artistic and cultural artifacts, also known as cultural heritage. Conservators possess the expertise to preserve cultural heritage in a way that retains the integrity of the object, building or site, including its historical significance, context and aesthetic or visual aspects. This kind of preservation is done by analyzing and assessing the condition of cultural property, understanding processes and evidence of deterioration, planning collections care or site management strategies that prevent damage, carrying out conservation treatments, and conducting research. A conservator's job is to ensure that the objects in a museum's collection are kept in the best possible condition, as well as to serve the museum's mission to bring art before the public.
Jean (Judy) Birmingham is a prominent English historical archaeologist, who has been based in Sydney, Australia, for most of her career. She is well known for her roles in the development of historical archaeology and cultural heritage management in Australia. In 2017 she was awarded a Member of the Order of Australia for her work in this field.
The values embodied in cultural heritage are identified in order to assess significance, prioritize resources, and inform conservative-restorative decision-making. It is recognised that values may compete and change over time, and that heritage may have different meanings for different stakeholders.
The Principles for the Conservation of Heritage Sites in China is a conservation charter promulgated in 2000 by China ICOMOS with the approval of National Cultural Heritage Administration. It provides a methodological approach to the conservation of cultural heritage sites in China.
Lisa Gervasoni is currently the Senior Stakeholder Policy and Advocacy Advisor at the Victorian Farmers Federation. Gervasoni is strategic planner, photographer and artist. She was born in Melbourne, Australia. Gervasoni is part of a long family tradition of working with heritage sites in Australia. She is a member of ICOMOS and was a 2-term member of their executive committee. She has been a keynote speaker in Victoria, Australia. Gervasoni was instrumental in getting Hepburn Pool listed on the Victorian Heritage Register.
James Semple Kerr was an architectural historian and heritage practitioner in Australia, who was prominent in the drafting of the original Burra Charter and its subsidiary documents, and developing standards for conservation practice, particularly in relation to conservation assessments and management reports such as conservation management plans. Kerr's influence in the conservation movement is most notable for his publication of the Conservation Plan, which has guided building conservation in Australia and around the world.
The International Scientific Committee on Cultural Landscapes (ISCCL) is a committee of scientific experts on cultural landscapes that works, as a part of the International Council on Monuments and Sites (ICOMOS), to develop international guidance on cultural landscape documentation and management, and to prepare expert recommendations for prospective World Heritage nominations. The committee functions as a joint effort with members from both ICOMOS and the International Federation of Landscape Architects (IFLA).
Sharon Sullivan is an Australian archaeologist, advocate of Indigenous Australian rights, and author of five books on heritage management. She is best known for her work in establishing protocols and programs for cultural heritage management in Australia.
Phoenix Central Park is a performing arts venue and private art gallery located at 37-49 O'Connor Street, Chippendale, New South Wales, Australia. The location is within the Chippendale Heritage Conservation Area (HCA), item ‘C9’ on Schedule 5 of the Sydney Environmental Plan (LEP) 2012. The site is also within the Chippendale Locality as described in Section 2.3.1 of the Sydney Development Control Plan (DCP) 2012.
Olfactory heritage is an aspect of cultural heritage concerning smells that are meaningful to a community due to their connections with significant places, practices, objects or traditions, and can therefore be considered part of the cultural legacy for future generations.
