Contact! (Ray Barretto album)

Last updated
Contact!
Contact! (Ray Barretto album).jpg
Studio album by
Released1998
Label Blue Note [1]
Producer Ray Barretto
Ray Barretto chronology
My Summertime
(1995)
Contact!
(1998)
Portraits in Jazz and Clave
(2000)

Contact! is an album by the American musician Ray Barretto, released in 1998. [2] [3] He is credited with his band, New World Spirit. [4] [5]

Contents

The album was nominated for a Grammy Award for "Best Latin Jazz Performance". [6] [7] Barretto supported the album by headlining the 1998 Latin Jazz Festival, in New York City. [8] Barretto hated the most commonly used descriptor of his music: Latin jazz. [9]

Production

"Sister Sadie" is a version of the Horace Silver song. Michael Philip Mossman played trumpet and saxophone on the album; he also wrote "Moss Code". [10] [11]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [12]
The Encyclopedia of Popular Music Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [13]
Los Angeles Daily News Star full.svgStar full.svgStar full.svgStar empty.svg [11]
Ottawa Citizen Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [14]

The Philadelphia Inquirer deemed Contact! "a straight-ahead exercise that contains Latinate workovers of standards such as 'Poinciana' and 'Caravan'." [15] The Ottawa Citizen wrote that "Barretto's band excels at tightly arranged, polyrhythmic music, but the jazz sensibility always prevails so that mood and immediacy win out over showing off what's been rehearsed." [14] City Pages determined that New World Spirit "strut through a series of salsa-driven numbers that neatly balances the sax and trumpet in the front line with a redoubtable rhythm section." [16]

Newsday called the album "a treasure of tasty moments... Even when the song selection gets hokey (another version of 'Poinciana'?), the level of his commitment remains high." [17] The Columbia Daily Tribune labeled it "a top-shelf release," writing that "this is a high-octane brass-and percussion ensemble that doesn't quit." [18] The Star Tribune praised the "tip-top, hard-jazz form." [19]

AllMusic wrote: "Songs are masterfully syncretized and utilizing Baretto's unique musical vocabulary, including call-and-response, cubop rhythms and 4/4 swing." [12]

Track listing

No.TitleLength
1."Moss Code" 
2."Caravan" 
3."Serenata" 
4."Dance of Denial" 
5."Poinciana" 
6."Point of Contact/Punto de Contacto" 
7."La Benedicion" 
8."Liberated Spirit" 
9."The Summer Knows" 
10."Sister Sadie" 

Related Research Articles

<span class="mw-page-title-main">Ray Barretto</span> Puerto Rican jazz musician (1929–2006)

Raymundo "Ray" Barretto Pagán was an American percussionist and bandleader of Puerto Rican descent. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi", was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga, Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as "Cocinando" and "Indestructible". His last album for Fania Records, Soy dichoso, was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and record until his death in 2006.

A descarga is an improvised jam session consisting of variations on Cuban music themes, primarily son montuno, but also guajira, bolero, guaracha and rumba. The genre is strongly influenced by jazz and it was developed in Havana during the 1950s. Important figures in the emergence of the genre were Cachao, Julio Gutiérrez, Bebo Valdés, Peruchín and Niño Rivera in Cuba, and Tito Puente, Machito and Mario Bauzá in New York. Originally, descargas were promoted by record companies such as Panart, Maype and Gema under the label Cuban jam sessions. From the 1960s, the descarga format was usually adapted by large salsa ensembles, most notably the Fania All-Stars.

<span class="mw-page-title-main">Grupo Niche</span> Colombian salsa band

Grupo Niche is a salsa group founded in 1978 in Bogotá, Colombia. In 1982, the group settled in the city of Cali, Colombia, enjoying great popularity throughout Latin America. It was founded by Jairo Varela and Alexis Lozano. Varela remained with the group throughout his life, serving as producer, director, songwriter, vocalist and guiro player. Alexis Lozano, trombone player and arranger later left to form Orquesta Guayacán. The group also included Nicolas Cristancho "Macabi" on the piano, Francisco Garcia "Porky" on the bass, Luis Pacheco, on the congas, and vocalists Jorge Bazán and Hector Viveros.

<span class="mw-page-title-main">Machito</span> Latin jazz musician

Machito was a Latin jazz musician who helped refine Afro-Cuban jazz and create both Cubop and salsa music. He was raised in Havana with the singer Graciela, his foster sister.

Larry Harlow was an American salsa music pianist, performer, composer, band leader and producer. He was born into a musical American family of Jewish descent.

<span class="mw-page-title-main">Alberto Naranjo</span> Venezuelan musician (1941–2020)

Alberto Naranjo [nah-rahn'-ho] was a Venezuelan musician. His mother, the singer Graciela Naranjo, was a radio, film and television pioneer in her homeland. Largely self-taught, Naranjo embarked on a similar musical course, becoming – like his mother – one of Venezuela's icons of contemporary popular music.

Oscar Hernández is an American pianist, arranger and producer of Puerto Rican descent.

<span class="mw-page-title-main">Johnny Pacheco</span> Dominican-American musician (1935–2021)

Juan Pablo Knipping Pacheco, known as Johnny Pacheco, was a Dominican musician, arranger, composer, bandleader, and record producer. Born in the Dominican Republic, Pacheco became a leading figure in the New York salsa scene in the 1960s and 1970s as the founder and musical director of Fania Records.

<span class="mw-page-title-main">Adalberto Santiago</span> Puerto Rican musician

Adalberto Santiago is an internationally known salsa singer.

Bobby Sanabria is an American drummer, percussionist, composer, arranger, documentary producer, educator, activist, radio show host, and writer of Puerto Rican descent who specializes in jazz and Latin jazz.

Steven Alan Gluzband is an American latin jazz trumpeter based in New York City.

Geoffrey Keezer is an American jazz pianist. In 2023, he won the Best Instrumental Composition Grammy for Refuge

<span class="mw-page-title-main">Andy González (musician)</span> Puerto Rican Latin jazz & Salsa musician

Andy González was a jazz double bassist of Puerto Rican descent recognized as was one of the innovators of Latin Jazz."González was a versatile player, as well as an arranger, composer, music historian and producer of other musicians’ records. He embraced African, Cuban and Puerto Rican styles, various strains of jazz and other influences, often merging them into something fresh." Raised in the Bronx, he played violin in grammar school and later picked up the bass after taking lessons with jazz bassist Steve Swallow from 5th to 8th grade, thereafter he attended the High School of Music & Art. "Swallow turned Gonzalez on to Pablo Casals and Scott Lafaro, wrote out the second movement of the Bach Cello Suite in D minor, and helped Gonzalez prepare for his audition at Music and Art." "Andy González came to the public's attention playing for future NEA Jazz Master Ray Barretto's band, while he was still a student at Music & Art High School. Although it was a salsa group in the Cuban conjunto trumpet tradition, Barretto treated the group like a jazz combo, featuring all the players as soloists." While at Music & Art High School, he "play[ed] with other classmates such as Mongo Santamaria's son, Monguito, Jose Mangual Jr., Rene Mcclean, Onaje Allen Gumbs, Stafford Osborne, Nelson Samafiego, a Puerto Rican alto saxophonist, DJ Cousin Brucie, Eric Bibb, Wilbur Bascomb(son of Ted Bascomb, bassist for Erskine Hawkins), Allison Dean, and Janis Ian, who was in his homeroom and dropped out sophomore year just after recording 'Society's Child.'

<span class="mw-page-title-main">Hector Martignon</span> Colombian pianist and composer

Hector Martignon is a Colombian pianist and composer of Italian descent living in New York City. Two of Martignon's albums have been nominated for a Grammy Award: Refugee (2007) and Second Chance (2010). Martignon is known for crossbreeding the improvisational language of Jazz with diverse musical idioms, such as Classical European, Latin American folklore and World Music. On its exhibit Latin Jazz, the Smithsonian Institution lists Martignon among the leading artists “exploring the regional sources of Latin Jazz”.

<i>Salsa Big Band</i> 2017 studio album by Rubén Blades and Roberto Delgado & Orquesta

Salsa Big Band is the fourth studio album by Rubén Blades and Roberto Delgado & Orquesta, released on 29 April 2017 by Rubén Blades Productions. After the release of Son de Panamá in 2015, also recorded with Delgado & Orquesta, Blades decided to record another album with them, on which included eleven songs. He had previously recorded nine on the songs, and two were covers of songs written by Luis Demetrio and Rene Touzet. Delgado was the producer for the álbum. Blades' principal inspiration for the album was his admiration for the work of Puerto Ricans performers such as Tito Puente, Tito Rodríguez and Willie Rosario, and the big band sounds of the 1950's.

Angel Rafael "Papo" Vázquez is an American trombonist, composer, arranger, and bandleader of Puerto Rican descent who performs and records jazz, Latin and Afro-Caribbean music. He is known as one of the pioneers of the bomba jazz style and is a Grammy Award nominee.

<i>Rumba Baby Rumba!</i> 1998 studio album by Bio Ritmo

Rumba Baby Rumba! is an album by the American band Bio Ritmo, released in 1998. The band supported the album by touring with Squirrel Nut Zippers.

<i>Bele Bele en la Habana</i> 1998 studio album by Chucho Valdés

Bele Bele en la Habana is an album by the Cuban pianist Chucho Valdés, released in 1998. Valdés supported the album with a North American tour.

<i>SALSWING!</i> 2021 studio album by Rubén Blades and Roberto Delgado & Orquesta

SALSWING! is the sixth studio album by the Panamian singer Rubén Blades and Roberto Delgado & Orquesta, released on April 16, 2021, through Rubén Blades Productions. It was produced by Roberto Delgado and features songs by Blades like "Paula C" as well as salsa songs and jazz standards such as "Pennies from Heaven" and "The Way You Look Tonight".

Juan “Juancito” Torres Velez, also known as "La Trompeta Nacional De Puerto Rico", was a Puerto Rican salsa and jazz trumpet player, composer, arranger, producer and musical director best known for his association with the Fania All-Stars from 1979 to 1985. He was known as a great soloist, specializing in upper register.

References

  1. Tesser, Neil (June 18, 1998). "Ray Barretto & New World Spirit". Chicago Reader.
  2. Anglesey, Zoe (Sep 1998). "Contact!". DownBeat. Vol. 65, no. 9. pp. 48–49.
  3. Point, Michael (11 June 1998). "Improvisation is the key to new name and location for Jazz festival". Austin American-Statesman. p. 12.
  4. Holston, Mark (Jul 1998). "Laying it down—right". Jazziz. Vol. 15, no. 7. p. 34.
  5. Shuster, Fred (5 June 1998). "Taste of 'Tequila'". Los Angeles Daily News. p. L5.
  6. "Ray Barretto". Recording Academy. Retrieved 27 March 2022.
  7. Bauder, David (19 Feb 1999). "Los premios Grammy se entregan el proximo miercoles". El Diario La Prensa. p. 34.
  8. Jones, Ryan; McGuinness, Jim (20 Feb 1998). "Latin Jazz Gets a Month in the Spotlight". Lifestyle/Previews. The Record. p. 28.
  9. "Some Latin in the Jazz". The Times-Picayune. June 12, 1998. p. L6.
  10. Verna, Paul (Feb 28, 1998). "Contact!". Billboard. Vol. 110, no. 9. p. 70.
  11. 1 2 Shuster, Fred (30 Jan 1998). "Sound Check". Los Angeles Daily News. p. L25.
  12. 1 2 "Contact!". AllMusic.
  13. Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 1. MUZE. p. 441.
  14. 1 2 Hum, Peter (21 Mar 1998). "Satisfying Hour of Fiery Jazz". Ottawa Citizen. p. E17.
  15. Carter, Kevin L. (13 Feb 1998). "With Big Band, Ray Barretto Returns to Salsa Roots". Features Weekend. The Philadelphia Inquirer. p. 20.
  16. Dolan, Jon (June 10, 1998). "Band Stand—35 concerts to soundtrack your summer". Cover Story. City Pages.
  17. Torres, Richard (15 Mar 1998). "Blowing the Roof Off with Conga". Newsday. p. D29.
  18. Poses, Jon W. (April 5, 1998). "New jazz releases shine". Columbia Daily Tribune.
  19. Surowicz, Tom (June 14, 1998). "Music: Ray Barretto". Star Tribune. p. 15F.