Michael Philip Mossman

Last updated
Michael Philip Mossman
Born (1959-10-12) October 12, 1959 (age 65)
Philadelphia, Pennsylvania, U.S.
GenresJazz
OccupationMusician
InstrumentTrumpet
Years active1980s–present

Michael Philip Mossman (born October 12, 1959) is an American jazz trumpeter.

Contents

Career

Mossman's early career included a tour of Europe with Anthony Braxton in 1978 and tours with Roscoe Mitchell in the early 1980s. He also did session work in the 1980s, for Styx among others. He played with Lionel Hampton, Art Blakey's Jazz Messengers, and Machito before joining the Blue Note Records ensemble Out of the Blue in 1985. Following this he worked with Toshiko Akiyoshi, Horace Silver (1989–1991), Gerry Mulligan (1992), Dizzy Gillespie, Slide Hampton, Michel Camilo, Bobby Sanabria, Mario Bauza, Eddie Palmieri, and the Philip Morris Superband. [1]

In 2019, Mossman wrote the arrangements for pianist Michel Camilo on the album Essence which also features Michael as trumpet soloist. Mossman received a Grammy nomination in 2013 for Best Instrumental Arrangement for his "Afro-Cuban Jazz Suite for Ellington" recorded on Bobby Sanabria's double Grammy nominated album Multiverse . His work with Academy Award-winning director Fernando Trueba includes scoring music for the Academy Award nominated (2012) film Chico and Rita .

Mossman has been a guest performer, arranger, and conductor with radio orchestras in Germany. He has conducted the Bilbao Orkesta Sinfonica in Spain in a program of his own works. He arranged and conducted "Mambo Nights" with Arturo Sandoval and "Missa Afro-Cubana" with the WDR Bigband of Cologne and Spirits Dancing with David Sanborn with the HR Bigband of Frankfurt (2009). "Latin Jazz Latino" with Joe Gallardo was recorded by the NDR Bigband of Hamburg and released by Skip Records (2006). His ballet Beneath the Mask was performed at Harris Theater in Chicago by Jon Faddis and the Chicago Jazz Ensemble and the Deeply Rooted Dance Company in 2006. His arrangement of Faddis' "Teranga" was performed by the Philadelphia Orchestra at Kimmel Center in 2006. His trumpet playing was featured on the Grammy nominated release Afro-Cuban Dream: Live & In Clave (2000) as well as his original composition and arrangement, "57th St. Mambo," on the Grammy nominated release, Big Band Urban Folktales (2007), both with the Bobby Sanabria Big Band. His arrangement of Paquito D'Rivera's "I Remember Diz" was performed by the Louisiana Philharmonic in 2010. He has arranged for the Tri-City Symphony of Davenport, Iowa (2011). His "Latin Tinge" was performed at Kennedy Center in Washington, D.C., with Paquito D'Rivera and the Quartet Indigo string quartet in 2010.

Mossman is Director of Jazz Studies at the Aaron Copland School of Music at Queens College/CUNY and is also on the faculty of the Juilliard School in New York City.

Discography

As leader

With Out of the Blue

As sideman

With Franco Ambrosetti

With Ray Barretto

With Michel Camilo

With George Gruntz

With Jimmy Heath

With Bob Mintzer

With Roscoe Mitchell

With Arturo O'Farrill

With Tito Puente

With Bobby Sanabria

With Daniel Schnyder

With others

Film credits

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Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova.

Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban music has deep roots in African ritual and rhythm. The genre emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro-Cubans in New York City. In 1947, the collaborations of bebop trumpeter Dizzy Gillespie and percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, such as the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as "Manteca" and "Mangó Mangüé", were commonly referred to as "Cubop" for Cuban bebop.

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References

  1. Yanow, Scott. "Michael Philip Mossman". AllMusic. Retrieved 26 June 2019.