Roscoe Mitchell and the Sound and Space Ensembles | ||||
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Studio album by | ||||
Released | 1983 | |||
Recorded | June 2 & 3, 1983 | |||
Genre | Jazz | |||
Length | 42:25 | |||
Label | Black Saint | |||
Producer | Giovanni Bonandrini | |||
Roscoe Mitchell chronology | ||||
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Roscoe Mitchell and the Sound and Space Ensembles is an album by jazz saxophonist Roscoe Mitchell recorded in 1983 for the Italian Black Saint label. [1]
The Allmusic review by Brian Olewnick awarded the album 31⁄2 stars stating "For serious Mitchell fans, this is worth having for the highlights; newcomers might find an easier "in" with the slightly earlier and utterly wonderful Snurdy McGurdy and Her Dancin' Shoes on Nessa". [2]
Review scores | |
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Source | Rating |
Allmusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
The Jazz Composer's Orchestra is a 1968 album by the Jazz Composer's Orchestra recorded over a period of six months with Michael Mantler as composer, leader and producer. Many of the key figures in avant-garde jazz from the time contributed on the album including Don Cherry, Pharoah Sanders, Gato Barbieri, Larry Coryell, Roswell Rudd, and Carla Bley. The album's finale features a two-part concerto for Cecil Taylor and orchestra.
Live at the 6th Tokyo Music Joy is a live album by the Art Ensemble of Chicago and Lester Bowie's Brass Fantasy recorded in February 1990 for the Japanese DIW label. It is the only recording to showcase both of the groups that Lester Bowie established and features performances by the Art Ensemble, the Brass Fantasy and both bands.
Old/Quartet is an album recorded in 1967 by Roscoe Mitchell's Art Ensemble which later became known as the Art Ensemble of Chicago. It was released on the Nessa label in 1975 and features performances by Mitchell, Lester Bowie, Malachi Favors Maghostut and Phillip Wilson.
Art Ensemble of Soweto is a 1990 album by the Art Ensemble of Chicago and the Amabutho Male Chorus released on the Japanese DIW label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut, and Don Moye with vocals by Elliot Ngubane, Kay Ngwazene, Welcome "Max" Bhe Bhe, Zacheuus Nyoni and Joe Leguabe.
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Sirius Calling is an album by the Art Ensemble of Chicago recorded in April, 2003 in Madison, Wisconsin and released in 2004 on the Pi Recordings label. It features performances by Joseph Jarman, Roscoe Mitchell and Don Moye with Malachi Favors Maghostut on what would be the final album before his death. It was recorded on April 24–26, 2003 in Madison, WI.
Yasmina, a Black Woman is a jazz album by Archie Shepp, recorded in 1969 in Paris for BYG Actuel. It features musicians from the Art Ensemble of Chicago. The first track, giving its title to the album, is a long free jazz piece by an 11-piece orchestra; in it, the references to Africa that Shepp had experimented with only a few weeks earlier in Algiers are to be found in the use of African percussion instruments, or the African incantations sung by Shepp himself at the beginning of the track. The other two pieces, a homage to Sonny Rollins written by trombonist Grachan Moncur III and a standard, played by a more traditional quintet and quartet respectively, are more reminiscent of the hard bop genre, although the fiery playing of the musicians, notably Shepp himself, gives them a definite avant-garde edge. It was originally issued on CD by Affinity, mastered from an incredibly noisy vinyl source and later reissued by Charly from the original master tapes.
View from Within is an album by Muhal Richard Abrams released on the Italian Black Saint label in 1985 and featuring performances of six of Abrams' compositions by an octet.
Certain Blacks is an album by the Art Ensemble of Chicago recorded in Paris on February 10, 1970, and released on the America label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut, Chicago Beau, Julio Finn and William A. Howell.
Kabalaba is a live album by the Art Ensemble of Chicago recorded at the Montreux Jazz Festival in 1974 and released on their AECO label in 1978. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut, and Don Moye along with Muhal Richard Abrams.
The Essence of George Russell is an album by American jazz composer and pianist George Russell originally released on the Swedish Sonet label in 1971, and subsequently reissued on the Italian Black Saint label in 1983. The album featuring performances by Russell with a large ensemble, mostly Nordic musicians, including Stanton Davis, Jan Garbarek, Terje Rypdal, Arild Andersen, Jon Christensen and orchestra.
The Very Big Carla Bley Band is an album by American composer, bandleader and keyboardist Carla Bley released on the Watt/ECM label in 1991.
Flat-Out Jump Suite is an album by jazz saxophonist Julius Hemphill recorded in 1980 for the Italian Black Saint label.
3 x 4 Eye is an album by jazz saxophonist Roscoe Mitchell and the Sound Ensemble recorded in 1981 for the Italian Black Saint label.
The Flow of Things is a live album by jazz saxophonist Roscoe Mitchell recorded in 1986 for the Italian Black Saint label.
Live at the Knitting Factory is a live album by jazz saxophonist Roscoe Mitchell and the Sound Ensemble recorded in 1987 at the Knitting Factory for the Italian Black Saint label.
Ode to the Death of Jazz is an album by Finnish avant-garde jazz composer, bandleader and drummer Edward Vesala recorded in 1989 and released on the ECM label in 1990.
Nine to Get Ready is an album by the jazz saxophonist and composer Roscoe Mitchell, recorded in 1997 and released on the ECM label.
The Gil Evans Orchestra Plays the Music of Jimi Hendrix is an album of Jimi Hendrix's compositions by jazz composer, conductor and pianist Gil Evans. The music was arranged by Evans and members of his orchestra. The album was recorded in 1974 and performed by Evans with an orchestra featuring David Sanborn, Howard Johnson, Billy Harper, and John Abercrombie. The album was re-released with additional tracks on CD in 1988.
For Trio is an album by American jazz saxophonist and composer Anthony Braxton recorded in 1977 and released on the Arista label. The album features two recordings of the same composition by Braxton in two separate trios and was subsequently included on The Complete Arista Recordings of Anthony Braxton released by Mosaic Records in 2008.