3 x 4 Eye | ||||
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Studio album by | ||||
Released | 1981 | |||
Recorded | February 18 & 19, 1981 | |||
Genre | Jazz | |||
Length | 41:06 | |||
Label | Black Saint | |||
Producer | Giovanni Bonandrini | |||
Roscoe Mitchell chronology | ||||
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3 x 4 Eye is an album by jazz saxophonist Roscoe Mitchell and the Sound Ensemble, recorded in 1981 for the Italian Black Saint label. [1]
The AllMusic review by Ron Wynn stated: "This isn't among his most intense or combative dates, but Mitchell and the Sound Ensemble are still well worth hearing". [2]
Review scores | |
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Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
The Rolling Stone Jazz Record Guide | [4] |
Roscoe Mitchell is an American composer, jazz instrumentalist, and educator, known for being "a technically superb – if idiosyncratic – saxophonist". The Penguin Guide to Jazz described him as "one of the key figures" in avant-garde jazz; All About Jazz stated in 2004 that he had been "at the forefront of modern music" for more than 35 years. Critic Jon Pareles in The New York Times has mentioned that Mitchell "qualifies as an iconoclast". In addition to his own work as a bandleader, Mitchell is known for cofounding the Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians (AACM).
Blues Forever is an album by Muhal Richard Abrams, released by the Italian label Black Saint in 1982 and featuring performances of seven of Abrams compositions by an eleven-member big band.
Sound is the debut album by free jazz saxophonist Roscoe Mitchell, recorded in 1966 and released on the Delmark label. It features performances by Mitchell, Lester Bowie, Malachi Favors, Maurice McIntyre, Lester Lashley and Alvin Fielder. The CD reissue includes two takes of "Sound", which were edited together to form the original LP version, and an alternative take of "Ornette".
Numbers 1 & 2 is a 1967 album by Lester Bowie featuring a line-up which later became the Art Ensemble of Chicago. It was released on the Nessa label and features performances by Bowie, Roscoe Mitchell, Malachi Favors, and Joseph Jarman.
Bap-Tizum is a 1972 live album by the Art Ensemble of Chicago recorded at the Ann Arbor Blues and Jazz Festival held at the Otis Spann Memorial Field and first released on the Atlantic label in 1973. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut and Don Moye.
Chi-Congo is an album recorded in Paris in 1970 by the Art Ensemble of Chicago which was first released in 1972 on the French Decca label, later reissued in the US on the Paula label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut, and Don Moye.
Art Ensemble of Chicago with Fontella Bass is a 1970 album by the Art Ensemble of Chicago recorded in Paris and released on the America label in 1971 then reissued in the US on Prestige Records the following year. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut, Fontella Bass, and Don Moye.
Nice Guys is a 1979 album by the Art Ensemble of Chicago, their first to appear on the ECM label.
Full Force is a 1980 album by the Art Ensemble of Chicago, their second to appear on the ECM label.
Urban Bushmen is a live album by the Art Ensemble of Chicago recorded in Munich in 1980 and released on the ECM label.
Thelonious Sphere Monk: Dreaming of the Masters Series Vol. 2 is an album by the Art Ensemble of Chicago and Cecil Taylor released on the Japanese DIW label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut and Don Moye with Cecil Taylor guesting on piano, vocals and percussion.
Spihumonesty is an album by Muhal Richard Abrams which was released on the Italian Black Saint label in 1979 and features performances by Abrams, George Lewis, Roscoe Mitchell, Amina Claudine Myers, Youseff Yancy and Leonard Jones with vocals by Jay Clayton.
Certain Blacks is an album by the Art Ensemble of Chicago recorded in Paris on February 10, 1970, and released on the America label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut, Chicago Beau, Julio Finn and William A. Howell.
Live at Mandel Hall is a live album by the Art Ensemble of Chicago recorded at the University of Chicago's Mandel Hall on their return to Chicago from Europe in January 1972 and released on the Delmark label. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors and Don Moye.
Electronic Sonata for Souls Loved by Nature is a composed work, originally in fourteen movements—or events as they are denoted by the composer—written by jazz arranger George Russell. The composition is "... meant to suggest that man, in the face of encroaching technology, must confront technology and attempt to humanize it, using it to enrich his collective soul…not only his purse… to explore inner, as well as outer space". It was originally written in 1968, using new compositional techniques associated at the time with contemporary music.
Old and New Dreams is the debut album by the jazz quartet Old and New Dreams. The record features trumpeter Don Cherry, saxophonist Dewey Redman, bassist Charlie Haden and drummer Ed Blackwell and was recorded in 1976 for the Italian Black Saint label. It is not to be confused with their 1979 album of the same name for ECM.
Roscoe Mitchell and the Sound and Space Ensembles is an album by jazz saxophonist Roscoe Mitchell recorded in 1983 for the Italian Black Saint label.
Live at the Knitting Factory is a live album by jazz saxophonist Roscoe Mitchell and the Sound Ensemble recorded in 1987 at the Knitting Factory for the Italian Black Saint label.
Othello Ballet Suite/Electronic Organ Sonata No. 1 is an album by composer George Russell which was recorded in Europe and released by the Swedish Sonet Records and by the Flying Dutchman label in the US in 1970. The album was reissued in 1981 on the Italian Soul Note label
L-R-G / The Maze / S II Examples is an album by American jazz saxophonist Roscoe Mitchell recorded in 1978 and released originally as a double LP on Nessa Records. It was reissued in 1989 as a single CD.