Copacetic | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 1993 | |||
Recorded | Memphis, 1993 | |||
Genre | Indie rock, shoegaze | |||
Label | Sub Pop | |||
Producer | Bob Weston | |||
Velocity Girl chronology | ||||
|
Copacetic is an album by Velocity Girl, released in 1993. [1] [2] It is their first full-length album and features the singles "Crazy Town" and "Audrey's Eyes," both of which were given music videos. The album's title derives from an American slang word meaning "everything's ok". [3]
The album was produced by Bob Weston and was recorded over five days for less than $5,000. [4] [5] Its sound is heavily influenced by shoegaze, a subgenre of indie rock. Kelly Riles described the recording of the album: "We mixed the album in a very different way than people would have expected us to—it's very rough sounding. It's a deliberate move away from the lighter production on the singles". [3]
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Chicago Tribune | ![]() ![]() ![]() ![]() |
Robert Christgau | ![]() |
Entertainment Weekly | C+ [9] |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
Spin | (mixed) [11] |
The Virgin Encyclopedia of Nineties Music | ![]() ![]() ![]() ![]() ![]() |
A review in Lime Lizard at the time of its release drew comparisons with My Bloody Valentine, stating that "this could be the rejected demos for Isn't Anything ". [13] The Washington Post noted that "the noisy dream-pop works some of the time (the opening 'Pretty Sister', for example), although when it gets too dreamy (the over-long 'Here Comes', the instrumental 'Candy Apples') it can just seem vague." [14] Trouser Press wrote: "Despite being taken as shoegazers, Velocity Girl makes its songs here jump up and down rather than simply stare at the floor." [15]
The album was listed among "75 Lost Classics" in the Spring 2007 issue of Magnet . [16]
Trompe le Monde is the fourth studio album by the American alternative rock band Pixies, released on September 23, 1991 on 4AD in the United Kingdom and on September 24, 1991, on Elektra Records in the United States. Recorded in Burbank, California, Paris and London, the album was produced by Gil Norton, and was Pixies' final studio album before their break-up two years later. There would be no Pixies' albums of new material for 23 years after Trompe le Monde.
Secaucus is the second album by the American rock band The Wrens, released in 1996. Secaucus is named for the city in which it was recorded, Secaucus, New Jersey. The Wrens were signed to major label Grass Records for the album; Grass dropped the band after they refused to be forced into a new contract. The Wrens' follow-up to Secaucus, The Meadowlands, was released seven years later, in 2003.
Velocity Girl was an American indie rock band formed in 1989 in College Park, Maryland, and active in the Washington, D.C., area. The band released three albums before splitting up in 1996. The band reunited for one-off concerts in 2002 and 2023.
Cheap Trick is the debut studio album by the American rock band Cheap Trick, released in 1977. It was released under Epic Records and produced by Jack Douglas, a frequent collaborator of the band. The album did not reach the Billboard 200 chart but did "bubble under" at number 207 for one week in April 1977.
Distant Plastic Trees is the debut studio album by American indie pop band The Magnetic Fields, released in 1991. Lead vocals on the album are performed by Susan Anway.
¡Simpatico! is the second album by Velocity Girl. It was released in June 1994.
Big Lizard in My Backyard is the debut album by the Dead Milkmen, released by Restless Records in 1985.
Eat Your Paisley! is the second studio album by The Dead Milkmen, released on Restless Records in 1986.
The Looks or the Lifestyle? is the fourth studio album by English alternative rock band Pop Will Eat Itself, released on 7 September 1992 by RCA Records.
Only Life is the third album by the American rock band the Feelies, released in 1988. It was made with the same line-up that appeared on the band's previous album, The Good Earth. The album contains a cover of the Velvet Underground's "What Goes On".
Frestonia is the sixth and final studio album by the Scottish band Aztec Camera, released in 1995. Roddy Frame's subsequent releases would be under his own name. The title of the album refers to the community of Frestonia, in the Notting Hill district of London.
75% Less Fat is the second album by Chris Mars. The title refers to the rejection of his former bandmates in The Replacements.
Private Waters in the Great Divide is the seventh studio album by the American musical group Kid Creole and the Coconuts, released in 1990. It includes the singles "The Sex of It" and "I Love Girls".
Shades in Bed is the debut album by the British power pop band the Records, released in 1979 by Virgin Records. The album features their best-known song "Starry Eyes."
Friday Night Is Killing Me is the first album by the American rock band Bash & Pop, released in 1993. It was Tommy Stinson's first project after the dissolution of the Replacements. The band supported the album with a North American tour that included dates opening for the Black Crowes.
Electric Juices is the second album by the American band Fuzzy, released in 1996.
Million Seller is an album by the Welsh band the Pooh Sticks, released in 1993. The album was a commercial disappointment, and the band was dropped by Zoo Entertainment after its release.
Lido is the debut album by the English band th' Faith Healers, released in 1992. The band promoted the album in the United States by touring with the Dentists.
The Mekons Honky Tonkin' is an album by the British band the Mekons, released in 1987. It was their first album to be released in the United States and the band's third country music-influenced album. The band supported the album with a North American tour.
Center of the Universe is an album by the American band Giant Sand, released in 1992. It was the first Giant Sand album to receive wide distribution and a traditional promotional campaign. It was also the band's first album for Restless Records, which had rereleased a couple of older Giant Sand albums. The band supported Center of the Universe with a North American tour.