Bob Weston | |
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Background information | |
Born | 1965 (age 58–59) Waltham, Massachusetts, U.S. |
Genres | |
Occupation(s) | Musician, producer, recording engineer, record mastering engineer |
Instruments | Bass guitar, vocals, trumpet |
Years active | 1987–present |
Bob Weston (born 1965) is an American musician, producer, recording engineer, and record mastering engineer. Critic Jason Ankeny [1] declares that "Weston's name and fingerprints are all over the American underground rock of the post-punk era, producing and engineering dates for a seemingly endless number of bands." As a performer, Weston is best known as the bass guitarist in the groups Volcano Suns and Shellac.
Weston was born and raised in Waltham, Massachusetts. During the summers of 1985 and 1987, he marched as a bugler with the renowned Garfield Cadets Drum and Bugle Corps from Garfield, New Jersey. [2] The corps won the Drum Corps International World Championships in both those years. Weston still plays trumpet, as on the albums The Sea and the Bells by Rachel's (1996) and Things We Lost in the Fire by Low (2001). [3]
In 1988, he earned a B.S. in electrical engineering from the University of Lowell in Lowell, Massachusetts. [1] While working at the university's campus radio station, WJUL, he began mixing live performances of Boston-area bands such as Pixies and the Blake Babies. [1]
In 1987 Weston joined the Volcano Suns, playing bass guitar. The group was led by Peter Prescott, (previously the drummer for Mission of Burma, who had broken up in 1983). [1]
Weston joined Steve Albini and Todd Trainer in Shellac in 1991. Under Albini, Weston honed his studio production skills and has gone on to record and mix material for bands including Sebadoh, June of 44, Polvo, the Coctails, Archers of Loaf, Chavez, Rachel's, Ken Vandermark, 33.3, Six Finger Satellite, and Rodan. [3] Weston was also Albini's assistant engineer on Nirvana's In Utero album. According to a 2006 interview, [4] being a musician has helped shape Weston's work recording, mixing and mastering: "It’s obvious to me that the best recording engineers have played in bands. You understand the dynamic better and can almost become an unofficial band member during the session. And it’s pretty easy to tell on what sort of session your musical opinion is wanted or not." However, Weston's recording and mixing work is not limited to music: he occasionally freelances for National Public Radio, often working on comedy quiz show Wait, Wait, Don't Tell Me , which is headquartered in Chicago. [5] [6]
In 2002, Weston joined the reunited Mission of Burma, taking the place of Martin Swope as tape manipulator and live engineer for the band. [5] He appears on and recorded the albums ONoffON , The Obliterati , The Sound The Speed The Light , and Unsound .
In early 2007, Weston opened Chicago Mastering Service with Jason Ward on Chicago's west side. [2]
Shellac was an American noise rock band from Chicago, Illinois, formed in 1992 by Steve Albini, Bob Weston and Todd Trainer. Their lineup remained consistent until Albini's death in May 2024.
At Action Park is the debut studio album by American rock band Shellac, released in 1994.
1000 Hurts is the third studio album by American rock band Shellac, released on August 8, 2000. In its official promotional materials Shellac jokingly described this album as follows: "There are no 12-minute songs on this one. This record is more mean-spirited. Todd sings."
Mission of Burma was an American post-punk band from Boston, Massachusetts. The group formed in 1979 with Roger Miller on guitar, Clint Conley on bass, Peter Prescott on drums, and Martin Swope contributing audiotape manipulation and acting as the band’s sound engineer. In this initial lineup, Miller, Conley, and Prescott all shared singing and songwriting duties.
Big Black was an American punk rock band from Evanston, Illinois, active from 1981 to 1987. Founded first as a solo project by singer and guitarist Steve Albini, the band became a trio with an initial lineup that included guitarist Santiago Durango and bassist Jeff Pezzati, both of Naked Raygun. In 1985, Pezzati was replaced by Dave Riley, who played on Big Black's two full-length studio albums, Atomizer (1986) and Songs About Fucking (1987).
The Rude Gesture: A Pictorial History is the first release by American noise rock band Shellac, a three-song 7" on Touch and Go Records. It was released in 1993 on vinyl format only. The brown smear on the cover was originally rumored to be real shellac, but is actually root beer concentrate.
Steven Frank Albini was an American musician and audio engineer. He founded and fronted the influential post-hardcore and noise rock bands Big Black (1981–1987), Rapeman (1987–1989) and Shellac (1992–2024), and engineered acclaimed albums like the Pixies' Surfer Rosa (1988), PJ Harvey's Rid of Me and Nirvana's In Utero.
Clinton J. Conley is an American post-punk musician and journalist from Boston, Massachusetts, best known as a co-founder, bassist, and vocalist of Mission of Burma.
Volcano Suns was an American alternative rock band from Boston, Massachusetts formed by Mission of Burma drummer Peter Prescott in 1984.
Uranus is the second release by American noise rock band Shellac, a two-song 7" on Touch and Go Records. It was released in 1993 on vinyl format only. It is believed that it was recorded at the same time as their first release, The Rude Gesture: A Pictorial History. As their first release had printed liner notes listing the microphones used during the recording, this release listed details about the recording tape, tape machines, and mastering equipment used.
The Bird Is the Most Popular Finger is the third release by American noise rock band Shellac, a two-song 7" on Drag City. The title is a parodic reference to the album The Pigeon Is the Most Popular Bird by Six Finger Satellite, and was originally the title of an article on Shellac that appeared in the magazine Alternative Press after the release of the band's earlier releases. It was Shellac's first non-Touch and Go release.
The Lynns are an American country music duo, consisting of twin sisters Peggy Lynn and Patsy Lynn, who are the youngest daughters of Oliver Lynn and singer Loretta Lynn.
Oxbow was an American experimental rock band from San Francisco, California. Founded in 1988, the band released eight studio albums, disbanding in 2024.
Martin Swope is an American musician and composer.
Alison Chesley, known also by her stage name Helen Money, is a Chicago-based cellist and composer.
Kustomized was an American indie rock band formed by former Mission of Burma and Volcano Suns member Peter Prescott.
Dude Incredible is the fifth studio album by the American rock band Shellac, released on September 16, 2014 on Touch and Go Records. This is the final studio album released during Steve Albini's lifetime.
The Little Boy Blues were an American garage rock band from Chicago, Illinois active in the mid to late 1960s, who are considered early pioneers in protopunk. They are best known for songs such as "The Great Train Robbery" and their version of Van Morrison's "I Can Only Give You Everything," both of which are considered garage classics. Throughout their tenure, they underwent several personnel changes and in the late 1960s began to evolve their sound into a more sophisticated direction, before disbanding in 1969
The End of Radio is a 2019 album by Shellac. The album contains two previously unreleased recordings made for the BBC Radio One's John Peel Show in 1994 and 2004. Steve Albini has spoken about his admiration for John Peel, stating that "he listened religiously to every single record he received in the mail, devoting hours of every day to the task".
To All Trains is the sixth and final studio album by American rock band Shellac, released by Touch and Go Records on May 17, 2024. It is the first original studio effort by the band in a decade and is the final recording made before band member Steve Albini's death days prior to the album's release. The recording was made around the band's touring over the course of several years and was not promoted with advance copies, specific tour dates, or singles. The release coincided with Shellac's music being available on several streaming services for the first time in years.