The Horrible Truth About Burma | ||||
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Live album by | ||||
Released | 1985 | |||
Recorded | Boston, Chicago, New York, Detroit during 1983 final tour | |||
Genre | Post-punk | |||
Length | 39:15 (original/remaster), 54:16 (with bonus tracks), 52:30 (Ryko CD) | |||
Label | Original release, Ace of Hearts; 2008 reissue, Matador Records OLE-732 | |||
Producer | Mission of Burma | |||
Mission of Burma chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Austin Chronicle | [2] |
Robert Christgau | B [3] |
Entertainment Weekly | A− [4] |
Tom Hull | B− [5] |
Pitchfork | 8.0/10 [6] |
PopMatters | [7] |
The Horrible Truth About Burma is a collection of live recordings by Boston-based post-punk band Mission of Burma, [8] recorded during their 1983 farewell tour. The band had decided to retire because leader Roger Miller's chronic tinnitus had reached a dangerous level. [9]
Originally released in 1985 by Boston indie label Ace of Hearts, the album was first reissued in 1997 by Ryko, then in "Standard" and "Definitive" editions by Matador in 2008. The Definitive version of the CD and the vinyl release also include a DVD of the full evening set at the Bradford, as well as the VHS version of the show for posterity.
This live album is notable for capturing Mission of Burma's signature noisy live sound, in contrast to their more polished studio recordings; the album title is an inside joke about their chaotic concerts. [10]
Spin said, "Mission of Burma was loud. The kind of loud that gives you a toothache. The Horrible Truth About Burma recalls the feeling of standing next to the stage during the first chord. It documents the unexpected end of a band whose only constant was change." [11] Pitchfork wrote, "This album has been faulted for its sonic clutter, but its raw energy is fascinating." [6]
All songs written by Roger Miller except as indicated:
The vinyl came with an extra 12" with two songs per side. The CD release just adds these to the end of the album.
The 1997 Ryko CD release substituted "Weatherbox" for "Red". Otherwise it has the same tracks but in a different order. It also eliminates all of the crowd chatter and silence at the end of some tracks.
Mission of Burma was an American post-punk band from Boston, Massachusetts. The group formed in 1979 with Roger Miller on guitar, Clint Conley on bass, Peter Prescott on drums, and Martin Swope contributing audiotape manipulation and acting as the band’s sound engineer. In this initial lineup, Miller, Conley, and Prescott all shared singing and songwriting duties.
Vs. is the debut studio album by American post-punk band Mission of Burma, following their 1981 EP, Signals, Calls, and Marches. It was released in October 1982 by record label Ace of Hearts. It is the only full-length studio album the band released during the 1980s – and until 2004, as soon afterward they disbanded due to guitarist Roger Miller's worsening tinnitus.
Zen Arcade is the second studio album by American punk rock band Hüsker Dü, released in July 1984 on SST Records. Originally released as a double album on two vinyl LPs, Zen Arcade tells the story of a young boy who runs away from an unfulfilling home life, only to find the world outside is even worse. Zen Arcade and subsequent Hüsker Dü albums were instrumental in the creation of the alternative rock genre, and it is considered by some to be one of the greatest rock albums of all time.
Sebadoh is an American indie rock band formed in 1986 in Northampton, Massachusetts, by Eric Gaffney and Lou Barlow, with multi-instrumentalist Jason Loewenstein completing the line-up in 1989. Barlow co-created Sebadoh as an outlet for his songwriting when J. Mascis gradually took over creative control of Dinosaur Jr., in which Barlow plays bass guitar.
David Michael Riley was an American musician who was the bassist in the punk rock band Big Black from 1985 until the band's dissolution in 1987. Riley moved to Chicago in 1982 from Detroit, where he had worked as a recording engineer. He played on Big Black's two studio albums, Atomizer (1986) and Songs About Fucking (1987), as well as their Headache EP (1987), several singles, and two live albums. After Big Black, Riley recorded tracks with several other artists before being incapacitated by a stroke in 1993, losing the ability to walk. He became a blogger, and published a book in 2006 titled Blurry and Disconnected: Tales of Sink-or-Swim Nihilism. He died in late 2019 from squamous cell carcinoma.
Michael Azerrad is an American author, music journalist, editor, and musician. A graduate of Columbia University, he has written for publications such as Spin, Rolling Stone, and The New York Times. Azerrad's 1993 biography Come as You Are: The Story of Nirvana was named by Q as one of the 50 greatest rock books ever written. His 2001 book Our Band Could Be Your Life, a collection of profiles on prominent indie rock bands, received similar critical acclaim.
Roger Clark Miller is an American singer, songwriter and multi-instrumentalist best known for co-founding Mission of Burma and performing in Alloy Orchestra/The Anvil Orchestra.
Clinton J. Conley is an American post-punk musician and journalist from Boston, Massachusetts, best known as a co-founder, bassist, and vocalist of Mission of Burma.
Signals, Calls, and Marches is an EP and the debut release by American post-punk band Mission of Burma. It was released in 1981 by record label Ace of Hearts.
Live at the Bradford is the official video of the two farewell shows of post-punk group Mission of Burma held at the Bradford Hotel in 1983.
A Gun to the Head: A Selection from the Ace of Hearts Era is a compilation album by Mission of Burma, released in 2004.
ONoffON is the second studio album by American post-punk band Mission of Burma. It was released on May 4, 2004 by Matador Records, marking the band's first studio recording after a nineteen-year hiatus.
Sproton Layer was an American rock and roll group formed in Ann Arbor, Michigan in the late 1960s. Their music was mostly hard rock with psychedelic touches.
Ace of Hearts Records is a Boston-based independent label founded in 1978 by Rick Harte, who also produced all its releases. It recorded and released Boston area post-punk and garage rock bands in the early 1980s, including Mission of Burma, Birdsongs of the Mesozoic, Roger Miller, Neats, Lyres, The Real Kids, John Felice, Nervous Eaters, Del Fuegos, The Neighborhoods, Martin Paul, Wild Stares, Infliktors, Classic Ruins, Crab Daddy, Chaotic Past, Tomato Monkey, and Heat from a DeadStar.
This is the discography for Mission of Burma, a post-punk band from Boston.
Martin Swope is an American musician and composer.
Bad Moon Rising is the second studio album by American rock band Sonic Youth, released on March 29, 1985, by Blast First and Homestead Records. The album is loosely themed around the dark side of America, including references to obsession, insanity, Charles Manson, heavy metal, Satanism, and early European settlers' encounters with Native Americans.
Snapshot is a live album by the American band Mission of Burma. It was recorded in front of a small audience at Boston's Q Division Studios for broadcast on WFNX. It was initially released exclusively through the iTunes Store, but has since been made available through other online channels, most notably in lossless FLAC format through Matador Records' online store.
The Sound the Speed the Light is the fourth studio album by American post-punk band Mission of Burma, released in October 2009 by record label Matador. The album is the third post-reunion album.
"Academy Fight Song" is a song written by Clint Conley and originally recorded by Mission of Burma. It is also known for having been performed and recorded by R.E.M.