Lillian Feldman Schwartz was an American artist considered a pioneer of computer-mediated art and one of the first artists notable for basing almost her entire oeuvre on computational media. Many of her ground-breaking projects were done in the 1960s and 1970s, well before the desktop computer revolution made computer hardware and software widely available to artists.
Lin Hsin Hsin is an IT inventor, artist, poet and composer from Singapore, deeply rooted in mathematics and information technology.
Xavier Timoteo Martínez was a Mexican-born American artist active in California the late 19th and early 20th century. He was a well-known bohemian figure in San Francisco, the East Bay, and the Monterey Peninsula and one of the co-founders of two California artists' organizations and an art gallery. He painted in a tonalist style and also produced monotypes, etchings, and silverpoint.
Euphemia Charlton Fortune (1885–1969) was an American Impressionist artist from California. She was trained in Europe, New York and San Francisco. She painted many portraits as well as landscape views of California and European sites. In midlife she turned to liturgical design. She signed her paintings "E. Charlton Fortune," which helped conceal her gender.
Rowena Fischer Meeks Abdy was an American modernist painter. She primarily painted landscapes and worked in Northern California.
Nancy Calef is a contemporary American figurative painter, illustrator and author. Her work is distinguished by the technique of sculpting off the canvas with clay to produce paintings in three-dimensional high relief. Calef is also a singer/songwriter.
Henrietta Mary Shore was a Canadian-born artist who was a pioneer of modernism. She lived a large part of her life in the United States, most notably California.
Carrie Moyer is an American painter and writer living in Brooklyn, New York. Moyer's paintings and public art projects have been exhibited both in the US and Europe since the early 1990s, and she is best known for her 17-year agitprop project, Dyke Action Machine! with photographer Sue Schaffner. Moyer's work has been shown at the Whitney Biennial, the Museum of Arts and Design, and the Tang Museum, and is held in the permanent collections of the Metropolitan Museum of Art. She serves as the director of the graduate MFA program at Hunter College, and has contributed writing to anthologies and publications like The Brooklyn Rail and Artforum.
Anne Bremer was a California painter, influenced by Post-Impressionism, who was called "the most 'advanced' artist in San Francisco" in 1912 after art studies in New York and Paris. She was described in 1916 as "one of the strong figures among the young moderns" and later as "a crusader for the modern movement." She had numerous solo exhibitions, including one in New York.
Mary Evelyn McCormick was an American Impressionist who lived and worked around San Francisco and Monterey, California at the turn of the 20th century.
Claudia Hart is an artist and associate professor in the Department of Film, Video, New Media, Animation at the School of the Art Institute of Chicago, Chicago, Illinois. She has been active as an artist, curator and critic since 1988. She creates virtual representations that take the form of 3D imagery integrated into photography, animated loops and multi-channel animation installations.
Morehshin Allahyari is an Iranian media artist, activist, and writer based in New York. Her work questions current political, socio-cultural, and gender norms, particularly exploring the relationship between technology, history, and art activism. Allahyari’s artworks include 3D-printed objects, videos, experimental animation, web art, and publications. As a 2017 Research Resident at Eyebeam, Allahyari also worked on the concept of "Digital Colonialism"; a term she has coined since 2015.
Frances Gearhart was an American printmaker and watercolorist known for her boldly drawn and colored woodcut and linocut prints of American landscapes. Focused especially on California's coasts and mountains, this body of work has been called "a vibrant celebration of the western landscape." She is one of the most important American color block print artists of the early 20th century.
Leslie Wayne is a visual artist who lives and works in New York. Wayne is best known for her "highly dimensional paintings".
Sondra Perry is an interdisciplinary artist who works with video, computer-based media, installation, and performance. Perry's work investigates "blackness, black femininity, African American heritage" and the portrayal or representation of black people throughout history, focusing on how blackness influences technology and image making. Perry explores the duality of intelligence and seductiveness in the contexts of black family heritage, black history, and black femininity. "Perry is committed to net neutrality and ideas of collective production and action, using open source software to edit her work and leasing it digitally for use in galleries and classrooms, while also making all her videos available for free online. This principle of open access in Perry's practice aims to privilege black life, to democratize access to art and culture, and to offer a critical platform that differentiates itself from the portrayal of blackness in the media". For Perry, blackness is a technology which creates fissures in systems of surveillance and control and thus creates inefficiency as an opportunity for resistance.
Donna N. Schuster was an American easel painter, who created work in the style of modern impressionism using the medium of oil and watercolor. She focused her work in Wisconsin then later moved to Los Angeles, California where she died in 1953.
Clara Taggart MacChesney (1860/61-1928) was an American painter and writer known for her figurative painting, landscapes and “scenes and people of Holland.”
Barbara Noah is an artist who currently works with digital prints and mixed media, with past work in public art, photography, painting, print, and sculpture.
Nell Walker Warner was an American artist. Born in Nebraska, she was an oil painter in La Cañada Flintridge, California until she moved to Carmel-by-the-Sea in 1950. Her work is in the permanent collection of the Museum of Nebraska Art.
Mary Perry Stone was an American painter, sculptor, and muralist. She is best known for her social protest artwork. Her archives are held in the Smithsonian's Archives of American Art.
Lady of the Flies
Metastasis
Ogre
UrnEst (imaste)
Caught Flatfooted
