Corona | ||||
---|---|---|---|---|
Live album by | ||||
Released | 2018 | |||
Recorded | November 1, 1996 | |||
Venue | Podewil, Berlin | |||
Genre | jazz | |||
Length | 1:00:49 | |||
Label | FMP | |||
Producer | Jost Gebers | |||
Cecil Taylor chronology | ||||
|
Corona is a live album by Cecil Taylor recorded during the "Total Music Meeting" at the "Podewil", the headquarters of the Kulturprojekte Berlin non-profit organisation, on November 1, 1996, one day before the recording of the Taylor album Almeda , and two days before the recording of The Light of Corona . It was released in 2018 in digital format by the FMP label as part of their Archive Edition, [1] and was reissued in 2021 in CD format by Corbett vs. Dempsey. [2]
The album consists of three tracks. Track one begins with a Taylor poetry recitation, accompanied by vocalizations by the members of the ensemble that would join him on Almeda and The Light of Corona. Track two is a long duet featuring Taylor and drummer Sunny Murray, with whom Taylor last recorded on the 1981 album It Is in the Brewing Luminous . The vocalizing musicians return for track three, and Taylor completes his poetry recitation. [3] Ensemble member Chris Jonas recalled being surprised by Murray's appearance, as on the previous day, Taylor announced: "Sunny Murray's coming in, and he'll be playing with us tomorrow night, and we'll see what happens thereafter... We have to wait and see what moon Sunny is in." [3]
Review scores | |
---|---|
Source | Rating |
The Free Jazz Collective | [4] |
In a review for The New York City Jazz Record , Pierre Crépon wrote: "A Murray cliché is that he was the first musician who figured how to stop playing time. A different kind of time is at play here, corresponding to the storied relationship of two very singular individuals... The concert was among the last times the pair played together. Does Corona sum something up? Is this music that can lend itself to final assessments? No, but it is another link in a long and solid chain, another occasion to examine, uncluttered and anew, what two truly towering artists had to offer." [5]
Writing for JazzWord, Ken Waxman described the opening of the duo section: "the focus is on building a duo intersection of timbral motifs, fragments and dynamics. Hard drum-top rattles and rumbles plus triangle and cymbal clanks begin to solidify the drummer's interaction while crossed hand key pushes and rolling pulses figure into the piano introduction. Within a few minutes the exposition moves from andante to allegrissimo as Taylor's sweeps extend into glissandi and dips into the piano's nether regions, connecting with Murray's metal clanging and snare clapping. With metronomic and staccato dynamics, the pianist interpolates passing tones as he works through the theme steeple-chasing up and down the scale, with timbres doubled by the drummer's paradiddles and pops." [6]
In an article for Burning Ambulance, Phil Freeman remarked: "The pristine sound and quality instruments on Corona... allow the music to blossom fully, and it's breathtaking. Murray's snare and toms crack like thunder, while Taylor's piano playing is like raindrops striking the surface of a stormy ocean, the flow of notes never-ending and the momentum seemingly unstoppable." [3]
Martin Schray of The Free Jazz Collective commented: "the European influence on Taylor's playing is obvious. In general, the piece gets its charm from the clash of this 'new' Taylor with Murray's traditional free jazz drumming. Taylor isn't interested in finding some sort of synthesis here, but rather in sifting out conceptual and structural parallels... All in all, it's a fascinating performance referencing Taylor's and Murray's roots but seeing them from a new perspective. [4]
Cecil Percival Taylor was an American pianist and poet.
Peter Brötzmann is a German saxophonist and clarinetist.
James Marcellus Arthur "Sunny" Murray was an American musician, and was one of the pioneers of the free jazz style of drumming.
Harri Sjöström is a saxophonist who specializes in the soprano saxophone.
Double Holy House is a live album of a solo piano concert by Cecil Taylor recorded live on September 23, 1990 at The Bechstein Concert Hall in Berlin, with added lyrics and percussion which were recorded on the previous day. The album was released on the FMP label.
In East Berlin is an album featuring two concerts by Cecil Taylor, one solo and one accompanied by Günter Sommer, recorded in Berlin on June 20 and 21, 1988 as part of a month-long series of concerts by Taylor and released on the FMP label.
Remembrance is a live album featuring a performance by Cecil Taylor and Louis Moholo recorded in Berlin on July 3, 1988 as part of month-long series of concerts by Taylor and released on the FMP label.
Legba Crossing is a live album featuring a performance by Cecil Taylor's Workshop Ensemble recorded in Berlin on July 15, 1988 as part of month-long series of concerts by Taylor and released on the FMP label. Taylor did not play the piano on this album, but instead directed the ensemble and contributed vocalizations.
Looking Corona is a live album featuring performances by Cecil Taylor with Harald Kimmig, Muneer Abdul Fataah, William Parker and Tony Oxley recorded in Berlin on November 3 & 4, 1989 and released on the FMP label.
Celebrated Blazons is a live album featuring performances by Cecil Taylor with William Parker and Tony Oxley recorded at the Akademie der Künste in Berlin on June 29, 1990 and released on the FMP label.
CT: The Dance Project is a live album by Cecil Taylor recorded during the Summer Music concert series at the Akademie der Kunste, Berlin on July 8, 1990, and released in 2008 by FMP. The album documents a multimedia event that featured Taylor, bassist William Parker, percussionist Masashi Harada, and a group of four dancers.
Almeda is a live album by Cecil Taylor recorded during the "Total Music Meeting" at the "Podewil", the headquarters of the Kulturprojekte Berlin non-profit organisation, on November 2, 1996, and released in 2004 on the FMP label. The album features Taylor with eight other musicians, and is a recording of a single performance lasting over an hour. The same group recorded the album The Light of Corona the following day. In 2012, FMP also released Almeda , with the same musicians, as part of their Archive Edition.
Bäbi is a live album by American percussionist Milford Graves, recorded in March 1976 and released in 1977 by the Institute of Percussive Studies, a label owned and run by Graves and Andrew Cyrille. The album features Graves on drums and percussion, along with reed players Arthur Doyle and Hugh Glover.
Big Chief is an album by American free jazz drummer Sunny Murray. It was recorded in Paris in January, 1969, and was originally released on the Pathé label later that year. In 2008, it was reissued on LP by Eremite Records. On the album, Murray is joined by flutist Becky Friend, saxophonists Ronnie Beer and Kenneth Terroade, trumpeter Bernard Vitet, violinist Alan Silva, pianist François Tusques, and bassist Beb Guérin. In addition, poet H. Le Roy Bibbs joins the group on one track.
The Light of Corona is a live album by Cecil Taylor recorded during the "Total Music Meeting" at the "Podewil", the headquarters of the Kulturprojekte Berlin non-profit organisation, on November 3, 1996, and released in 2003 on the FMP label. The album features Taylor with eight other musicians, and is a recording of two sections of a piece with a total duration of over an hour. The same group recorded the album Almeda the previous day.
Lifting the Bandstand is a live album by Cecil Taylor recorded during the Tampere Jazz Happening in Tampere, Finland, on October 30, 1998, and released in 2021 by Fundacja Słuchaj!. On the album, Taylor is joined by saxophonist Harri Sjöström, cellist Tristan Honsinger, bassist Teppo Hauta-aho, and drummer Paul Lovens. The album consists of a single group improvisation.
Birdland, Neuburg 2011 is a live album by pianist Cecil Taylor and drummer Tony Oxley. It was recorded at the Birdland Jazz Club in Neuburg an der Donau, Germany in November 2011, and was released in 2020 by Fundacja Słuchaj! Records.
Conversations with Tony Oxley is a live album by pianist Cecil Taylor and drummer Tony Oxley. It was recorded at the Chamber Music Hall of the Berliner Philharmonie in Berlin, Germany in February 2008, and was released in 2018 by Jazzwerkstatt.
Homework is a live album by drummer Sunny Murray, bassist Bob Dickie, and guitarist Robert Andreano. It was recorded in May 1994 in Philadelphia, Pennsylvania, and was released in 1997 by Super Secret Sound. The album was remastered and reissued in 2019 by NoBusiness Records.
Smoke is an album by pianist Alexander von Schlippenbach and drummer Sunny Murray. It was recorded on October 6, 1989, at FMP-Studios in Berlin, and was released in 1990 by FMP/Free Music Production.