The World of Cecil Taylor | ||||
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Studio album by | ||||
Released | 1961 | |||
Recorded | October 12–13, 1960 | |||
Genre | Avant-garde jazz | |||
Length | 47:21 | |||
Label | Candid | |||
Cecil Taylor chronology | ||||
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The World of Cecil Taylor is an album by Cecil Taylor, recorded for the Candid label in October 1960. The album features performances by Taylor with Archie Shepp, Buell Neidlinger and Denis Charles. Alternate takes from these sessions were released on Air in 1987. A 1971 reissue of the original album on the Barnaby label was also titled Air.
Some of the tracks the pianist chose to release on this album were improvised, single-take pieces, while others were the result of multiple takes. The track titled "Air" required 29 takes before being approved by Taylor. [1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
The Rolling Stone Jazz Record Guide | [4] |
In a review for AllMusic, Brian Olewnick wrote: "One can only imagine what the reaction of the average jazz fan was in 1960 when this session was recorded. This is a wonderful document from early in Taylor's career, when he was midway between modernist approaches to standard material and his own radical experiments that would come to full fruition a few years hence... What's extra amazing is how deeply entrenched the blues feel and pulse are in this music, already bound for the further reaches of abstraction. They never left Taylor, although many listeners have difficulty discerning them. This session, which has been released under numerous guises, is an especially fine introduction to his work, keeping enough of a foot in 'traditional' jazz forms to offer one purchase while dangling breathtaking visions of the possible within one's reach. A classic recording that belongs in anyone's collection." [2]
Buell Neidlinger was an American cellist and double bassist. He has worked with a variety of pop and jazz performers, prominently with iconoclastic pianist Cecil Taylor in the 1950s and '60s.
Attica Blues is an album by avant-garde jazz saxophonist Archie Shepp. Originally released in 1972 on the Impulse! label, the album title refers to the Attica Prison riots.
Fire Music is a studio album by jazz saxophonist Archie Shepp released on Impulse! Records in 1965. "Malcolm, Malcolm Semper Malcolm" is dedicated to Malcolm X, whilst "Los Olvidados" is a homage to the 1950 film of the same name. Featured musicians include trumpeter Ted Curson, trombonist Joe Orange, alto saxophonist Marion Brown, bassist Reggie Johnson and drummer Joe Chambers.
Denis Alphonso Charles was a jazz drummer.
Soprano Sax is the debut album by Steve Lacy which was released on the Prestige label in 1958. It features performances by Lacy, Wynton Kelly, Buell Neidlinger and Dennis Charles.
Reflections is the second album by Steve Lacy which was released on the Prestige label in 1959. It features performances of Thelonious Monk's compositions by Lacy, Mal Waldron, Buell Neidlinger and Elvin Jones.
New York City R&B is a 1961 free jazz album originally recorded at a session by bassist Buell Neidlinger but subsequently reissued under joint names with the pianist Cecil Taylor.
The Way Ahead is an album by Archie Shepp, released on Impulse! Records in 1968. The album contains tracks recorded by Shepp, trumpeter Jimmy Owens, trombonist Grachan Moncur III, pianist Walter Davis Jr., bassist Ron Carter and drummers Roy Haynes and Beaver Harris in January 1968 with two additional tracks featuring baritone saxophonist Charles Davis, pianist Dave Burrell and bassist Walter Booker recorded in February 1969, and first released on Kwanza (1974), added to the CD release.
Air is an album by Cecil Taylor recorded for the Candid label in October 1960. The album features performances by Taylor with Archie Shepp, Buell Neidlinger, Denis Charles and Sunny Murray on alternate takes of material released on The World of Cecil Taylor (1960).
Cell Walk for Celeste is an album by Cecil Taylor recorded for the Candid label in January 1961 but not released until 1988. The album features performances by Taylor with Archie Shepp, Buell Neidlinger and Denis Charles. Additional recordings from these sessions were released on New York City R&B in 1971 and Jumpin' Punkins in 1987.
Jumpin' Punkins is an album by Cecil Taylor recorded for the Candid label in January 1961 but not issued in the States until 1987. The first release was in Japan by Victor in 1977 as Cecil Taylor All Stars Featuring Buell Neidlinger. The album features two small group performances by Taylor with Buell Neidlinger, Denis Charles and Archie Shepp, and two performances by a larger group including Billy Higgins, Clark Terry, Roswell Rudd, Steve Lacy and Charles Davis. Additional recordings from these sessions were released on New York City R&B in 1971 and Cell Walk for Celeste in 1988.
Jazz Advance is the debut album by pianist Cecil Taylor, recorded for the Transition label in September 1956. The album features performances by Taylor with Buell Neidlinger, Denis Charles and Steve Lacy.
At Newport is a live album by the Gigi Gryce–Donald Byrd Jazz Laboratory and the Cecil Taylor Quartet recorded for the Verve label at the Newport Jazz Festival in July 1957. The original LP album featured one side of performances by Taylor with Buell Neidlinger, Denis Charles and Steve Lacy and the other by Gryce, Byrd, Hank Jones, Wendell Marshall, and Osie Johnson.
Looking Ahead! is the second album by pianist Cecil Taylor, recorded for the Contemporary label in June 1958. The album features performances by Taylor with Buell Neidlinger, Denis Charles, and Earl Griffith.
Love for Sale is an album by the pianist Cecil Taylor, recorded for the United Artists label in April 1959. The album features performances by Taylor with Buell Neidlinger, and Denis Charles with Bill Barron and Ted Curson added on three tracks.
Into the Hot is an album released under the auspices of Gil Evans featuring a large ensemble under the direction of John Carisi and the Cecil Taylor Unit. The album was released on the Impulse! label in 1962.
Mixed is a compilation album of two avant-garde jazz sessions featuring performances by the Cecil Taylor Unit and the Roswell Rudd Sextet. The album was released on the Impulse! label in 1998 and collects three performances by Taylor with Archie Shepp, Jimmy Lyons, Henry Grimes and Sunny Murray with Ted Curson and Roswell Rudd added on one track which were originally released under Gil Evans' name on Into the Hot (1961). The remaining tracks feature Rudd with Giuseppi Logan, Lewis Worrell, Charlie Haden, Beaver Harris and Robin Kenyatta and were originally released as Everywhere (1966). Essentially these are the three Cecil Taylor tracks from the "Gil Evans album" teamed with Roswell Rudd's Impulse album Everywhere, in its entirety.
Bill Dixon 7-tette/Archie Shepp and the New York Contemporary 5 is an album released on the Savoy label originally featuring one LP side by Bill Dixon's septet and one LP side by the New York Contemporary Five featuring saxophonist Archie Shepp. The album resulted from Dixon and Shepp's contractual obligations to provide Savoy Records with a second album after the Archie Shepp - Bill Dixon Quartet (1962) but following a professional separation.
Looking at Bird is a studio album by the American jazz saxophonist Archie Shepp and the bassist Niels-Henning Ørsted Pedersen, containing performances recorded in 1980 and released on the Danish-based SteepleChase label. The album consists of duets on compositions written by, or associated with, Charlie Parker.
Three for Shepp is an album by American saxophonist Marion Brown featuring performances recorded in 1966 for the Impulse! label.