Black Gipsy

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Black Gipsy
Black Gipsy.jpg
Studio album by Archie Shepp
Released 1969
Recorded November 9, 1969
Studio Decca Studios, Paris
Genre Jazz
Label America
Producer Pierre Berjot
Archie Shepp chronology
Blasé
(1969)		Black Gipsy
(1969)		 Pitchin Can
(1969)
Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [1]
The Rolling Stone Jazz Record Guide Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [2]

Black Gipsy is an album by jazz saxophonist Archie Shepp recorded in Europe in 1969 for the America label. The album was also issued by the Prestige label under the title Black Gypsy.

Jazz is a music genre that originated in the African-American communities of New Orleans, United States, in the late 19th and early 20th centuries, and developed from roots in blues and ragtime. Jazz is seen by many as "America's classical music". Since the 1920s Jazz Age, jazz has become recognized as a major form of musical expression. It then emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African-American and European-American musical parentage with a performance orientation. Jazz is characterized by swing and blue notes, call and response vocals, polyrhythms and improvisation. Jazz has roots in West African cultural and musical expression, and in African-American music traditions including blues and ragtime, as well as European military band music. Intellectuals around the world have hailed jazz as "one of America's original art forms".

Archie Shepp American jazz musician

Archie Shepp is an American jazz saxophonist.

Prestige Records American jazz record label

Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City. The company recorded hundreds of albums by many of the leading jazz musicians of the day, sometimes issuing them under subsidiaries. In 1971, the company was sold to Fantasy, which was later absorbed by Concord.

Contents

Reception

The Allmusic review by Sean Westergaard states: "This music gets intense, but melody is always at its core: this is not just a free blowing session. The rhythm section keeps things well grounded, aided greatly by Burrell's marvelous comping while the horns and harmonica take the melodies and run with them. Good stuff." [3]

Track listing

  1. "Black Gipsy" (Augustus Arnold, Lincoln T. Beauchamp, jr., known as Chicago Beau and Chicago Beauchamp) - 25:44
  2. "Epitaph of a Small Winner: Rio de Janeiro/Casablanca/Chicago" (Lincoln T. Beauchamp, jr., known as Chicago Beau, Julio Finn - 22:40
  3. "Pitchin' Can" (Cal Massey) - 7:35 Bonus track on CD

Personnel

Soprano saxophone the third smallest member of the saxophone family

The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument, invented in the 1840s. The soprano is the third smallest member of the saxophone family, which consists of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest saxophone in common use.

Clifford Edward Thornton III was an American jazz trumpeter, trombonist, activist, and educator. He played free jazz and avant-garde jazz in the 1960s and '70s.

Trumpet musical instrument with the highest register in the brass family

A trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group contains the instruments with the highest register in the brass family. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC; they began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips, producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century they have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape.

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References

  1. ↑ Allmusic Review
  2. ↑ Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 179. ISBN   0-394-72643-X.
  3. ↑ Westergaard, S. Allmusic Review accessed 29 June 2009.
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