Free for All is a jazz album by Art Blakey & the Jazz Messengers released on Blue Note. Recorded in February 1964, it was released the following year. It was originally titled Free Fall.
Attica Blues is an album by avant-garde jazz saxophonist Archie Shepp. Originally released in 1972 on the Impulse! label, the album title refers to the Attica Prison riots.
The Jazz Composer's Orchestra is a 1968 album by the Jazz Composer's Orchestra recorded over a period of six months with Michael Mantler as composer, leader and producer. Many of the key figures in avant-garde jazz from the time contributed on the album including Don Cherry, Pharoah Sanders, Gato Barbieri, Larry Coryell, Roswell Rudd, and Carla Bley. The album's finale features a two-part concerto for Cecil Taylor and orchestra.
Mike Zwerin was an American cool jazz musician and author. Zwerin as a musician played the trombone and bass trumpet within various jazz ensembles. He was active within the jazz and progressive jazz musical community as a session musician. Zwerin found a way to pursue both his interests as an author living in New York, where he was born, and his passion for music by taking positions as a broadcaster, and other journalistic and media positions while maintaining his musical career as well. Although he gained notoriety for his writing, he may be best known to the public for his work with Miles Davis in 1948 as part of his Birth of the Cool band. Additionally, Zwerin also worked with Maynard Ferguson, Claude Thornhill, Archie Shepp and Bill Russo, among many others.
Fire Music is a studio album by jazz saxophonist Archie Shepp released on Impulse! Records in 1965. "Malcolm, Malcolm Semper Malcolm" is dedicated to Malcolm X, whilst "Los Olvidados" is a homage to the 1950 film of the same name. Featured musicians include trumpeter Ted Curson, trombonist Joe Orange, alto saxophonist Marion Brown, bassist Reggie Johnson and drummer Joe Chambers.
On This Night is an album by Archie Shepp released on Impulse! Records in 1965. The album contains tracks recorded by Shepp, bassist David Izenzon and drummer J. C. Moses in March 1965 and with a larger band in August of that year that included vibraphonist Bobby Hutcherson, bassist Henry Grimes and percussionists Ed Blackwell, Joe Chambers and Rashied Ali.
Mama Too Tight is an album by Archie Shepp released on Impulse! Records in 1967. The album contains tracks recorded by Shepp, trumpeter Tommy Turrentine, trombonists Grachan Moncur III and Roswell Rudd, tuba player Howard Johnson, clarinetist Perry Robinson, bassist Charlie Haden and drummer Beaver Harris in August of 1966.
The Way Ahead is an album by Archie Shepp, released on Impulse! Records in 1968. The album contains tracks recorded by Shepp, trumpeter Jimmy Owens, trombonist Grachan Moncur III, pianist Walter Davis Jr., bassist Ron Carter and drummers Roy Haynes and Beaver Harris in January 1968 with two additional tracks featuring baritone saxophonist Charles Davis, pianist Dave Burrell and bassist Walter Booker recorded in February 1969, and first released on Kwanza (1974), added to the CD release.
Things Have Got to Change is an album by avant-garde jazz saxophonist Archie Shepp released in 1971 on the Impulse! label. The album features a performance by Shepp with a large ensemble and vocal choir. The album "solidified the saxophonists reputation as a soulful, yet radical free jazz artist motivated by social commentary and cultural change".
The Cry of My People is an album by avant-garde jazz saxophonist Archie Shepp released in 1972 on the Impulse! label. The album features performances by Shepp with gospel singers, big bands, quintets, sextets, and chamber orchestras. The AllMusic review by Thom Jurek states: "Shepp worked with many larger ensembles as a leader, but never did he achieve such a perfect balance as he did on The Cry of My People".
Kwanza is an album by Archie Shepp released on Impulse! in 1974. The album contains tracks recorded from September 1968 to August 1969 by Shepp with four different ensembles.
For Losers is an album by Archie Shepp released on Impulse! in 1970. The album contains tracks recorded from September 1968 to August 1969 by Shepp with three different ensembles. The AllMusic review by Rob Ferrier states "for anyone wishing to understand the music and career of this brilliant musician, this is an undervalued piece of the puzzle".
There's a Trumpet in My Soul is an album by avant-garde jazz saxophonist Archie Shepp released in 1975 on the Arista Freedom label.
Jumpin' Punkins is an album by Cecil Taylor recorded for the Candid label in January 1961 but not issued in the States until 1987. The first release was in Japan by Victor in 1977 as Cecil Taylor All Stars Featuring Buell Neidlinger. The album features performances by Taylor with Archie Shepp, Buell Neidlinger and Denis Charles with Billy Higgins, Clark Terry, Roswell Rudd, Steve Lacy and Charles Davis added on one track. Additional recordings from these sessions were released on New York City R&B in 1971 and Cell Walk for Celeste in 1988.
Montreux One is a live album by jazz saxophonist Archie Shepp recorded at the Montreux Jazz Festival in 1975 and released on the Arista Freedom label.
Montreux Two is a live album by jazz saxophonist Archie Shepp recorded at the Montreux Jazz Festival in 1975 and released on the Arista Freedom label.
A Sea of Faces is an album by avant-garde jazz saxophonist Archie Shepp recorded in Milan, Italy, on August 4 and 5, 1975, and released on the Italian Black Saint label. It features performances by Shepp with Charles Greenlee, Dave Burrell, Cameron Brown, Beaver Harris, Rafi Taha and Bunny Foy.
Body and Soul is an album by jazz saxophonist Archie Shepp recorded in Rome, Italy, on September 28 and October 16, 1975, and released on the Horo Records label.
Impact is an album by American jazz trumpeter Charles Tolliver's Music Inc. and Orchestra recorded in 1975 and first released on the Strata-East label.
The New Wave in Jazz is a live album recorded on March 28, 1965 at the Village Gate in New York City. It features groups led by major avant-garde jazz artists performing at a concert for the benefit of The Black Arts Repertory Theater/School founded by Amiri Baraka, then known as LeRoi Jones. The album was released on LP in 1965 on the Impulse! label, and was reissued on CD in 1994 with a different track listing.
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