Down Home New York | ||||
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Studio album by | ||||
Released | 1984 | |||
Recorded | February 5, 6, 7 & 8, 1984 | |||
Genre | Jazz | |||
Length | 41:47 | |||
Label | Soul Note | |||
Producer | Giovanni Bonandrini | |||
Archie Shepp chronology | ||||
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Down Home New York is an album by the American jazz saxophonist Archie Shepp, recorded in 1984 and released on the Italian Soul Note label. [1]
The AllMusic review by Ron Wynn stated: "Archie Shepp was the picture of rebellion and anger in the 1960s, but he became the voice of swing, blues and classicism in the 1980s. Shepp displayed his penchant for honking R&B and soulful blues on this 1984 date". [2]
Review scores | |
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Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
Archie Shepp is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz.
Attica Blues is an album by avant-garde jazz saxophonist Archie Shepp. Originally released in 1972 on the Impulse! label, the album title refers to the Attica Prison riots.
Fire Music is a studio album by Archie Shepp released on Impulse! Records in 1965. "Malcolm, Malcolm Semper Malcolm" is dedicated to Malcolm X, whilst "Los Olvidados" is a homage to the film of the same name. Featured musicians include trumpeter Ted Curson, trombonist Joe Orange, alto saxophonist Marion Brown, bassist Reggie Johnson and drummer Joe Chambers.
Goin' Home is a studio album by American saxophonist Archie Shepp and pianist Horace Parlan. After their work in the 1960s, Shepp and Parlan both faced career challenges as the jazz scene diverged stylistically. They left the United States for Europe during the 1970s and met each other in Denmark before recording the album on April 25, 1977, at Sweet Silence Studio in Copenhagen.
Saheb Sarbib is an American jazz double-bassist and bandleader.
Four for Trane is a studio album by tenor saxophonist Archie Shepp released on Impulse! Records in 1965. Four of the five tracks were composed and originally recorded by John Coltrane and rearranged by Shepp and trombonist Roswell Rudd. The other featured players are trumpeter Alan Shorter, alto saxophonist John Tchicai, bassist Reggie Workman and drummer Charles Moffett. Coltrane himself co-produced the album alongside Bob Thiele. The album was Shepp's first release for Impulse!
New York City R&B is a 1961 free jazz album originally recorded at a session by bassist Buell Neidlinger but subsequently reissued under joint names with the pianist Cecil Taylor.
The Way Ahead is an album by Archie Shepp, released on Impulse! Records in 1968. The album contains tracks recorded by Shepp, trumpeter Jimmy Owens, trombonist Grachan Moncur III, pianist Walter Davis Jr., bassist Ron Carter and drummers Roy Haynes and Beaver Harris in January 1968 with two additional tracks featuring baritone saxophonist Charles Davis, pianist Dave Burrell and bassist Walter Booker recorded in February 1969, and first released on Kwanza (1974), added to the CD release.
Jumpin' Punkins is an album by Cecil Taylor recorded for the Candid label in January 1961 but not issued in the States until 1987. The first release was in Japan by Victor in 1977 as Cecil Taylor All Stars Featuring Buell Neidlinger. The album features performances by Taylor with Archie Shepp, Buell Neidlinger and Denis Charles with Billy Higgins, Clark Terry, Roswell Rudd, Steve Lacy and Charles Davis added on one track. Additional recordings from these sessions were released on New York City R&B in 1971 and Cell Walk for Celeste in 1988.
Archie Shepp & the New York Contemporary Five is a live album by the New York Contemporary Five recorded at the Jazzhus Montmartre in Copenhagen, Denmark, on November 15, 1963, and featuring saxophonists Archie Shepp and John Tchicai, trumpeter Don Cherry, bassist Don Moore and drummer J. C. Moses. The album was originally released on the Sonet label in 1964 as New York Contemporary 5 in two separate volumes on LP and later as an edited concert on a single CD, removing the track "Cisum."
Bill Dixon 7-tette/Archie Shepp and the New York Contemporary 5 is an album released on the Savoy label originally featuring one LP side by Bill Dixon's septet and one LP side by the New York Contemporary Five featuring saxophonist Archie Shepp. The album resulted from Dixon and Shepp's contractual obligations to provide Savoy Records with a second album after the Archie Shepp - Bill Dixon Quartet (1962) but following a professional separation.
Trouble in Mind is a studio album by American jazz saxophonist Archie Shepp and pianist Horace Parlan, featuring performances recorded in 1980 and released on the Danish-based SteepleChase label. The album consists mainly of early and traditional blues and follows up to their 1977 album of duets on spirituals Goin' Home.
Looking at Bird is a studio album by the American jazz saxophonist Archie Shepp and the bassist Niels-Henning Ørsted Pedersen, containing performances recorded in 1980 and released on the Danish-based SteepleChase label. The album consists of duets on compositions written by, or associated with, Charlie Parker.
Three for Shepp is an album by American saxophonist Marion Brown featuring performances recorded in 1966 for the Impulse! label.
Little Red Moon is an album by the American jazz saxophonist Archie Shepp recorded in 1985 and released on the Italian Soul Note label.
Hi-Fly is a 1976 album by jazz singer Karin Krog and saxophonist Archie Shepp.
On Green Dolphin Street is an album by saxophonist Archie Shepp recorded in 1977 for the Japanese Denon label.
Lover Man is an album by saxophonist Archie Shepp's Quartet with vocalist Annette Lowman which was recorded in Holland in 1988 and released on the Timeless label the following year.
Conversations is an album by saxophonist Archie Shepp with Kahil El'Zabar's Ritual Trio, which also includes Ari Brown and Malachi Favors, which was recorded in 1999 and released on the Delmark label.
The New Wave in Jazz is a live album recorded on March 28, 1965 at the Village Gate in New York City. It features groups led by major avant-garde jazz artists performing at a concert for the benefit of The Black Arts Repertory Theater/School founded by Amiri Baraka, then known as LeRoi Jones. The album was released on LP in 1965 on the Impulse! label, and was reissued on CD in 1994 with a different track listing.