| Jazz a Confronto 27 | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1976 | |||
| Recorded | September 28, 1975 | |||
| Genre | Jazz | |||
| Label | Horo | |||
| Producer | Aldo Sinesio | |||
| Archie Shepp chronology | ||||
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Jazz a Confronto 27 is an album by jazz saxophonist Archie Shepp recorded in Rome, Italy, on September 28. 1975, and released on the Horo Records label as part of the "Jazz a Confronto" series. [1]
Archie Vernon Shepp is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz.
Dave Burrell is an American jazz pianist. He has played with many jazz musicians including Archie Shepp, Pharoah Sanders, Marion Brown and David Murray.
William Godvin "Beaver" Harris was an American jazz drummer who worked extensively with Archie Shepp.
Fire Music is a studio album by Archie Shepp released on Impulse! Records in 1965. "Malcolm, Malcolm Semper Malcolm" is dedicated to Malcolm X, whilst "Los Olvidados" is a homage to the film of the same name.
Yasmina, a Black Woman is a jazz album by Archie Shepp, recorded in 1969 in Paris for BYG Actuel records. It features musicians from the Art Ensemble of Chicago. The first track, giving its title to the album, is a long free jazz piece by an 11-piece orchestra; in it, the references to Africa that Shepp had experimented with only a few weeks earlier in Algiers are to be found in the use of African percussion instruments, or the African incantations sung by Shepp himself at the beginning of the track. The other two pieces, a homage to Sonny Rollins written by trombonist Grachan Moncur III and a standard, played by a more traditional quintet and quartet respectively, are more reminiscent of the hard bop genre, although the fiery playing of the musicians, notably Shepp himself, gives them a definite avant-garde edge. It was originally issued on CD by Affinity, mastered from an incredibly noisy vinyl source and later reissued by Charly from the original master tapes.
Poem for Malcolm is a jazz album by Archie Shepp. Recorded in Paris in August 1969 only two days after Yasmina, a Black Woman, it again features musicians from the Art Ensemble of Chicago. This time, the tone is resolutely set to avant garde and free jazz, with a political edge in the all but explicit tribute to Malcolm X. The Allmusic review by Scott Yanow states: "This LP from the English Affinity LP is a mixed bag. Best is 'Rain Forrest' on which tenor saxophonist Archie Shepp, in a collaboration with trombonist Grachan Moncur III, pianist Vince Benedetti, bassist Malachi Favors, and drummer Philly Joe Jones, perform some stirring free jazz; the interplay between Shepp and Jones is particularly exciting. On a four-and-a-half minute 'Oleo,' Shepp "battles" some bebop with fellow tenor Hank Mobley, but the other two tracks, a workout for the leader's erratic soprano on 'Mamarose,' and his emotional recitation on 'Poem for Malcolm,' are much less interesting, making this a less than essential release despite 'Rain Forrest'." It was originally issued on CD by Affinity mastered from a vinyl source and later reissued by Charly from the original master tapes.
There's a Trumpet in My Soul is an album by avant-garde jazz saxophonist Archie Shepp released in 1975 on the Arista Freedom label.
Montreux One is a live album by jazz saxophonist Archie Shepp recorded at the Montreux Jazz Festival in 1975 and released on the Arista Freedom label.
Montreux Two is a live album by jazz saxophonist Archie Shepp recorded at the Montreux Jazz Festival in 1975 and released on the Arista Freedom label.
A Sea of Faces is an album by avant-garde jazz saxophonist Archie Shepp recorded in Milan, Italy, on August 4 & 5, 1975, and released on the Italian Black Saint label. It features performances by Shepp with Charles Greenlee, Dave Burrell, Cameron Brown, Beaver Harris, Rafi Taha and Bunny Foy.
Consequences is the debut album by the New York Contemporary Five featuring saxophonists Archie Shepp and John Tchicai, trumpeter Don Cherry, bassist Don Moore and drummer J. C. Moses. The album was released on the Fontana label in 1966. In 2020, the Ezz-thetics label re-released the material from Consequences, along with the three NYCF tracks from the B side of Bill Dixon 7-tette/Archie Shepp and the New York Contemporary 5, on a remastered compilation CD titled Consequences Revisited.
Archie Shepp & the New York Contemporary Five is a live album by the New York Contemporary Five recorded at the Jazzhus Montmartre in Copenhagen, Denmark, on November 15, 1963, and featuring saxophonists Archie Shepp and John Tchicai, trumpeter Don Cherry, bassist Don Moore and drummer J. C. Moses. The album was originally released on the Sonet label in 1964 as New York Contemporary 5 in two separate volumes on LP and later as an edited concert on a single CD, removing the track "Cisum."
Body and Soul is an album by jazz saxophonist Archie Shepp recorded in Rome, Italy, on September 28 and October 16, 1975, and released on the Horo Records label.
Mariamar is an album by jazz saxophonist Archie Shepp recorded in Rome, Italy on October 16, 1975 and released on the Horo label.
U-Jaama (Unite) is a live album by jazz saxophonist Archie Shepp recorded at Massy in 1975 and released on the French Uniteledis label as a double LP.
Bijou is a live album by jazz saxophonist Archie Shepp recorded in Paris, France, in 1975 and released on the French Musica Records label.
Horo Records was an Italian jazz record label.
Down Home New York is an album by the American jazz saxophonist Archie Shepp recorded in 1984 and released on the Italian Soul Note label.
Little Red Moon is an album by the American jazz saxophonist Archie Shepp recorded in 1985 and released on the Italian Soul Note label.
California Meeting: Live on Broadway is a live album by the American jazz saxophonist Archie Shepp recorded in 1985 and released on the Italian Soul Note label.