Archie Shepp discography.
Recording date | Title | Label | Year released | Notes |
---|---|---|---|---|
1962-10 | Archie Shepp – Bill Dixon Quartet | Savoy | 1962 | |
1963-11 | The House I Live In | SteepleChase | 1980 | Live with the Lars Gullin Quintet |
1964-08 | Four for Trane | Impulse! | 1965 | |
1965-02, 1965-03 | Fire Music | Impulse! | 1965 | |
1965-07 | New Thing at Newport | Impulse! | 1966 | Live split album with John Coltrane |
1965-03, 1965-08 | On This Night | Impulse! | 1965 | |
1966-02 | Archie Shepp Live in San Francisco | Impulse! | 1966 | Live |
1966-02 | Three for a Quarter, One for a Dime | Impulse! | 1969 | Live |
1966-08 | Mama Too Tight | Impulse! | 1967 | |
1967-04 | The Magic of Ju-Ju | Impulse! | 1968 | |
1967-10 | Life at the Donaueschingen Music Festival | SABA | 1967 | Live |
1968-01 | The Way Ahead | Impulse! | 1968 | Bonus tracks rec. 1989 |
1969-07 | Live at the Pan-African Festival | BYG Actuel | 1971 | Live |
1969-08 | Yasmina, a Black Woman | BYG Actuel | 1969 | |
1969-08 | Poem for Malcolm | BYG Actuel | 1969 | |
1969-08 | Blasé | BYG Actuel | 1969 | |
1968-09, 1969-02, 1969-08 | For Losers | Impulse! | 1970 | |
1968-09, 1969-02, 1969-08 | Kwanza | Impulse! | 1974 | |
1969-11 | Black Gipsy | America | 1970 | |
1969-11, 1969-12 | Archie Shepp & Philly Joe Jones | America | 1970 | Septet with Anthony Braxton, Leroy Jenkins a.o. |
1971-05 | Things Have Got to Change | Impulse! | 1971 | |
1970-07 | Live In Antibes (Vol.1 & Vol.2) | BYG Actuel | 1971 | Live with the Full Moon Ensemble |
1969-11, 1970-07 | Pitchin Can | America | 1970 | |
1970-07 | Coral Rock | America | 1973 | |
1970-11 | Doodlin' | Inner City | 1976 | |
1972-01 | Attica Blues | Impulse! | 1972 | big band recording |
1972-09 | The Cry of My People | Impulse! | 1973 | big band recording |
1975-04 | There's a Trumpet in My Soul | Freedom | 1975 | |
1975-07 | Montreux One | Freedom | 1976 | Live |
1975-07 | Montreux Two | Freedom | 1976 | Live |
1975-08 | A Sea of Faces | Black Saint | 1975 | with Shirley Bunnie Foy |
1975-09 | Jazz a Confronto 27 | Horo | 1976 | |
1975-09, 1975-10 | Body and Soul | Horo | 1978 | |
1975-10 | Mariamar | Horo | 1976 | |
1975-10 | U-Jaama (Unite) | Uniteledis | 1976 | Live |
1975-10 | Bijou | Musica | 1976 | Live |
1976-05 | Steam | Enja | 1976 | Live |
1976-06 | Live in Tokyo | Denon Jazz | 1978 | Live |
1976-06 | Hi-Fly | Compendium | 1976 | with Karin Krog |
1976 | Force: Sweet Mao - Suid Africa '76 | Uniteledis | 1976 | [2LP] duo recording with Max Roach |
1977-04 | The Rising Sun Collection | Just a Memory | 1994 | |
1977-04 | Goin' Home | Steeplechase | 1977 | duo recording with Horace Parlan |
1977-05 | Ballads for Trane | Denon Jazz | 1977 | |
1977-06 | Day Dream | Denon Jazz | 1977 | |
1977-10 | The Tradition | Horo | 1978 | [2LP] |
1977-10 | Parisian Concert Vol. 1 | Sun | 1977 | |
1977-10 | Parisian Concert Vol. 2 | Sun | 1978 | |
1977-10 | A Touch of the Blues | Fluid | 1977 | featuring Joe Lee Wilson |
1977-11 | On Green Dolphin Street | Denon Jazz | 1978 | |
1978-07 | Maple Leaf Rag | Fluid | 1978 | |
1978-09 | Frankfurt Workshop '78: Tenor Saxes | Circle | 1985 | Live album with George Adams, Heinz Sauer |
1978-10 | Perfect Passions | West Wind | 1992 | with Siegfried Kessler, Wilbur Little, Clifford Jarvis (Recorded in Warsaw, Poland) |
1978-11 | Duet | Denon Jazz | 1978 | duo recording with Dollar Brand |
1978-12 | Lady Bird | Denon Jazz | 1979 | |
1979-01 | Things Have Got To Change: Live At The Totem Volume 1 | Marge | 1979 | Live |
1979-01 | Bird Fire: A Tribute to Charlie Parker | Impro | 1979 | |
1979-04 | Tray of Silver | Denon Jazz | 1979 | |
1979-10 | Attica Blues Big Band Live At The Palais Des Glaces | Blue Marge | 1979 | [2LP] Live big band recording |
1980-02 | Trouble in Mind | Steeplechase | 1980 | duo recording with Horace Parlan |
1980-02 | Looking at Bird | Steeplechase | 1981 | duo recording with Niels-Henning Ørsted Pedersen |
1980-10 | Here Comes The Family | Någarå | 1981 | with Family of Percussion |
1981-02 | I Know About the Life | Sackville | 1981 | with Kenny Werner, Santie Debriano and John Betsch |
1981-11 | My Man - Tribute To Sydney Bechet | West Wind | 1982 | also released as Passport to Paradise: Archie Shepp Plays Sydney Bechet (1987) |
1982-02 | Mama Rose | Steeplechase | 1982 | Live duo album with keyboardist Jasper Van't Hof |
1982-12 | Soul Song | Enja | 1983 | |
1984-02 | Down Home New York | Soul Note | 1984 | |
1984-10 | African Moods | Circle | 1984 | Live album with Jeanne Lee at Leverkusener Jazztage, Germany |
1985-05 | California Meeting: Live on Broadway | Soul Note | 1987 | Live |
1985-11 | Passion | 52e Rue Est | 1986 | |
1985-12 | Little Red Moon | Soul Note | 1986 | |
1987-05 | The Fifth of May | L+R | 1987 | duo recording with keyboardist Jasper Van't Hof |
1987-05 | Splashes | L+R | 1987 | Wilbur Little tribute |
1987-05 | Duo Reunion | L+R | 1987 | with Horace Parlan |
1987-10 | En concert: 1st set | 52e Rue Est | 1987 | |
1987-10 | En concert: 2nd set | 52e Rue Est | 1987 | |
1988-01 | Lover Man | Timeless | 1989 | featuring Annette Lowman |
1989-03 | En concert à Banlieues Bleues | 52e Rue Est | 1989 | Live album with Chris McGregor, Harry Beckett, Annie Whitehead a.o. |
1989-10 | Body and Soul | Enja | 1991 | Live album with Richard Davis |
1990-11 | Blues | Alfa | 1991 | |
1990-11 | I Didn't Know About You | Timeless | 1991 | |
1992-01 | Black Ballads | Timeless | 1992 | |
1992-01 | Tenors of Yusef Lateef and Archie Shepp | YAL | 1992 | with Yusef Lateef |
1995-11 | Blue Ballads | Venus | 1996 | with John Hicks, George Mraz, Idris Muhammad |
1996-06 | Live In Paris | Twins Production | 2000 | Live album with Eric Le Lann |
1996-12 | True Ballads | Venus | 1997 | with John Hicks, George Mraz, Idris Muhammad |
1996-12 | True Ballads II | Venus | 1997 | with John Hicks, George Mraz, Idris Muhammad |
1996-12 | Something to Live For | Timeless | 1997 | |
1998-09 | True Blue | Venus | 1999 | with John Hicks, George Mraz, Billy Drummond |
1999-01 | Conversations | Delmark | 1999 | with Kahil El'Zabar's Ritual Trio |
2000-09 | Live in New York | Verve | 2001 | Live album with Roswell Rudd, Andrew Cyrille, Reggie Workman, Grachan Moncur III |
2001-06 | Deja Vu | Venus | 2002 | with Harold Mabern, George Mraz, Billy Drummond |
2001? | Hungarian Bebop | BMC | 2002 | with the Mihály Dresch Quartet |
2002-02 | Left Alone Revisited | Enja | 2002 | duo recording with Mal Waldron |
2003-05 | First Take | Archieball | 2005 | with Siegfried Kessler |
2003 | Kindred Spirits Vol. 1 | Archieball | 2005 | Live album with Dar Gnawa |
2007-11 | Phat Jam in Milano | Dawn of Freedom | 2009 | Live |
2010-11 | Wo!man | Archieball | 2011 | with Joachim Kühn |
2017-09, 2018-11 | Let My People Go | Archieball | 2021 | [2LP, CD, FLAC] Live album with Jason Moran |
2020 | Ocean Bridges | Redefinition | 2020 | [2LP] with Raw Poetic, Damu The Fudgemunk |
Compilations
With John Coltrane
With Sunny Murray
With Cecil Taylor
With others
John Haley "Zoot" Sims was an American jazz saxophonist, playing mainly tenor but also alto saxophone. He first gained attention in the "Four Brothers" sax section of Woody Herman's big band, afterward enjoying a long solo career, often in partnership with fellow saxmen Gerry Mulligan and Al Cohn.
Archie Shepp is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz.
James Marcellus Arthur "Sunny" Murray was an American musician, and was one of the pioneers of the free jazz style of drumming.
Roy Owen Haynes is an American jazz drummer. He is among the most recorded drummers in jazz. In a career lasting over 80 years, he has played swing, bebop, jazz fusion, avant-garde jazz and is considered a pioneer of jazz drumming. "Snap Crackle" was a nickname given to him in the 1950s.
James Emory Garrison was an American jazz double bassist. He is best remembered for his association with John Coltrane from 1961 to 1967.
Grachan Moncur III was an American jazz trombonist. He was the son of jazz bassist Grachan Moncur II and the nephew of jazz saxophonist Al Cooper.
Cecil McBee is an American jazz bassist. He has recorded as a leader only a handful of times since the 1970s, but has contributed as a sideman to a number of jazz albums.
Leroy Jenkins was an American composer and violinist/violist.
Theodore Curson was an American jazz trumpeter.
Herman Davis "Dave" Burrell is an American jazz pianist. He has played with many jazz musicians including Archie Shepp, Pharoah Sanders, Marion Brown and David Murray.
John Martin Tchicai was a Danish free jazz saxophonist and composer.
Reginald "Reggie" Workman is an American avant-garde jazz and hard bop double bassist, recognized for his work with both John Coltrane and Art Blakey.
Marion Brown was an American jazz alto saxophonist, composer, writer, visual artist, and ethnomusicologist. He was a member of the avant-garde jazz scene in New York City during the 1960s, playing alongside musicians such as John Coltrane, Archie Shepp, and John Tchicai. He performed on Coltrane's landmark 1965 album Ascension. AllMusic reviewer Scott Yanow described him as "one of the brightest and most lyrical voices of the 1960s avant-garde."
Julius Watkins was an American jazz musician who played French horn. Described by AllMusic as "virtually the father of the jazz French horn", Watkins won the Down Beat critics poll in 1960 and 1961 for Miscellaneous Instrument.
Denis Alphonso Charles was a jazz drummer.
J.C. Moses was an American jazz drummer.
The New York Contemporary Five was an avant-garde jazz ensemble active from the summer of 1963 to the spring of 1964. It has been described as "a particularly noteworthy group during its year of existence -- a pioneering avant-garde combo" and "a group which, despite its... short lease on life, has considerable historical significance." Author Bill Shoemaker wrote that the NYCF was "one of the more consequential ensembles of the early 1960s." John Garratt described them as "a meteor that streaked by too fast."
Archie Shepp & the New York Contemporary Five is a live album by the New York Contemporary Five recorded at the Jazzhus Montmartre in Copenhagen, Denmark, on November 15, 1963, and featuring saxophonists Archie Shepp and John Tchicai, trumpeter Don Cherry, bassist Don Moore and drummer J. C. Moses. The album was originally released on the Sonet label in 1964 as New York Contemporary 5 in two separate volumes on LP and later as an edited concert on a single CD, removing the track "Cisum."
In the late 1960s, Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments broke through. There are two main varieties: Afro-Cuban jazz was played in the US right after the bebop period, while Brazilian jazz became more popular in the 1960s. Afro-Cuban jazz began as a movement in the mid-1950s as bebop musicians such as Dizzy Gillespie and Billy Taylor started Afro-Cuban bands influenced by such Cuban and Puerto Rican musicians as Xavier Cugat, Tito Puente, and Arturo Sandoval. Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th-century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antônio Carlos Jobim. The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd.
Robert C. Bushnell was an American bass player and guitarist who has appeared on dozens of albums and singles as a studio musician, including Bobby Lewis's hit "Tossin' and Turnin'" (1961), "My Boyfriend's Back" by The Angels (1963), "Under the Boardwalk" by The Drifters (1964) and the remixed hit version of Simon and Garfunkel's "The Sound of Silence" (1965).