Luna Surface | ||||
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Studio album by Alan Silva and his Celestrial Communication Orchestra | ||||
Released | 1969 | |||
Recorded | August 17, 1969 | |||
Genre | Jazz | |||
Length | 28:20 | |||
Label | BYG Records | |||
Producer | Jean Georgakarakos, Jean-Luc Young | |||
Alan Silva chronology | ||||
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Luna Surface is an album by multi-instrumentalist Alan Silva, recorded on August 17, 1969 and released later that year on the BYG label as part of their Actuel series. His first recording as leader, it features Silva on violin along with a large ensemble known as the Celestrial Communication Orchestra.
The album was recorded as part of a marathon week-long BYG session which also produced albums by artists such as Archie Shepp ( Yasmina, a Black Woman , Poem for Malcolm , and Blasé ), the Art Ensemble Of Chicago ( Message to Our Folks and Reese and the Smooth Ones ), Grachan Moncur III ( New Africa ), Jimmy Lyons ( Other Afternoons ), Dave Burrell ( Echo ), Andrew Cyrille ( What About? ), and Sunny Murray ( Homage to Africa and Sunshine ). [1] [2] In an interview, Silva commented:
If you look at it a certain way, it was one of the longest recording sessions in the history of the music... Every day for about a week there were rehearsal sessions, repetition sessions, recording sessions. Everybody had their own approach and their own compositions that they wanted you to play. My record during that time, Luna Surface, was my first attempt at conducting and letting everybody play through the conductions. The pool of resources everybody had at their disposal was quite phenomenal... And BYG captured that whole scene. They staged what I would call a coup d'etat, because no American label would ever touch this stuff." [2]
When Silva was asked if the music of Iannis Xenakis was an influence on Luna Surface, he replied:
Xenakis is my main man. When it came to recording multiple levels like that, I felt modern written music had really advanced. Luna Surface... was based on a series of chords... There's no solo as such; it's all soloing, collective improvisation throughout... Luna Surface is my idea of landing on the moon. There's a second part in the BYG vaults somewhere that was never issued called "When We Landed". [3]
Review scores | |
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Source | Rating |
AllMusic | [4] |
The Penguin Guide to Jazz Recordings | [5] |
In his AllMusic review, Brandon Burke awarded the album 3 stars, stating "this is a very free record that could easily turn off a listener not yet sold on the 1969 avant-garde jazz scene... There is very little in the way of a theme and arguably little or no direction to 'From the Luna Surface,' the only cut on the record. For some this might be a little too much to handle, while for others it might just hit the spot... As a historical document of Pan-African high art music, this session is absolutely invaluable. It might not be so appropriate in the car." [4]
Dave Furgess commented: "This album really has hair on it" and noted that Silva "put together this mammoth ensemble with the intention of updating John Coltrane's Om and Ascension and Ornette Coleman's Free Jazz. After hearing Luna Surface I would have to say he was successful... These guys mean business, and sheer power of the playing of everyone involved is astounding. I haven't heard this many elephant honks since my fifth grade field trip to the Stamford Zoo. Holy Toledo!" He concluded: "This album can do crazy things to you." [6]
Britt Robson, in an article for Red Bull Music Academy , wrote: "Silva says the strategy here is keyed off of Coltrane's Ascension in terms of collective improvisation, except that 'the solo is not an element in the piece: we are all going to play all the time'... It is a dizzying whirlwind that invites multiple ways to listen – sort the innards or ride the waves... it is brave, individualistic and made with the optimistic confidence that anything is possible." [2]
Thurston Moore, in his "Top Ten From The Free Jazz Underground" list, first published in 1995 in the second issue of the defunct Grand Royal Magazine , praised Dave Burrell's album Echo , writing "from the first groove it sounds like an acoustic tidal wave exploding into shards of dynamite", then concluded: "If you can locate Alan Silva's Lunar Surface [sic] LP... you'll find a world even that much more OUT." [7]
A review on the Tiliqua Records website states: "This one is a free jazz blast... it will wrap your ears around your head in pure delight... Luna Surface is an extreme sonic experiment and a weird hell broth of high-tension music triggering multiple high voltage reactions... Probably one of the all-time most arresting listening experiences of free jazz ever to be put down on wax, players act out as engaged in trench warfare, leaping into violent fits of madness and blowing out deep subterranean apocalyptic waves of sound that constantly hurtle in and out of focus. The overall outcome is a true head cleaner, uglier than any group of mutants you'd see at a bad insane asylum. This is the fast lane folks... and some of us like it here." [8]
Grachan Moncur III was an American jazz trombonist. He was the son of jazz bassist Grachan Moncur II and the nephew of jazz saxophonist Al Cooper.
Herman Davis "Dave" Burrell is an American jazz pianist. He has played with many jazz musicians including Archie Shepp, Pharoah Sanders, Marion Brown and David Murray.
Echo is a studio album released by jazz pianist Dave Burrell. It was recorded on August 13, 1969, and first released as an LP album by BYG Actuel. It was re-released twice, first again on LP by Get Back Records in 2001 before finding its way to compact disc in 2004 via Sunspots Records.
Live at the Pan-African Festival is a live recording of Archie Shepp's performance in Algiers on July 29–30, 1969, when his free jazz group was complemented by several North African musicians.
Yasmina, a Black Woman is a jazz album by Archie Shepp, recorded in 1969 in Paris for BYG Actuel. It features musicians from the Art Ensemble of Chicago. The first track, giving its title to the album, is a long free jazz piece by an 11-piece orchestra; in it, the references to Africa that Shepp had experimented with only a few weeks earlier in Algiers are to be found in the use of African percussion instruments, or the African incantations sung by Shepp himself at the beginning of the track. The other two pieces, a homage to Sonny Rollins written by trombonist Grachan Moncur III and a standard, played by a more traditional quintet and quartet respectively, are more reminiscent of the hard bop genre, although the fiery playing of the musicians, notably Shepp himself, gives them a definite avant-garde edge. It was originally issued on CD by Affinity, mastered from an incredibly noisy vinyl source and later reissued by Charly from the original master tapes.
Poem for Malcolm is a jazz album by Archie Shepp. Recorded in Paris in August 1969 only two days after Yasmina, a Black Woman, it again features musicians from the Art Ensemble of Chicago. This time, the tone is resolutely set to avant garde and free jazz, with a political edge in the all but explicit tribute to Malcolm X. The Allmusic review by Scott Yanow states: "This LP from the English Affinity LP is a mixed bag. Best is 'Rain Forrest' on which tenor saxophonist Archie Shepp, in a collaboration with trombonist Grachan Moncur III, pianist Vince Benedetti, bassist Malachi Favors, and drummer Philly Joe Jones, perform some stirring free jazz; the interplay between Shepp and Jones is particularly exciting. On a four-and-a-half minute 'Oleo,' Shepp "battles" some bebop with fellow tenor Hank Mobley, but the other two tracks, a workout for the leader's erratic soprano on 'Mamarose,' and his emotional recitation on 'Poem for Malcolm,' are much less interesting, making this a less than essential release despite 'Rain Forrest'." It was originally issued on CD by Affinity mastered from a vinyl source and later reissued by Charly from the original master tapes.
The Way Ahead is an album by Archie Shepp, released on Impulse! Records in 1968. The album contains tracks recorded by Shepp, trumpeter Jimmy Owens, trombonist Grachan Moncur III, pianist Walter Davis Jr., bassist Ron Carter and drummers Roy Haynes and Beaver Harris in January 1968 with two additional tracks featuring baritone saxophonist Charles Davis, pianist Dave Burrell and bassist Walter Booker recorded in February 1969, and first released on Kwanza (1974), added to the CD release.
Things Have Got to Change is an album by avant-garde jazz saxophonist Archie Shepp released in 1971 on the Impulse! label. The album features a performance by Shepp with a large ensemble and vocal choir. The album "solidified the saxophonists reputation as a soulful, yet radical free jazz artist motivated by social commentary and cultural change".
Kwanza is an album by Archie Shepp released on Impulse! in 1974. The album contains tracks recorded from September 1968 to August 1969 by Shepp with four different ensembles.
A Sea of Faces is an album by avant-garde jazz saxophonist Archie Shepp recorded in Milan, Italy, on August 4 and 5, 1975, and released on the Italian Black Saint label. It features performances by Shepp with Charles Greenlee, Dave Burrell, Cameron Brown, Beaver Harris, Rafi Taha and Bunny Foy.
New Africa is an album by American trombonist Grachan Moncur III recorded in 1969 and released on the BYG Actuel label in the same year. It features alto saxophonist Roscoe Mitchell, pianist Dave Burrell, bassist Alan Silva and drummer Andrew Cyrille. Tenor saxophonist Archie Shepp performs on the final track.
Bernard "Beb" Guérin was a French jazz double-bassist.
The New Wave in Jazz is a live album recorded on March 28, 1965 at the Village Gate in New York City. It features groups led by major avant-garde jazz artists performing at a concert for the benefit of The Black Arts Repertory Theater/School founded by Amiri Baraka, then known as LeRoi Jones. The album was released on LP in 1965 on the Impulse! label, and was reissued on CD in 1994 with a different track listing.
Other Afternoons is an album by American jazz saxophonist Jimmy Lyons, recorded in 1969 and released in 1970 on the BYG label as part of their Actuel series. His first recording as leader, it features Lyons on alto saxophone along with trumpeter Lester Bowie, bassist Alan Silva, and drummer Andrew Cyrille.
Juba-Lee is an album by American saxophonist Marion Brown. It was recorded in November 1966 in New York City, and was released in 1967 on the Fontana label. The album features Brown on alto saxophone, Bennie Maupin on tenor saxophone, Alan Shorter on trumpet and flugelhorn, Grachan Moncur III on trombone, Dave Burrell on piano, Reggie Johnson on bass, and Beaver Harris on drums. The album was recorded roughly a month prior to Brown's Impulse! debut, Three for Shepp. The tracks "Juba-Lee" and "Iditus" also appear on the 2019 ezz-thetics album Capricorn Moon To Juba Lee Revisited.
Sunshine is an album by American free jazz drummer Sunny Murray, his third as a leader. It was recorded in Paris in August 1969, and released on the BYG Actuel label later that year. On the album, Murray is joined by Arthur Jones and Roscoe Mitchell on alto saxophone, Archie Shepp and Kenneth Terroade on tenor saxophone, Lester Bowie on trumpet, Dave Burrell on piano, and Malachi Favors and Alan Silva on bass.
Homage to Africa is an album by American free jazz drummer Sunny Murray. It was recorded in Paris in August 1969, and released on the BYG Actuel label in 1970. On the album, Murray is joined by saxophonists Roscoe Mitchell, Archie Shepp and Kenneth Terroade, trumpeter Lester Bowie, cornetist Clifford Thornton, trombonist Grachan Moncur III, vocalist Jeanne Lee, pianist Dave Burrell, bassist Alan Silva, and percussionists Malachi Favors, Earl Freeman, and Arthur Jones.
What About? is a solo percussion album by drummer Andrew Cyrille, his first recording under his own name. It was recorded in Paris in August 1969, and released on the BYG Actuel label later that year.
Ketchaoua is an album by multi-instrumentalist and composer Clifford Thornton. It was recorded in August 1969 at Studio Saravah in Paris, and was released by the Actuel label later that year. On the album, Thornton is heard on cornet, and is joined by saxophonists Arthur Jones and Archie Shepp, trombonist Grachan Moncur III, pianist Dave Burrell, bassists Beb Guérin and Earl Freeman, and drummers Sunny Murray and Claude Delcloo.
Seasons is a live, triple-LP album by multi-instrumentalist Alan Silva. It was recorded in December 1970 at ORTF Studio 104 in Paris, France, and was released in 1971 by BYG Records as part of their Actuel series. On the album, Silva is joined by a large ensemble known as the Celestrial Communication Orchestra.